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<strong>Bridal</strong> <strong>Identity</strong><br />
Caitlin Clark<br />
COMM 310<br />
Fall 2010<br />
Dr. Theresa Castor
Introduction<br />
Every year, hundreds of thousands of couples get married world-wide. Weddings are<br />
joyous occasions that symbolize the love of two people and their lifelong commitment to each<br />
other. A lot of time and money goes into planning a wedding, but the end result will typically<br />
reflect the identities of those that are getting married. My love <strong>for</strong> weddings led me to start<br />
watching Say Yes to the Dress when it first aired in 2007. While watching old episodes of the<br />
show on Netflix this semester, I realized that there were a lot of communication and identity<br />
patterns throughout the show between the brides and their families and friends. For this paper, I<br />
wanted to explore these patterns more in depth and to see what Communication scholars have<br />
said about weddings as representations of identity. Most of the research I found about weddings,<br />
communication, and identity are about weddings as rituals and the wedding event itself. I wanted<br />
to study an aspect of the wedding that many have not studied be<strong>for</strong>e, the planning process and,<br />
more specifically, the bridal gown selection process. Weddings can show a lot about a person’s<br />
identity and their relationships to those involved with the planning process, so it is important to<br />
study all angles of planning and executing a wedding, not just the wedding day itself.<br />
In this paper, I will be answering the following questions: What does the wedding dress<br />
shopping process, as shown in The Learning Channel’s (TLC) Say Yes to the Dress, say about<br />
the identity of a bride and her relationship with her friends and family helping her pick out the<br />
dress? What does the planning and execution of a wedding say about a couple’s identities? I will<br />
discuss my literary findings about weddings as indentifying rituals and how it relates to<br />
interpersonal communication. I will also discuss my research of the participants on Say Yes to the<br />
Dress, including the context and methods of my research and examples and an analysis of the<br />
research.<br />
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Literature Review<br />
In her book, Wedding as Text: Communicating Cultural Identities Through Rituals,<br />
Wendy Leeds-Hurwitz (2002) provides a definition of a ritual: “Ritual is an act or actions<br />
intentionally conducted by a group of people employing one or more symbols in a repetitive,<br />
<strong>for</strong>mal, precise, highly stylized fashion” (p. 87). A symbol is a sign, or something that represents<br />
something else. We use these symbols to create meaning. In traditional Western weddings, white<br />
dresses are used to symbolize virginity and innocence. In China, white symbolizes death and<br />
funerals; so instead, they use red, the color of happiness, <strong>for</strong> wedding dresses. (Leeds-Hurwitz,<br />
2002). Every culture uses social codes—such as food, clothing, objects, language, and music—to<br />
express different meanings, though they are not the same in every culture (Leeds-Hurwitz, 2002).<br />
While the choices you make <strong>for</strong> each social code is a symbol of your culture, the wedding itself<br />
is also a symbol: a symbol of two persons’ commitment to love each other and be faithful to each<br />
other. Leeds-Hurwitz (2002) also states, “The role played by ritual in creating a sense of<br />
community and a sense of order is usually emphasized, <strong>for</strong> rituals provide predictability and<br />
structure to members of a group…Rituals provide a way of reaffirming social bonds within a<br />
group, as well as a vehicle <strong>for</strong> the ‘transmission of family culture across generations’” (p. 89).<br />
Essentially, rituals create a way to show that a person is a part of a specific group or culture, and<br />
each type of ritual varies so that a person observing or participating in that ritual will know what<br />
is going on. For example, a wedding and a funeral are set up very differently. If someone in<br />
America wore white to a funeral and a black wedding dress, many people would be confused by<br />
how “inappropriate” it is <strong>for</strong> the occasion.<br />
Brides want to keep some of the traditional aspects of the wedding ceremony, but when it<br />
comes to her dress, she wants it to be individualized and <strong>for</strong> it to represent who she is. (Walsh,<br />
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2005). The traditional “white wedding” in America can be dated back to Queen Victoria’s<br />
wedding to her German cousin Albert, and continues to evolve with new traditions such as the<br />
bouquet toss and honeymoon (Nelson and Deshpande, 2004). With globalization, there have<br />
been more intercultural weddings which pose several problems <strong>for</strong> couples who are planning<br />
their weddings. They have to find a way to combine the traditions of both cultures with limited<br />
resources of how to pull it off well (Nelson and Deshpande, 2004). However, Leeds-Hurwitz<br />
(2002) proposes three possible solutions: only presenting one culture, presenting two or more<br />
cultures in different ceremonies, presenting a combination of the cultures, or presenting no one’s<br />
culture. The latter ceremonies consist of civil ceremonies—in which a Justice of the Peace<br />
per<strong>for</strong>ms the ceremony, eloping, or having a mainstream American wedding—which provides a<br />
lack of racial or religious affiliations. Whichever path the couple chooses, it usually reflects what<br />
is important to both of them.<br />
Both Otnes & Pleck (2003) and Herr (2005) show that mass media influences the<br />
wedding process and ceremony itself. With magazines, websites, reality television shows, and<br />
televised celebrity weddings, the media bombards citizens with what the “ideal” wedding really<br />
is. Romance novels and fairy tales also play into the idea that “happily ever after” happens and<br />
that a bride should be a princess on her wedding day (Otnes & Pleck, 2003).<br />
The planning process also tests a person’s interpersonal communication skills. In one<br />
study, Diana J. Mathis (2009) notes that brides negotiates relationships and identity with her<br />
fiancé, mother, mother-in-law, and friends or bridesmaids. In most cases, the bride and groom<br />
became closer during the planning process because they felt more com<strong>for</strong>table talking about their<br />
conflicts openly. When it came to mothers/mothers-in-law, they were more hesitant, but<br />
eventually would talk about the conflict with them. With friends, many friendships ended up<br />
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eing strained due to conflicts not being resolved openly (Mathis, 2009). This shows that having<br />
open, interpersonal communication when planning a large event is important <strong>for</strong> relationships to<br />
be maintained.<br />
Research Context<br />
The group of people studied consisted of the women and their friends, family, and/or<br />
fiancés from the TLC show Say Yes to the Dress. The study focuses on the women clients of the<br />
Kleinfeld bridal salon in New York City, who are shopping <strong>for</strong> their perfect wedding dress, and<br />
the people they bring with them <strong>for</strong> support and opinions. The women’s ages range from early<br />
