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he Book of European Short Pitch. - Nisi Masa

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NINA BLAzIN<br />

SLOvENIA<br />

DAwN<br />

Tel: +38 640 265 638<br />

E-mail: nina_blazin@yahoo.com<br />

Intention<br />

In one appartement t<strong>he</strong> young family is waiting for a<br />

baby to be born. Pregnant Lejla is mostly in <strong>he</strong>r bedroom.<br />

Boyfriend Tine and fat<strong>he</strong>r Jovan try to assemble<br />

a baby bed. T<strong>he</strong>y have a lot <strong>of</strong> problems – t<strong>he</strong>y can’t<br />

read t<strong>he</strong> manual, t<strong>he</strong>y don’t find t<strong>he</strong> matching pieces<br />

to assemble t<strong>he</strong> bed. In a humourous situation t<strong>he</strong><br />

men deal with t<strong>he</strong>ir issues. Jovan has come from Serbia<br />

to see his daughter. He thinks <strong>of</strong> Tine as a boy who<br />

doesn’t deserve his daughter. He tries to show him this<br />

with every action and every word <strong>he</strong> makes. Tine tries<br />

to be accepted.<br />

In anot<strong>he</strong>r appartement a son, Robert sees his fat<strong>he</strong>r<br />

8<br />

after many years. His dying fat<strong>he</strong>r lives in his own<br />

world <strong>of</strong> music and isn’t able to communicate with<br />

anybody apart his sister. Through t<strong>he</strong> music slowly t<strong>he</strong><br />

fat<strong>he</strong>r makes t<strong>he</strong> connection with Robert.<br />

T<strong>he</strong> light in t<strong>he</strong> film is very intimate - only some parts<br />

<strong>of</strong> t<strong>he</strong> shot are lite, t<strong>he</strong> rest in dark. T<strong>he</strong> light from t<strong>he</strong><br />

window is used to make a special atmosp<strong>he</strong>re in t<strong>he</strong><br />

film.<br />

Camera is hand<strong>he</strong>ld and sometimes very close to t<strong>he</strong><br />

charachter. T<strong>he</strong> overall feeling <strong>of</strong> film is rough, shot<br />

in a documentaristic style. T<strong>he</strong> light gives t<strong>he</strong> shots a<br />

poetic feeling.<br />

Synopsis<br />

Pregnant Lejla (31) and Tine (30) are about to have a<br />

baby. Lejla’s fat<strong>he</strong>r Jovan (55) has come from Serbia<br />

to stay with t<strong>he</strong> couple. Tine and Jovan are trying to<br />

assemble a baby bed. Jovan doesn’t accept Tine – <strong>he</strong><br />

thinks Tine isn’t good enough for his daughter. Tine<br />

tries to convince Jovan that <strong>he</strong> can be a good partner<br />

to Lejla. W<strong>he</strong>n t<strong>he</strong> arguing gets too loud, Lejla reminds<br />

t<strong>he</strong>m why t<strong>he</strong>y are toget<strong>he</strong>r – because <strong>of</strong> t<strong>he</strong> new life.<br />

Slowly t<strong>he</strong>y overcome t<strong>he</strong> problems and learn to deal<br />

with each ot<strong>he</strong>r.<br />

Robert (50) comes to visit his dying fat<strong>he</strong>r (75) and his<br />

sister Barbara (40). Because <strong>of</strong> old resentments Robert<br />

hasn’t seen his fat<strong>he</strong>r for many years. T<strong>he</strong> fat<strong>he</strong>r<br />

is very ill. As a retired composer <strong>he</strong> can only communicate<br />

through music. T<strong>he</strong> sister Barbara spends all<br />

<strong>of</strong> <strong>he</strong>r time <strong>he</strong>lping <strong>he</strong>r fat<strong>he</strong>r. While visiting his fat<strong>he</strong>r<br />

Robert resolves old problems.<br />

Everything happens in a 3 hour period – from early<br />

morning w<strong>he</strong>n it’s still dark until t<strong>he</strong> beginning <strong>of</strong> t<strong>he</strong><br />

new day. One life ends so anot<strong>he</strong>r one can begin.<br />

PRODUCTION FACTS<br />

Estimated Budget: 105.000 €<br />

Casablanca Productions<br />

Igor Pedicek<br />

Intends to acquire about 45 – 75% <strong>of</strong> t<strong>he</strong> estimated<br />

budget from t<strong>he</strong> National sources.<br />

T<strong>he</strong> rest <strong>of</strong> t<strong>he</strong> budget will come from t<strong>he</strong> coproductions<br />

in financial, technical and human<br />

resources in production and postproduction.<br />

“A story <strong>of</strong> 4 men<br />

w<strong>he</strong>re 2 men overcome<br />

cultural differences<br />

while making<br />

a baby bed and 2 are<br />

joined toget<strong>he</strong>r with<br />

music – in one story<br />

life ends so in anot<strong>he</strong>r<br />

one life can begin.”<br />

Director Biography<br />

I was born 3 months before t<strong>he</strong> date.<br />

My weight was like a loaf <strong>of</strong> bread – not<br />

even 1 kilo. I didn’t even have a name,<br />

just a surname and t<strong>he</strong> word GIRL next to<br />

it. W<strong>he</strong>n I was a bit bigger my fat<strong>he</strong>r put<br />

me into an old shoe box and entertained<br />

me by slideing t<strong>he</strong> box around t<strong>he</strong> appartment.<br />

My first holidays I spent dressed in<br />

shorts and a telephone number written on<br />

my behind – just in case I wondered away<br />

and got lost.I still like to wonder away and<br />

get lost in stories, situations and interesting<br />

people. After finishing my diploma in<br />

t<strong>he</strong> Film Academy (AGFRT) in Ljubljana,<br />

Slovenia I’ve worked on different projects:<br />

I’ve written and directed short films, long,<br />

short documentaries, tv-shows.

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