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he Book of European Short Pitch. - Nisi Masa

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GEOFF BELLHOUSE<br />

UNITED KINGDOM<br />

LIFE<br />

Tel: +44 208 947 8855<br />

E-mail: Ge<strong>of</strong>f@t<strong>he</strong>beatpicture.com<br />

Intention<br />

Life <strong>of</strong>fers a brief glimpse into t<strong>he</strong> world <strong>of</strong> two pained<br />

characters. It portrays t<strong>he</strong> parallels and similarities<br />

t<strong>he</strong>y both share as an after effect <strong>of</strong> this killing. A sister<br />

has lost <strong>he</strong>r brot<strong>he</strong>r and a mot<strong>he</strong>r has lost a son to jail.<br />

T<strong>he</strong> emotional impact on both women is extreme and<br />

as a result this moment w<strong>he</strong>n t<strong>he</strong>y encounter each<br />

ot<strong>he</strong>r is intensely affecting and poignant.<br />

I wanted to deal with t<strong>he</strong> devastation left upon both<br />

family lives a year after t<strong>he</strong> incident. It is witnessed<br />

through Meagan’s eyes and it is <strong>he</strong>r story but it is also<br />

<strong>he</strong>r humanity, which allows t<strong>he</strong> viewer into Kay’s world.<br />

Both women have a different relationship to this mur-<br />

der and so t<strong>he</strong> feelings are varied but equally t<strong>he</strong>re is<br />

an overriding consensus <strong>of</strong> bereavement and failure.<br />

W<strong>he</strong>n t<strong>he</strong>y discover each ot<strong>he</strong>r and acknowledge t<strong>he</strong><br />

ot<strong>he</strong>r person for who t<strong>he</strong>y are, this is t<strong>he</strong> coming toget<strong>he</strong>r<br />

<strong>of</strong> two extremes. However what exists, rat<strong>he</strong>r<br />

than anger or revenge, is a common acceptance that<br />

t<strong>he</strong>y are both in equal positions <strong>of</strong> futility. Both are subjected<br />

to t<strong>he</strong> emotional consequences and damage <strong>of</strong><br />

murder and both have lost t<strong>he</strong> person t<strong>he</strong>y most cared<br />

about.<br />

Synopsis<br />

A year on, Meagan struggles to balance a fractured<br />

home life with creating a future for <strong>he</strong>rself. S<strong>he</strong> spends<br />

most <strong>he</strong>r time tending to <strong>he</strong>r now bereaved mot<strong>he</strong>r<br />

and younger sister whilst working at an oriental store<br />

to bring home t<strong>he</strong> family income.<br />

One day during work, Kay unexpectedly walks back<br />

into Meagan’s life – a woman Meagan never thought<br />

s<strong>he</strong> would have to deal with again. At first disgusted,<br />

Meagan is soon fixated and compelled to follow Kay<br />

home.<br />

Later, waiting outside <strong>he</strong>r house, an opportunistic moment<br />

occurs as Kay leaves and with t<strong>he</strong> house alone<br />

and temporarily vacant, Meagan snatc<strong>he</strong>s <strong>he</strong>r chance<br />

and breaks in. Once inside s<strong>he</strong> is unexpectedly moved<br />

and confused by t<strong>he</strong> similarities that <strong>he</strong>r house and<br />

this woman share. Both are absent <strong>of</strong> someone very<br />

dear and significant.<br />

Finally, w<strong>he</strong>n t<strong>he</strong> two women confront each ot<strong>he</strong>r over<br />

what is going on, t<strong>he</strong>y soon realise t<strong>he</strong>y both share<br />

conflicted feelings <strong>of</strong> loss and hopelessness…<br />

PRODUCTION FACTS<br />

Estimated Budget: £18,000<br />

Director <strong>of</strong> Photography – David Procter<br />

www.davidprocterdop.com<br />

Meagan – Antonia Thomas<br />

www.spotlight.com/interactive/cv/9411-<br />

8975-5851<br />

Locations needed: Meagan’s Flat/ Swimming<br />

Pool/ Wing Yip Cash & Carry/Bus/<br />

Kay’s House<br />

“What is it to seek<br />

compassion in t<strong>he</strong><br />

person who has<br />

hurt you most?”<br />

Director Biography<br />

Born in London 1984, I began my film career<br />

at t<strong>he</strong> Septima Ars Film School in Madrid,<br />

Spain. I studied direction for a year,<br />

before returning to t<strong>he</strong> UK to complete<br />

a Masters in Filmmaking at T<strong>he</strong> London<br />

Film School. Having graduated in 2010<br />

and worked on several award winning<br />

independent shorts and documentaries, I<br />

am now writing my first feature film.<br />

I predominantly focus on fiction, looking<br />

at everyday people and t<strong>he</strong>ir relationship<br />

to experiencing new, unusual and affecting<br />

situations. So far my works have been<br />

screened and exhibited at festivals across<br />

Europe. I have a BIFA nomination for writing<br />

and my latest fiction short Life is currently<br />

in t<strong>he</strong> early stages <strong>of</strong> production.<br />

5

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