20s to 50s, and their support groups are usually a mix of friends, parents, grandparents, siblings,<br />
and even their own children or fiancés. I selected this particular group and setting to study<br />
because I have watched the show in the past and I have been really intrigued by the relationships<br />
between the brides and the support groups. While only each person is documented <strong>for</strong> a short<br />
period of time, there is still a lot one can learn about identity. It is also a good example of one<br />
aspect of the wedding planning process, which is essential <strong>for</strong> gaining perspective on<br />
relationships throughout the course of the planning process.<br />
Research Method<br />
I observed 9 episodes of TLC’s Say Yes to the Dress, a total of 27 brides, and took notes<br />
on each episode. Each episode had about 3 or 4 brides who were either shopping <strong>for</strong> their dresses<br />
or coming in <strong>for</strong> alterations. The notes have the bride’s basic in<strong>for</strong>mation, which was provided<br />
during on-camera interviews (their name, who they brought with them, their dress budget,<br />
fiancé’s name, how they met, etc. However, some of this in<strong>for</strong>mation may not have been<br />
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provided in the interview), in<strong>for</strong>mation about the dresses tried on, and the reactions of their<br />
support groups when they see the dresses. It also includes in<strong>for</strong>mation about the consultants and<br />
happenings in the salon <strong>for</strong> more context. Observing the show allowed me to observe several<br />
different brides in the main settings of bridal gown shopping (in the dressing rooms and at the<br />
mirrors with their friends and family), which allowed me to learn about the bride’s thoughts and<br />
opinions when no one else was there to influence her, as well as to see the reactions and<br />
connections the bride has with her family and friends. The show also provided interviews with<br />
the brides, which gave a more in-depth perception of what was happening in the appointment.<br />
Not only did watching the show save time, but it allowed me to observe more brides than I<br />
would have been able to in person and I was able to compare more of them to find patterns<br />
within the research.<br />
Results and Analysis<br />
All of the brides came in searching <strong>for</strong> their perfect wedding dress: a dress that fit their<br />
vision <strong>for</strong> their wedding. Most of them knew exactly what they wanted, while others had an idea<br />
of what they wanted to look like but knew nothing about the style of dress they wanted. They<br />
had an initial consultation with their consultants, at which time they told their consultants what<br />
they were looking <strong>for</strong>. There were times when they were able to go into the sale room with the<br />
consultants to pick styles they liked, and other times the consultants when in on their own.<br />
Many of the brides brought family members and friends who were truly supportive of<br />
whichever one she tried on that she liked the best. They were able to get honest feedback from<br />
their support groups, but if there was one that she truly loved, most of them agreed with the<br />
bride. While some families can have a big disagreement about the dress—such as Bride 22<br />
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(Vicky) and her twin sister, who made sure to tell the bride what she thought—and still walk<br />
away with the right dress, other brides aren’t so lucky.<br />
In the case of Bride 7 (Melissa), she came into the salon with a picture of the exact dress<br />
that she wanted. She was looking <strong>for</strong> a dress that met the style of her glamorous, Las Vegas<br />
destination wedding. Her consultant, Dianne, was able to find the dress and also pulled a few<br />
other dresses <strong>for</strong> her to try on, just in case the first one didn’t meet her expectations. Bride 7 tried<br />
on the dress and completely fell in love with it. Her face lit up and she jumped up and down in<br />
the dress, thoroughly overjoyed. However, her mother wanted her to try on more dresses. To<br />
please her mom, she put on three more dresses, but none of them “wowed” her like the first one<br />
had. She put the first one back on, and she had the same reaction as the first time she put it on.<br />
Her best friend was really supportive of her and was happy she was so excited over this dress.<br />
Her mother, on the other hand, still wasn’t satisfied. She said, “I don’t think Melissa has seen<br />
enough dresses to make a decision.” Even though the consultants knew that this was the dress<br />
and the bride loved the dress, she followed her mother’s cautions to ensure she was getting the<br />
right dress and left the store without what Melissa felt was her dream dress. In this instance,<br />
Melissa doubted her dream dress because she ultimately let her mother influence her decision.<br />
Several families used the experience as a time to make memories. The mother of Bride<br />
19 (Caley) got really protective over Caley while she was trying on dresses, saying “She’s not<br />
YOUR daughter. She’s MY daughter” to Caley’s future in-laws. Bride 1 (Jennifer) is a thyroid<br />
cancer survivor, so shopping <strong>for</strong> her dress was treated as a moment to make memories <strong>for</strong> her<br />
and her mother. And Bride 14 (Rachelle) just has a close family and all of them wanted to be<br />
there <strong>for</strong> the entire planning process.<br />
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While most of the brides studied used their family and friends <strong>for</strong> support, Bride 2<br />
(Angelina) became friends with the entire Kleinfeld alterations staff because she was there so<br />
often. She either wanted to come in to try the dress on again to make sure everything fit or that<br />
she had the right accessories to go with the dress. Some days she even came in just to say hi to<br />
the staff. She relied on the staff to make her feel com<strong>for</strong>table and satisfied in her purchase.<br />
Discussion<br />
Through studying these brides, I have realized that the dress is usually the most important<br />
part of the wedding <strong>for</strong> a bride. It is the one thing that can be truly her own, the one thing in the<br />
wedding that completely represents who she is. She knows that she wants the focus to be on her<br />
and she wants to be the most beautiful bride anyone has ever seen. Many have certain<br />
expectations of what they want in their dress—elegance and sophistication, “like a princess”,<br />
sexy, glamorous, or glitzy are just some of the ways brides have described the dresses they want.<br />
If they have more reserved, down-to-earth, and/or introverted personalities, the brides tended to<br />
want more sophisticated and elegant dresses with simpler designs, containing more ruching or<br />
lace and minimal amounts of beading. People with more outgoing and bubbly personalities tend<br />
to want more beading and embroidery on the dress.<br />
I was also a bit surprised by Bride 8’s (Christy) support group. There were 11 people who<br />
came with her (Christy said, “Most of them invited themselves”), and consultant Audrey<br />
mentions in her private interview that larger groups tend to be more difficult to handle because<br />
there are usually a lot of opinions being thrown out there and it is hard to get a sense <strong>for</strong> what the<br />
