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he Book of European Short Pitch. - Nisi Masa

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AvGOUSTA zOURELIDI<br />

ELECTRIFyING LOvE<br />

Tel: +44 790 687 3087<br />

E-mail: avgousta_zourelidi@yahoo.com<br />

Intention<br />

I was inspired to write this story in t<strong>he</strong> summer <strong>of</strong> 2011.<br />

During a train journey I noticed several lines <strong>of</strong> electric<br />

pylons stretching out into t<strong>he</strong> distance. T<strong>he</strong>y reminded<br />

me <strong>of</strong> parading soldiers marching into t<strong>he</strong> void<br />

<strong>of</strong> t<strong>he</strong> morning fog. T<strong>he</strong>ir anthropomorphic structures<br />

sparked an idea for a tragic love story.<br />

T<strong>he</strong> musical elements in this film will create a great<br />

contrast between t<strong>he</strong> static reality <strong>of</strong> t<strong>he</strong>se metal structures<br />

and t<strong>he</strong> vibrant dance numbers t<strong>he</strong>y share to express<br />

t<strong>he</strong>ir love for one anot<strong>he</strong>r.<br />

This is an allegorical tale about two characters from<br />

28<br />

GREECE/UK<br />

very different backgrounds and t<strong>he</strong> cultural differences<br />

t<strong>he</strong>y have to overcome in order to communicate. It is<br />

about t<strong>he</strong> alienation and stereotyping <strong>of</strong> people that<br />

move from t<strong>he</strong>ir homeland to anot<strong>he</strong>r country and t<strong>he</strong><br />

problems that arise with that. But above all this is a<br />

story about relationships and how love can <strong>he</strong>lp deal<br />

with all t<strong>he</strong>se issues.<br />

I’m drawing from personal experiences to write this<br />

film. W<strong>he</strong>n I was 9 years old my family moved from<br />

Russia to Greece. T<strong>he</strong> cultural differences and language<br />

barrier caused many problems in my interactions<br />

with ot<strong>he</strong>r people and I believe t<strong>he</strong>se are important<br />

issues to explore in a film.<br />

Synopsis<br />

Electrifying Love tells t<strong>he</strong> tragicomic musical love story<br />

<strong>of</strong> a male electric pylon from Siberia who is accidentally<br />

transported and installed in t<strong>he</strong> <strong>he</strong>art <strong>of</strong> t<strong>he</strong> English<br />

suburbs. Although <strong>he</strong> tries his best <strong>he</strong> doesn’t manage<br />

to fit into t<strong>he</strong> new cultural environment.<br />

Things get even worse w<strong>he</strong>n <strong>he</strong> meets and falls in love<br />

with a female pylon. His attempts to win <strong>he</strong>r <strong>he</strong>art fail<br />

miserably. All that <strong>he</strong> achieves is to annoy <strong>he</strong>r and create<br />

interference in radio and electricity transmissions.<br />

One day a <strong>he</strong>avy blizzard hits t<strong>he</strong> city. Pylons fail to<br />

provide electricity causing blackouts and accidents in<br />

t<strong>he</strong> nearby town. T<strong>he</strong> Russian pylon is t<strong>he</strong> only one<br />

who can withstand t<strong>he</strong> cold and saves t<strong>he</strong> day.<br />

T<strong>he</strong> Female pylon realizes that s<strong>he</strong> loves him. T<strong>he</strong>y<br />

share a moment <strong>of</strong> happiness, in form <strong>of</strong> a musical<br />

duet, just before <strong>he</strong> is taken away to be recycled. Female<br />

pylon is devastated and decides to shut down<br />

<strong>he</strong>r own circuit, s<strong>he</strong> is also taken away. T<strong>he</strong> two pylons<br />

are reunited by being recycled into one object.<br />

PRODUCTION FACTS<br />

Estimated Budget: 50.000 €<br />

Technique: 2D Digital Drawn animation technique with some<br />

CGI elements for t<strong>he</strong> musical numbers.<br />

Overall Sc<strong>he</strong>dule 48 weeks.<br />

Production: Helen Brunsdon has agreed to be on board as a<br />

consultant. Helen has worked for BBC, Aardman and Arthur<br />

Cox.<br />

Studio Sun and Moon in Bristol have agreed to provide studio<br />

space and expertise.<br />

Music: I have teamed up with music composer Paul Lambert.<br />

Paul’s credits include t<strong>he</strong> live action short film T<strong>he</strong> Confession,<br />

that was nominated for an Academy Award in 2011.<br />

“Great love will<br />

spark electricity in<br />

t<strong>he</strong> most unlikely<br />

characters.”<br />

Director Biography<br />

I was born in St.Petersburg, Russia and<br />

have since lived in Greece and t<strong>he</strong> UK.<br />

At t<strong>he</strong> age <strong>of</strong> four I drew a red bunny rabbit<br />

and was admitted into art school–t<strong>he</strong>re<br />

was no turning back. Since t<strong>he</strong>n I have<br />

completed an MA in Animation Direction<br />

at t<strong>he</strong> National Film and Television School<br />

in t<strong>he</strong> UK, my graduation film Laika has<br />

been shown in more that 40 festivals<br />

around t<strong>he</strong> world. I have four years experience<br />

working in t<strong>he</strong> animation industry,<br />

most recently as t<strong>he</strong> Animation Director<br />

on t<strong>he</strong> popular CGI pre-school series,<br />

Chuggington. In t<strong>he</strong> future I would like<br />

to develop more short films and at some<br />

point perhaps immortalize that bunny in<br />

his own film.

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