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Niobid Painter Calyx Krater

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<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>Fact Scan:Date:Type:Technique:Potter:<strong>Painter</strong>:Height:Subject:455-450BC<strong>Calyx</strong> <strong>Krater</strong> (Mixing wine and water at the symposium)Red Figure (the figures are red!)Unknown<strong>Niobid</strong> <strong>Painter</strong> (this is the “name vase” of this painter!)54 cmUnknown – Herakles and AthenaSlaughter of the <strong>Niobid</strong>s.


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>Side AThe narrative on this side ofthe vase is unknownTwo characters only can hepositively identifiedHerakles – HOW?Athena – HOW?The other characters areclearly heroes – HOW do weknow?


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>SIDE A – 4 possible interpretations• The Argonauts at LemnosExpiation by Argonautsafter killing KingKyzilosSuccessful Greeks afterthe battle of MarathonHerakles rescuingTheseus from theUnderworld


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>Side BThe killing of the childrenof NiobeArtemis taking an arrowfrom her quiverApollo shooting an arrowAssorted dead people –some partly obscured by rockCheck out the tree – it’slandscape (something rare,but not unique in vasepainting)


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>CompositionNot linearGroupings of charactersCompositional unityestablished by gaze andgestureVariable ground line anattempt on indicate adepth of fieldRocks (no longer easilyvisible) an attempt togive volume to field ofthe frieze.


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>CompositionBordered above andbelow by stylized eggsOutside of thesepalmettes separated bylotus flowers and volutetendrilsHandles surrounded bystylised tongues.


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>CompositionNot linearCompositional unityestablished by gaze andgestureVariable ground line anattempt on indicate adepth of fieldRocks (no longer easilyvisible) an attempt togive volume to field ofthe frieze.


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>DraperyIrregularity of foldsTexture added by relief lineSome revelation of anatomy bydraperyCatenary folds similar to sculptureSubtle attempt at billowing around thewaist


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>Relationship to wallpaintingUndulating groundlineStatuesque posesGaze and gesture to establishcompositional unity


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>Anatomy and DepthProfile eye for the first timeMuscles “hyper” realCombination of relief line and dilute slipContrapostal pose (hip lower) – but not reallyseen in shoulder: relationship to sculptureForeshortened feetOverlapping


<strong>Niobid</strong> <strong>Painter</strong> <strong>Calyx</strong><strong>Krater</strong>Key featuresInnovative featuresLandscapeUndulating ground lineProfile eyeNarrative techniquesCompositionRelationship to wall painting

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