bride wants. Luckily, the first dress was the one that Christy fell in love with and everyone in her<br />
group loved it, too. No one pressured her to go with something else or to try on another dress.<br />
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While it worked out <strong>for</strong> Christy, other brides had a hard time making a decision on a<br />
dress. They were constantly looking to their friends and family <strong>for</strong> opinions, which meant they<br />
were either insecure with themselves or they really didn’t know what they were looking <strong>for</strong>. One<br />
bride even compromised to make her family happy. Her two sons and husband came to pick out<br />
the dress she would wear <strong>for</strong> the vow renewal ceremony. The sons picked out a dress that they<br />
really loved, and her husband agreed with them that their pick looked better on her. She was torn<br />
because she wanted a simple, contemporary dress and the boys had picked out a more elegant,<br />
traditional dress. She loved both of the dresses and went with the dress the boys picked because<br />
she wanted to see them happy. This shows that she identifies herself with her family and cares<br />
much more about compromising and making her family happy.<br />
It was interesting watching the people that were more insecure about their decisions and<br />
how everyone came to the conclusion that they really needed the support of their family or<br />
friends be<strong>for</strong>e making a decision. Others found something they liked and just stuck with it,<br />
which shows that they are more determined to make a decision <strong>for</strong> themselves. After watching<br />
all of these families, I realized that more often than not, the families wanted what made the bride<br />
happy and were willing to compromise if it wasn’t exactly the vision they had <strong>for</strong> their family<br />
member or friend.<br />
Conclusion<br />
Weddings are used as a culturally-transmitted <strong>for</strong>m of identity. Today, brides and grooms<br />
have more freedom to create a wedding that represents both of them and their new life together.<br />
The wedding dress, in particular, is the bride’s personal way of showing her personality and<br />
identity. There are many ways in which culture and the media influence a wedding, and there is<br />
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definitely more freedom to change traditions and make new ones in American/Western<br />
weddings, but the fairy tale princess idea is typically in the back of a bride’s mind.<br />
The process of planning a wedding, especially the dress shopping experience, can be<br />
trying <strong>for</strong> a bride, her groom, and her friends and family, but if they are able to talk about the<br />
issues openly, the relationship has the ability to strengthen. Say Yes to the Dress has shown how<br />
a specific dress can say everything about a particular bride, and how she responds to any<br />
criticism or lack of enthusiasm from her support group can say a lot about her as well.<br />
With more time analyzing the show and viewing the show over the course of its five<br />
seasons, as well as observations or personal interviews, I believe I would be able to get a much<br />
broader view of how this process turns out <strong>for</strong> brides. However, I feel that I have a fairly good<br />
understanding that a wedding can be personalized to say a lot about a person’s identity and by<br />
viewing their interactions with others during the process can teach us a lot about how having<br />
strong conflict resolution skills can mend relationships and even bring people closer together.<br />
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References<br />
Herr, R. (2005). The Dream and the Reality of the American Wedding: Taste, Style, and Reality<br />
Television. Conference Papers -- International Communication Association, 1-26. Retrieved<br />
from EBSCOhost.<br />
Leeds-Hurwitz, W. (2002). Wedding as text: communicating cultural identities through ritual.<br />
Mahwah, N.J.: Lawrence Erlbaum Associates.<br />
Mathis, D. (2009). Here Comes the Bride: A Look at Wedding Planning from a Relational<br />
Dialectics Perspective. Conference Papers -- National Communication Association, 1.<br />
Retrieved from EBSCOhost.<br />
Nelson, M. R., & Deshpande, S. (2004) Love without borders: an examination of cross-cultural<br />
wedding rituals. In C. C. Otnes & T. M. Lowery (Eds.), Contemporary consumption rituals: a<br />
research anthology (pp. 125-148). Mahwah, N.J.: Lawrence Erlbaum Associates. Retrieved<br />
from Google Scholar.<br />
Otnes, C., & Pleck, E. H. (2003). Cinderella dreams the allure of the lavish wedding. Berkeley:<br />
University of Cali<strong>for</strong>nia Press.<br />
Walsh, K. H. (2005). “You just nod and pin and sew and let them do their thing”: An Analysis of<br />
the Wedding Dress as an Artifact and Signifier. Ethnologies, 27 (2) , 239-259.<br />
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Appendices<br />
Season 2, Episode 1:<br />
Bride Angelina Zito: is back to try on her gown with her mom and dad. Has had 15 appointments<br />
to try on her dress.<br />
Consultant Keasha is back to back appointments, and managers Joan and Elise pull her aside to<br />
make sure she is prepared <strong>for</strong> time management. In Keasha’s private interview, jokingly states<br />
“I’m good with my timing. So what if I take an extra half an hour?” The managers think that she<br />
continually goes over<br />
Keasha’s first appointment:<br />
Keasha meets Jennifer Nardone, her bridesmaids, and mother in the waiting room at Kleinfeld.<br />
Waiting room: two cream colored couches back to back, creating two sitting areas that also<br />
include 6 high back chairs around a table in each area.<br />
Bride 1:<br />
Jennifer Nardone: physical education teacher<br />
Fiancé is Salvatore Santoro.<br />
Looking <strong>for</strong> a mermaid style dress. First experience wedding dress shopping.<br />
Budget: $7,000<br />
Wedding date: July 24<br />
Crystal Nardone: mother, Spanish teacher, works at the same high school as Jennifer.<br />
Jennifer: My mom would love to see me in a poufy, princess dress<br />
Mom: because she is a princess<br />
Jennifer: but I’m more into a mermaid style<br />
$7,000, July 24<br />
Bought her wedding dress at Kleinfeld in 1978 and offered to let Jennifer wear it, but Jennifer<br />
says “I don’t think I’m going to wear it”<br />
Keasha brings Jennifer & Crystal into stock room, which is against policy.<br />
Crystal & Husband are paying <strong>for</strong> the dress and while it’s important <strong>for</strong> Jennifer to like the dress<br />
and be happy with it, her mom also wants to be happy with it because it may be difficult <strong>for</strong> them<br />
if they disagree on the dress.<br />
Keasha: “When the mom is kind of disagreeing with the bride, and um, the bride is disagreeing<br />
with the mom, it can be difficult.<br />
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Dress #1: Jenn falls in love with it. Mermaid dress, has a scoop neck, beading all over with a<br />
mermaid dress. “I love it. I don’t want to try on any other dress”, but mom wants to make the<br />
most of the occasion<br />
Jenn: “I got diagnosed two years ago with thyroid cancer.”<br />
Mother: “It was a terrible thing to go through”<br />
Jenn had to go through surgery to remove her thyroid, and her fiancé proposed two months later.<br />
Mom wants the appointment to last longer so that they can make a memory of it together because<br />
Jennifer having cancer was really hard and “it’s the memories that are most important”<br />
Dress #2: Mom’s choice, v-neck. Jenn doesn’t like it at all.<br />
Dress #3: Ball gown with scalloped beading. Jenn didn’t like the dress.<br />
Despite the warnings from her managers and Joan letting Keasha borrow her watch, the<br />
appointment is cutting into the next time slot, so Elise starts to circle her to see if it will push her<br />
to finish up.<br />
Dress #4: Mermaid, more beading and gold, very similar to the first one, but wasn’t “wow”<br />
Gets back in 1 st dress, was absolutely happy in it, once veil was put on, she was trans<strong>for</strong>med into<br />
a bride.<br />
Wouldn’t be able to get through this without her mother. Mother is overjoyed that her daughter<br />
gets to plan <strong>for</strong> her future.<br />
Keasha can relate to the bride because she found a lump in her breast and the doctor said it may<br />
be cancer, but Keasha hasn’t gone back to get it checked out.<br />
Bride 2: Angelina: it is her 15 th appointment and she falls in love with it<br />
$4,000 Wedding: March 30 th , Marco Aguayo. Went to the same high school together, but didn’t<br />
realize it until later. Thinks he is going to love the dress. Mother loves it more and more every<br />
time she puts it on. “This is everything I dream of”. “Picking the gown, I feel it had to show my<br />
personality”.<br />
Downstairs in alterations: Angelina made a surprise visit to alterations just to say hello. Nicole<br />
says that there is a bit of insecurity about her choices, so she keeps coming back to make sure<br />
everything is just perfect. Angelina thinks of the girls in alterations as her friends, and Nicole<br />
describes them as her “posse”. “We know how to tame her. We know how to make her feel<br />
com<strong>for</strong>table”.<br />
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Elise has to go down to alterations because a bride kicked Vera, the alterations manager, out of<br />
the dressing room. The bride tells Elise that Vera is evil; she doesn’t want her in the room with<br />
her. Elise tries to calm her down, while the bride is yelling “I am like a child”. Elise expresses<br />
that there were some serious issues being discussed in the dressing room only 2 days be<strong>for</strong>e the<br />
wedding, but once the bride started talking about it, it was clear that Vera was not the problem.<br />
Angelina came back <strong>for</strong> her last fitting to make sure everything was perfect. Was scared that the<br />
dress would get looser be<strong>for</strong>e the wedding, but Nicole assured her that it would be just fine. “No<br />
crash diets. This is not the time to do any crash diets.”<br />
2 days later, Angelina’s wedding took place and she was incredibly happy with her choices. She<br />
said that the best part of her day was the dress.<br />
Season 2, Episode 2:<br />
New staff member, fashion director Randy. Background in bridal fashion; used to be a designer<br />
so he is called in to help brides with his opinions and to put finishing touches (such as the veil)<br />
on the ensemble.<br />
Consultant: Sarah<br />
Bride 3: Dana Dibble<br />
About the bride: Looking <strong>for</strong> dress with best friend Michelle, whose wedding is one after<br />
Dana’s.<br />
Looking <strong>for</strong>: plain, not too much poof<br />
Budget: 3,000<br />
Wedding date: Oct 18<br />
Fiancé: Nathaniel Harrison<br />
How they met: met in undergraduate school in Seattle<br />
People she brought: There with friend Michelle (Bride 4) and Michelle’s friend Dana.<br />
Dress #1: plain white, a-line dress with pleats on bust line and back. Really likes this dress, but<br />
wants to try on more.<br />
Dress #2: Pockets, pleats along bust line. Doesn’t like silhouette of the dress as much as the first<br />
one.<br />
Dress #3: One that Randy pulled. Too close to the body <strong>for</strong> her.<br />
Consultant: Sarah<br />
Bride 4: Michelle Lamarca<br />
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About the bride: Looking <strong>for</strong> dress with best friend Dana, whose wedding is one month be<strong>for</strong>e<br />
Michelle’s. Couldn’t wait to get engaged, even though Dana had been with her fiancé <strong>for</strong> years<br />
while Michelle had only met hers a few months be<strong>for</strong>e [getting engaged]<br />
Looking <strong>for</strong>: Lazaro, embroidery, beading, fit & flare/trumpet style<br />
Budget: 4,000<br />
Wedding date: Sept 19<br />
Fiancé: Tim Ralston<br />
How they met: met while living in Baltimore<br />
People she brought: There with Bride 3 and friend Dana<br />
Dress 1: Lazaro trumpet gown.<br />
Dress 2: sherbet, floral, poof with flowers.<br />
Friend Dana says 2 makes her look pregnant, which she agrees. Michelle decides she really<br />
doesn’t like #2, even though she specifically came in looking <strong>for</strong> that dress.<br />
Randy is called in to Sarah’s appointment to help pull dresses <strong>for</strong> the brides. Realizes that<br />
Michelle, a shorter, fuller figured girl, has been trying on fit-and-flare style dresses which he<br />
thinks are <strong>for</strong> taller girls. He says he’s going to pull some ball gown and a-line dresses <strong>for</strong> her to<br />
try on. After he leaves, bride tells Sarah that she really loves the fit-and-flare dresses because she<br />
thinks they make her look taller. Sarah goes to find Randy to tell him that the bride really likes<br />
the fit-and-flare and that the first dress looked good on her. However, he still thinks he knows<br />
what is best <strong>for</strong> the brides.<br />
Dress #3: Doesn’t feel like it’s as dramatic as the first one. “It feels more like a prom dress than a<br />
wedding dress”. Both brides feel that since Randy wasn’t in with the initial conversation, he<br />
doesn’t have a good idea of what they’re actually looking <strong>for</strong> and that he’s just putting them in<br />
what he wants to see them in.<br />
Elise noticed Randy pulling dresses and that Sarah was over the allotted appointment time, so<br />
she went back to check on them. Noticed that the dresses Sarah had pulled in the room were still<br />
in the room and were the ones to work with, told Randy to stop bringing in Both girls put dress<br />
#1 back on and while Dana still needed time to think it over, Michelle knew that it was the dress<br />
she wanted.<br />
Randy: “I think when [Michelle] came in, she knew exactly what she wanted. I have to let it go. I<br />
have to realize that it is not my wedding”<br />
Consultant: Keasha<br />
Bride 5: Lyerly Spongberg<br />
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About the bride: second marriage <strong>for</strong> the both her and her fiancé. They want to consider it as a<br />
wedding <strong>for</strong> the 8 of them, not just <strong>for</strong> two people.<br />
Looking <strong>for</strong>: nothing with much of a train<br />
Budget: no firm budget<br />
Type of wedding: wedding on the beach<br />
People she brought: two biological daughters, two future stepdaughters. There are also two boys<br />
that aren’t with them at the appointment.<br />
Fun <strong>for</strong> bride to see the daughters get so excited to go dress shopping. Keasha pulled the two<br />
dresses the bride had an eye <strong>for</strong>. Bride wants to please everyone, but Keasha tries to remind her<br />
that it is her day<br />
Wore each dress out to the pedestal and mirror right outside of fitting rooms where her party was<br />
waiting.<br />
Dress #1: likes the layers and there were a lot of fabric balls sewn across it. The girls thought it<br />
was too fussy.<br />
Dress #2: similar style, feminine, girls don’t like the flowers.<br />
Dress #3: tassels with lace.<br />
Dress #4: Halter with tattered look.<br />
Dress #5: All of them love it. Silk dress, thin straps, V-neck with crystals in between the bust.<br />
Bride hadn’t given Keasha a price point to work with, but then realizes at the end of the<br />
appointment that it was too much money and that she’d have to think about it. She didn’t come<br />
back <strong>for</strong> the dress.<br />
Consultant: Leah<br />
Bride 6: Lynn Huang<br />
Looking <strong>for</strong>: something off the rack that can be altered in a week.<br />
Wedding date: Saturday, exactly 1 week away<br />
Fiancé: Christopher Luo<br />
Why she is at Kleinfeld: had dress made in Beijing, where they got engaged, but the dress got<br />
dry cleaned without her knowledge and it shrunk. Took it to a tailor and it ended up becoming a<br />
big mess. At Kleinfeld to find a dress that can be purchased and altered within a week.<br />
People she brought: Fiancé Chris. He had been seeing the dress the entire time. Mother joined<br />
them <strong>for</strong> the final fitting.<br />
Found a dress she loved, rushed down to alterations to make sure it was ready in time.<br />
Fiancé very supportive during the whole experience. Thinks she is absolutely beautiful and<br />
happy that she found something she was happy with. Both looking <strong>for</strong>ward to spending their<br />
lives together.<br />
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Season 2, Episode 3:<br />
Consultant: Dianne<br />
Bride 7: Melissa Rodriguez<br />
Looking <strong>for</strong>: looking ‘<strong>for</strong> something that screams “Las Vegas destination wedding’” and is all<br />
“glammed up”<br />
Budget: $5,000 tops<br />
Wedding date: April 25th<br />
Fiancé: Alex Alfonzo<br />
Type of wedding: Las Vegas<br />
People she brought: Man of Honor, Fabian, Mother, Maritza, another friend (unnamed)<br />
Wore each dress out to the pedestal and mirror right outside of fitting rooms where her party was<br />
waiting.<br />
Dress #1: tries on the dress that she brought in pictures of (Dropped waist with beading down the<br />
center and at the waist). Loves it and cries when she sees it. Feels like a bride. Mother scowls<br />
and crosses her arms. Demands to see more dresses.<br />
Dress #2: Tries on another one with ruching and lace, same shape, but doesn’t like it as much.<br />
Dress #3: Hates the dress and won’t even come out in it<br />
Dress #4: Mermaid style. Thinks it’s “nice” but isn’t wow-ed. Asks to try on dress #1 again.<br />
Puts dress #1 back on. Mom is not impressed. “I don’t think Melissa has seen enough dresses to<br />
make a decision”. Fabian is really supportive because he knows it’s the dress she wants, but<br />
mom thinks she needs more time to pick a dress and needs to try on more. Elise gave her a sale<br />
price, but because her mother was telling her to think about it, she second-guessed herself and<br />
walked away from the dress.<br />
Consultant: Audrey<br />
Bride 8: Christy Daniels<br />
About the bride: wants to feel a sense of completeness when putting on her wedding dress<br />
Looking <strong>for</strong>: doesn’t want a traditional dress<br />
Budget: $5,000<br />
Wedding date: August 24th<br />
Fiancé: Raheem Watson<br />
How they met: American University, bumped into each other in the hall<br />
People she brought: Large group; 11 guests, many of whom invited them on.<br />
Audrey’s concerned that a large group will be difficult to handle. The more people there are, the<br />
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harder it is to manage the appointment and to get a sense of what the bride is thinking. There are<br />
usually too many opinions <strong>for</strong> the bride to make her own decision.<br />
Dress #1: One strap, off the shoulder. Pleated, no beading. Immediately loves it in the dressing<br />
room. “Runway” feeling<br />
-Brings it out to the main floor where her friends and family were waiting. Almost brought mom<br />
to tears. No one demanded anything or pressured her. Didn’t try on any other dresses.<br />
Keasha talked to Joan and Elise about the lump she found in her breast and went to the doctor<br />
with their encouragement. She is cancer free.<br />
Consultant: Sarah<br />
Bride 9: Leslie Saunders<br />
Budget: $2,500<br />
Wedding date: May 24th<br />
Fiancé: Michael Simmons<br />
People she brought: future mother-in-law, bridal party (her two best friends and another friend)<br />
Wore each dress out to the pedestal and mirror right outside of fitting rooms where her party was<br />
waiting.<br />
Dress #1: All of her friends really like it. It’s <strong>for</strong>m-fitting on the top, which is something her<br />
fiancé wanted. Best friend Na says it’s “not my personal favorite”.<br />
Dress #2: Had fan piece on the top, Sarah called the frills a crumb catcher. Nikki’s favorite, says<br />
it flatters her figure. Na likes it but it isn’t her favorite. Everyone agrees #1 is out.<br />
Dress #3: Form-fitting trumpet style with ruching and sweetheart neckline. This is Na’s favorite,<br />
but Nikki doesn’t like it as much.<br />
Between #2 and #3, and it’s really difficult <strong>for</strong> her to choose, so she put both dresses on <strong>for</strong> her<br />
mom on webcam. She still can’t decide. Nikki keeps asking, “Which one do YOU like?” and she<br />
keeps saying, “I don’t know, I can’t decide”. Ended up picking dress #2, says “it makes me feel<br />
like a bride”. Nikki is happy that Leslie liked the one that she “absolutely loved”, too.<br />
Season 2, Episode 4:<br />
Consultant: Keasha<br />
Bride 10: Barbara Michaels<br />
About the bride: renewing vows to husband of 16 years<br />
Looking <strong>for</strong>: sophisticated, contemporary<br />
Budget: unlimited<br />
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Vow renewal: September 26th<br />
Husband: Paul<br />
Type of wedding:<br />
People she brought: Paul, sons Alex and Brandon<br />
Boys wait in dressing area while Paul, Barbara, and Keasha go to pick a dress.<br />
Dress #1: trumpet style, beading on the top and ruching around the middle. Barbara thinks it’s<br />
stunning.<br />
-Ronnie, store owner, wants the boys to love/help pick the dress.<br />
-Keasha goes back to look <strong>for</strong> more dresses<br />
Dress #2: halter, flowy fabric, and bow at bust line. No one really likes the dress.<br />
Mara, other store owner, brings the boys to the floor to help pick out a dress that they like.<br />
Dress #3: full beading, more traditional. Nothing like what she wanted, but is considering getting<br />
it because the boys picked it and like it.<br />
Puts dress #1 back on. Barbara thinks Dress #1 is the better dress, but once she puts the other<br />
dress on, the boys and her husband think Dress #3 is better. Keasha suggests sitting in the room<br />
with the dresses on the hanger side by side to think it over.<br />
Barbara loves the first one, but decides to go with the #3 because she truly loves the dress and<br />
knows it will make her boys happy.<br />
Consultant: Debbie<br />
Bride 11: Kerri Lawrence<br />
About the bride: 29 years old<br />
Looking <strong>for</strong>: doesn’t want strapless, v-neck front and back, little bit of beading.<br />
Budget: $2,500-$3,000<br />
Wedding date: May 31<br />
Fiancé: Chris Lesiak<br />
How they met:<br />
Type of wedding: Caribbean, at sunset. Having full reception <strong>for</strong> about 200 people back in the<br />
States.<br />
People she brought: mother, Claire<br />
Dress #1: v-neck front and back, beading on waistline.<br />
-Kerri knows her mom loves the dress by the look on her face, but thinks her mom is holding<br />
back to avoid telling her outright to buy the dress.<br />
Dress #2: Scoop neck; has a lot of beading and detail on the dress. Mom thinks it’s “lovely” and<br />
says “so far…I like this one a lot.” Kerri isn’t certain about it because of the midsection, so she<br />
goes to try on another one.<br />
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Dress #3: Debbie convinces her to put on a strapless dress. Simple, figure flattering dress with<br />
beading at the neckline. Suggests getting more of the beading to add a strap to the dress. Mom<br />
thinks that if it has to be altered too much, then it’s not the dress <strong>for</strong> her.<br />
Tries on dress #1 again and realizes it’s her dress.<br />
Kerri comes back <strong>for</strong> her fitting and brings her mother and best friend Steve with her when she<br />
tries it on. Steve thinks it looks beautiful and says, “Chris is going to die!”<br />
Consultant: Camille<br />
Bride 12: Sandra Colon<br />
About the bride:<br />
Looking <strong>for</strong>: 2 gowns, one more traditional <strong>for</strong> the ceremony, and a party dress <strong>for</strong> the reception<br />
Budget: $8,000<br />
Wedding date: September 19<br />
Fiancé: Ricardo Rivera<br />
People she brought: Fiancé Ricky (who won’t actually be seeing the dresses, just waiting in the<br />
lobby. While he wasn’t allowed to see the dress, it was important to both of them that he was<br />
there <strong>for</strong> support. Her brother Axel, who is in a wheel chair, future mother-in-law, Marisol, and<br />
other friends were also there.<br />
Sandra: Axel is “my personal stylist. He won’t let me walk out of the house if I don’t look like a<br />
supermodel”.<br />
Dress #1: seems to be a hit in the dressing room. Sandra says, “I love it. I want to keep it. I think<br />
we may have a winner” and gives the camera a thumbs up. Beaded, scalloped sweetheart<br />
neckline.<br />
Dress #2: slinky, v-neck, backless. Everyone loves the dress.<br />
Axel wants her to try on a mermaid style dress, so she tries one on <strong>for</strong> him.<br />
Dress #3: mermaid dress, Axel loves it, but it isn’t what Sandra wants. Tries on #1 again, and<br />
Axel “retired the mermaid”.<br />
Season 2, Episode 5:<br />
Consultant: Camille<br />
Bride 13: Ashlee Coutant<br />
About the bride:<br />
Looking <strong>for</strong>: basic and com<strong>for</strong>table, a little looser.<br />
Budget: $2500<br />
Wedding date: August 22nd<br />
Fiancé: Aaron Bates<br />
How they met: met when both were freshmen in high school<br />
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Type of wedding: in town where they grew up.<br />
Why she is at Kleinfeld:<br />
People she brought: her mom April, sister Abby, and two friends<br />
Camille meets bride in the main part of the salon and takes her back to pull dresses. Ashlee is<br />
immediately drawn to a dress, but since Camille <strong>for</strong>got to ask <strong>for</strong> a budget, Ashlee pulls a dress<br />
that is out of her price range. Sister describes Ashlee’s style as “hippy chic”.<br />
Dress #1: A-line, flowy fabrics with large, flower-like detailing at the bottom. Everyone loves<br />
the dress, but mom says she did not expect her to have picked it.<br />
Dress #2: narrower silhouette, non-matching fabrics on top and bottom confuses the bride and<br />
her party. They all like the first one better.<br />
While in the stock room, Ashlee finds out that Camille is showing her dresses out of her price<br />
range. Both seek to find new dresses that compare, but it is not boding well.<br />
Looking <strong>for</strong> cheaper options.<br />
Dress #3: simple, Grecian dress.<br />
Everyone disappointed because nothing is comparing to the first dress.<br />
Dress #4: Roses along the bust but the plain bottom made it feel top-heavy.<br />
Camille asked Elise <strong>for</strong> the sample sale price, which brought the price down but it still wasn’t in<br />
her budget so she walked away from the dress.<br />
Consultant:<br />
Bride 14: Rachelle Cohen<br />
About the bride: Came from Cali<strong>for</strong>nia to look at wedding dresses. Really close family<br />
Looking <strong>for</strong>: strapless, sweetheart neckline, “tight where it shows the figure, but not so tight that<br />
it doesn’t fit”<br />
Budget: $7500<br />
Wedding date: July 11th<br />
Fiancé: Collin Ozar<br />
Why she is at Kleinfeld:<br />
People she brought: Whole family (dad, two brothers, mom, sister)<br />
Dress #1: Ruched dress w/ single strap.<br />
Everyone is giving their opinion. Do not like the first dress<br />
Dress #2: Similar style with bow on bust line and on waist.<br />
Brother asks “Is that the same dress you just had on?”<br />
Dad says he doesn’t like the dress<br />
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Dress #3: Corset back, can make it a sweetheart neckline. Rachelle loves everything about it and<br />
hopes <strong>for</strong> the approval of her dad and brothers. Everyone saw it and knew it was the dress <strong>for</strong><br />
her.<br />
In dad’s private interview, he talks about how even though Rachelle and her fiancé Collin had<br />
been dating <strong>for</strong> 8 years prior to getting engaged, he still felt ill the first two weeks because his<br />
daughter was getting married.<br />
Consultant: Keasha<br />
Bride 15: Rachel Lutzker<br />
About the bride: from Hart<strong>for</strong>d, Connecticut. Traffic reporter <strong>for</strong> the local news.<br />
Looking <strong>for</strong>: “not a pretty pretty princess”. “Elegance, but myself”.<br />
Budget: $7,000<br />
Wedding date: April 4th<br />
Fiancé: David Jorgensen, works in finance<br />
Type of wedding: location in New York City.<br />
People she brought: Mom, man of honor OJ.<br />
Rachel: “OJ will be brutally honest. And my mom will point out the flaws”<br />
Rachel’s dad passed away when she was 13. After her engagement, her mom told her that her<br />
dad set away money <strong>for</strong> her wedding. She described herself as “a daddy’s girl”, so it meant a lot<br />
to her that he had contributed money toward her wedding.<br />
Dress #1: beading on the straps, under the bust. Loves the dress and OJ even exclaims “that’s<br />
hot!” Mom thinks it looks beautiful, but they decide to try on more dresses.<br />
Dress #2: mermaid style dress. Doesn’t fit and is very uncom<strong>for</strong>table to move around in. They<br />
don’t like it.<br />
Dress #3: A-line type dress with pleats across the bodice of the dress. Bow at the hip.<br />
OJ feels that she’s been coming out in dresses that are more “princess-y” and they don’t look as<br />
good on her.<br />
Rachel asks Keasha to pick a dress to put her in as if she hadn’t come in with any preconceived<br />
ideas about what dress she wanted.<br />
Dress #4: A strapless dress with beading under the bust and at the hips. Rachel still feels too<br />
princess-y, but realizes she likes not having straps. Elise brings out the first dress, holds it up to<br />
her without the straps, and she absolutely loved it more. Mom thinks it looks even better without<br />
the straps. Tries it on again without the straps, and everyone loves it. She feels great about it<br />
because it’s her “own”.<br />
OJ: “I think she feels as she says ‘brides-y’. I think she feels glamorous. I think she feels like<br />
she’s going to get married”.<br />
Season 2, Episode 6:<br />
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Quarterly Blowout Sale:<br />
Starts at 3:00 PM, but people line up outside all morning, the earliest one shown was 9:30 AM.<br />
Consultants also meet with normal appointments be<strong>for</strong>e the blowout sale:<br />
Consultant: Audrey<br />
Bride 16: Elizabeth Roach<br />
Looking <strong>for</strong>: something that accentuates the waist. Non-ball gown<br />
Budget: $3,000<br />
Wedding date: October 18th<br />
Fiancé: Eric Breidinger<br />
People she brought: sister Michelle, also Maid of Honor; friend, Jackie.<br />
Dress #1: sweetheart neckline, pleats all across the dress.<br />
Elizabeth is worried she’s going to like all of the dresses because she liked the first one she tried<br />
on. When she comes out to the main floor to show Michelle and Jackie, they had “stone-cold,<br />
dead faced” expressions. She wanted more of a reaction.<br />
Dress #2: V-neck front and back, all-over lace dress. Still not getting much of a reaction out of<br />
her sister & friend.<br />
Audrey brings in Elise to get a read on what the bride wants.<br />
Dress #3: very plain, long train, almost Marilyn Monroe-esque style. Michelle says “It’s a very<br />
nice dress; I just don’t think it’s the one.”<br />
In private interview, Michelle says, “I don’t think she really knows what she wants.”<br />
Elise admits that she thinks the bride won’t buy a dress unless she gets the reaction she wants<br />
from her sister.<br />
Dress #4: V-neck, lace and beading. There’s still no reaction once again from Michelle, and<br />
Michelle asks “what?” when she sees that Elizabeth is frustrated. Elizabeth says she wants<br />
Michelle “to be ‘oh my god!’” when she sees an amazing dress.<br />
Dress #5: similar to the first dress, but Michelle wants to see the first one again to make a<br />
decision.<br />
Puts dress #1 back on, but her sister still didn’t give her the “I love it” reaction she wanted.<br />
Michelle was actually shocked that Elizabeth was choosing and buying a dress that day because<br />
she didn’t think Elizabeth could make a decision and that she didn’t know what she wanted.<br />
23
Elizabeth bought Dress #1 even though her sister and friend didn’t give her the reaction she was<br />
looking <strong>for</strong>.<br />
Consultant: Debbie<br />
Bride 17: Gabriella Voight<br />
Budget: $10,000<br />
Wedding date: June 29th<br />
Fiancé: Salvatore Cinquemani<br />
Type of wedding: large, 50’s Hollywood glamour theme<br />
People she brought: Stacy London, one of her bridesmaids and fashion guru, and her future<br />
sister-in-law [Vallice].<br />
Dress #1: beautiful, but Stacy thinks it’s too yellow. Not a good fit <strong>for</strong> her shape.<br />
Dress #2: A lot of tulle, which she isn’t a fan of. Gabby says “I didn’t want to be a princess when<br />
I was 4, so I don’t want to be a princess now.”<br />
Dress #3: Gabby feels beautiful, but they ask to take the tulle out from underneath.<br />
Season 2, Episode 9:<br />
Consultant: Sarah<br />
Bride 18: Jennifer Osorio<br />
About the bride: worried about having plus size samples.<br />
Looking <strong>for</strong>: open to anything but poufy dresses. Wants whatever is going to look good.<br />
Budget: $2,000<br />
Wedding date: May 3rd<br />
Fiancé: AJ Ramos<br />
How they met:<br />
Type of wedding:<br />
People she brought: Fiancé <strong>for</strong> support, Jennifer’s mom, Jennifer’s maid of honor, Chrissy<br />
AJ: Her weight comes into play whenever she goes shopping. She has a hard time shopping<br />
without getting frustrated and walking out.<br />
Sarah takes Jennifer and Chrissy into the stock room to pick out some dresses.<br />
AJ: a little worried about how the dress is going to fit and if Kleinfeld is going to have a dress<br />
that is in her size. He also is a little worried <strong>for</strong> the consultant because Jennifer gets frustrated<br />
easily and might “break her neck”<br />
24
Sarah’s going to put her into some strapless dresses even though Jennifer is worried about being<br />
too busty <strong>for</strong> them. Sarah also thinks it’s cute that AJ is so supportive of Jennifer and is<br />
genuinely excited to see Jennifer try on some dresses.<br />
Dress #1: AJ loves the cleavage of the dress. Ivory, strapless, embroidery along the bust and a<br />
gathered skirt. Everyone was blown away by the first one.<br />
Dress #2: AJ thought it was too gaudy, too much detailing. Everyone agreed the first one was<br />
better.<br />
Dress #3: Jennifer picked it out, but didn’t like it as much when it was on. Beading and ruching<br />
on the bust line, but plain everywhere else.<br />
AJ: “The dress just didn’t flow right”.<br />
Jennifer goes back to the stock room to pull more dresses.<br />
Dress #4: Thinks she looks like a cake<br />
Dress #5: Thinks she looks like a table cloth<br />
Put dress #1 back on.<br />
AJ: “When she came back out in that first dress, my heart just stopped.”<br />
Consultant: Dianne<br />
Bride 19: Caley Coyle<br />
About the bride: Admits she is a bit of a follower and doesn’t stick up <strong>for</strong> herself. “I don’t wanna<br />
walk out with the wrong dress”.<br />
Looking <strong>for</strong>: did a lot of research <strong>for</strong> the type of dress she wants. ball gown, white, strapless,<br />
prefers beading but not too much. Fiancé doesn’t like too much sparkle, but Caley loves sparkle.<br />
Budget: $7,000<br />
Wedding date: TBA<br />
Fiancé: Eric Svenson<br />
People she brought: mother, 3 future in-laws.<br />
Caley says she and mom are really close. “She always wants the best <strong>for</strong> me.” Mom brings<br />
pictures of a dress Caley was looking at back to Dianne in the stock room.<br />
Caley wants to keep the dresses a surprise, so she has everyone stay out by the pedestal while she<br />
puts on her first dress. Mom is stressing out and emotional that she couldn’t talk to Caley and be<br />
in the room with her while she’s trying on her dress. Caley is sad about it, but also wants her<br />
mom to have an element of surprise <strong>for</strong> her mom. Caley admits that her mom can get possessive<br />
of her at times. Mom is outside telling the in-laws “This is my daughter. She is not YOUR<br />
daughter, she is MY daughter. This is what we do together all the time.” Her in-laws are shifting<br />
around, feeling a little alienated by her mom.<br />
25
Dress #1: Caley thinks this one is the most visually appealing. She asks <strong>for</strong> her family’s opinions<br />
and all of them say it’s beautiful and that they love it. She asks, “Is this too much? Is the beading<br />
too heavy here?” “Eric doesn’t like beading”. Mom says, “Caley, <strong>for</strong>get about Eric.”<br />
Mom: “She wants it to be the best day <strong>for</strong> her. She should get the dress that she wants.”<br />
Dress #2: Mother-in-law says, “It had too much detail, too much beading”.<br />
Dress #3: Bride says it makes her look longer and doesn’t have the sweetheart neckline that she<br />
wants.<br />
Goes back to put on Dress #1 again. Brings mom into the room with her when she puts it back on<br />
to help her decide. Caley says she “trusts her [mom’s] opinion the most.” Mom was thrilled to be<br />
able to be in the room when Caley made the decision to go with the first dress.<br />
Bride 20: Danielle Paciello<br />
Bought a dress, custom made veil and custom train <strong>for</strong> $11,000. Fiancé cancelled the wedding 2<br />
months ago. She was in complete shock when it happened.<br />
Went back to a room with Joan, bridal manager, to discuss the options<br />
Dress is in production, which means there is no refund <strong>for</strong> the dress. She can take the dress, or if<br />
she leaves it she would <strong>for</strong>feit the $6,000 deposit. She and her family opt to pay the remaining<br />
balance on the dress and take the dress when it is ready.<br />
Very strong woman, and knows that she has the perfect dress and is now just waiting <strong>for</strong> the<br />
perfect man.<br />
Bride 21: Gina Masela<br />
About the bride: Coming in <strong>for</strong> first fitting. Needs to make sure the dress fits with her new breast<br />
enhancements.<br />
Brings grandmother, sister, and mother with to the fitting. Gina shares her grandmother’s love<br />
<strong>for</strong> rhinestones and glitter. Pnina Tornai, the dress designer, came in to assist in the alterations of<br />
the dress and to ensure that the bride was happy.<br />
Season 2, Episode 12:<br />
Consultant: Debbie<br />
Bride 22: Vicky Guttman<br />
Why she is at Kleinfeld: Picked a dress, but doesn’t like it anymore so they want to get a new<br />
dress. She loves the front of the dress, but she doesn’t like the back.<br />
People she brought: twin sister Audrey Guttman, mother<br />
Debbie is going to start her in the original dress, then pull other dresses. Mom and sister think<br />
she’s going to end up picking the same dress, she just needs some reassurance. Debbie thinks<br />
26
that her friends were the ones influencing her decisions because problems didn’t arise until after<br />
she started showing them pictures.<br />
Debbie and Audrey work together to rearrange the back of the dress to make it look better. Vicky<br />
thinks the bustles in the back make it look like a down com<strong>for</strong>ter. Debbie tells her that alterations<br />
will have to be brought in to figure out how the back could be changed, and in the meantime<br />
goes to put her in more dresses.<br />
Dress # 1: original dress<br />
Dress #2: Audrey hated the dress, described it as a “Halloween costume”. Vicky is getting<br />
frustrated because her sister is telling her exactly what her friends are going to think. Debbie<br />
takes Audrey with to the stock room to help pick out a dress. Audrey says that the friends were<br />
the reason she started doubting her choice.<br />
Dress # 3: Too plain <strong>for</strong> Vicky. No one likes it.<br />
Vicky realizes the first dress is the right dress, as long as the back can be fixed. Debbie calls in<br />
Elise and they pull down some of the lace and show how it would look with one layer removed.<br />
She loves the dress much more without the extra layer.<br />
Consultant: Dianne<br />
Bride 23: Rozlynn Silvaggio<br />
About the bride: wants to look hot. No<br />
Looking <strong>for</strong>: lace, will probably be jumping into the ocean with it.<br />
Budget: $5,000<br />
Wedding date: April 25th<br />
Fiancé: Keith Bauman<br />
How they met: in San Francisco<br />
Type of wedding: on the beach in Mexico<br />
Why she is at Kleinfeld:<br />
People she brought: 3 friends, Kelly, Jeanie, Jenn<br />
Dress #1: All ruching. Friends say it “has the ‘marshmallow’ effect that you didn’t want.”<br />
Dress #2: pleating. Friend says “it reminds me of a paper Mache project.”<br />
Hard <strong>for</strong> her to make a decision because her friends are giving their opinions and Rozlynn isn’t<br />
making up her own.<br />
Dress #3, ruching and pleats all the way down. All of her requisites were in this one dress.<br />
Friends give her a “perfect score” of all 10s.<br />
Consultant: Audrey<br />
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Bride 24: Laura Domholt<br />
About the bride:<br />
Looking <strong>for</strong>: a Lazaro gown<br />
Budget: $2,500<br />
Wedding date: 2011<br />
Fiancé: Scott Pauly<br />
Type of wedding: in St. Paul, MN<br />
Why she is at Kleinfeld: came <strong>for</strong> the Lazaro trunk show<br />
People she brought: gay friend Tom Courtney<br />
Audrey is concerned that Tom, a fashion designer, is going to be calling the shots. Also doesn’t<br />
know when the bride is getting married. Introduces Laura to Lazaro.<br />
Dress #1: not Tom’s favorite.<br />
Dress #2: Ivory, shows off waist. V-neck with straps, ruffled, tiered train. Both think it’s<br />
beautiful, but Tom wants to see some sparkle.<br />
Dress #3: Audrey pulls another dress similar to #2, but with sparkles.<br />
Dress #4: Chantilly-lace, beautiful dress but not <strong>for</strong> her.<br />
Audrey thinks that Tom has been showing just the dress, not how beautiful she is in the dress.<br />
Dress #5: tries on a Kenneth Pool ball gown, with beading along the bust line and waist.<br />
Everyone loved it.<br />
In the end, she wasn’t ready to purchase a dress.<br />
Bride 25: Kathryn Meyer<br />
Budget: $6,000<br />
Wedding date: July 18th<br />
Fiancé: Kevin Toolan<br />
How they met: sister introduced them<br />
Why she is at Kleinfeld: getting fitted in her dress and her mom is getting fitted <strong>for</strong> her dress too.<br />
People she brought: Mom, sister (matron of honor), and future mother in law.<br />
Mother and sister both gushed over Kathryn’s dress and her sister is crying over how beautiful<br />
both her mom and Kathryn look.<br />
Season 3, Episode 1:<br />
Consultant: Debbie<br />
Bride 26: Beth Maier<br />
About the bride: from Las Vegas<br />
Looking <strong>for</strong>: wear at the Las Vegas wedding, not traditional, wants to break rules a little bit.<br />
Budget: $2,000<br />
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Wedding date: July 4th<br />
Fiancé: Ryan Carrier<br />
How they met: Through mutual friends in Las Vegas. After sister’s funeral, she and fiancé<br />
realized that they couldn’t be apart.<br />
Type of wedding:<br />
Why she is at Kleinfeld:<br />
People she brought: Dad, mom, sister Gloria, her best friend Rosemary<br />
Debbie and Randy pull dresses <strong>for</strong> Beth.<br />
“Part of my inspiration <strong>for</strong> having this wedding, because originally I just thought to elope and<br />
run with my fiancé to the nearest wedding chapel, was my little sister. She passed away last year<br />
and basically we were only a year apart. We were raised like twins.”<br />
“I realized that, when my fiancé proposed, that I needed to have a celebration, not just <strong>for</strong> me but<br />
<strong>for</strong> her”.<br />
Family feels like there is a big void. While Beth describes herself as more of a conservative<br />
person, wants to capture her sister’s free-spirit in the dress.<br />
All of the dresses she tries on definitely fit her sister’s personality, but nothing that fit her own<br />
personality. The occasion is too overwhelming <strong>for</strong> her and she ends up going back to Las Vegas<br />
to get a dress.<br />
Consultant: Keasha<br />
Bride 27: Stacey<br />
About the bride: Describes herself as having “expensive taste”, but with a limited budget.<br />
Looking <strong>for</strong>: Not entirely sure what she wants.<br />
Budget: $3,000<br />
Wedding date: October 31st<br />
Fiancé: Brian Reed<br />
Type of wedding: Halloween day “It’s dramatic, romantic in a way”<br />
Why she is at Kleinfeld: put a deposit down on a custom-made dress, but is having her doubts<br />
People she brought:<br />
“I love color. I just think it’s so elegant. I would love to do black or red or something like that”<br />
Keasha is having problems finding a dress.<br />
Finds her a dress with black lace trim, which she falls in love with and is perfect <strong>for</strong> her.<br />
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