THE MASTER CRAFTSMANVan Dusen’s goal is to bring back original woodwork details of <strong>San</strong> <strong>Diego</strong>’s old homesWilliam Van Dusen is a self-taught craftsman, starting hiswoodworking career more than 35 years ago when he was captivatedby the historical features of the town of Julian.During a period of rejuvenation of the town, he began to buildhis first business, Julian Millworking, which provided the historicalmillwork for many of the gold rush-era commercial buildingsand homes. In the following years he worked with master craftsmen,architects and well-established companies in high-end residentialand commercial woodworking. In recent years Van Dusenreturned to the work that first inspired him.“It’s fantastic that many of our older <strong>San</strong> <strong>Diego</strong> neighborhoodsare being rejuvenated by enthusiastic homeowners with an appreciationof how special homes and neighborhoods affect their lives,”said Van Dusen. “There is a newfound sense of community andhome in these historical neighborhoods.”These homes and neighborhoods have been through a lot. Inthe 1960s through the 1990s, many of these homes were flipped,relegated to rentals or torn down with no regard to their history.Old homes were stripped of their original features, vinyl windowsreplaced wood sash, MDF moldings and particle board cabinetsreplaced original woodwork.The big box stores were helpful in promoting low cost replacementsand “upgrades.” Often, the homeowner is faced with manylayers of previous improvements and remodels that are like badmakeup hiding the true beauty of a home.Fortunately, homeowners today have found an interest in thepast. Taking on even a partial renovation can be stressful, costlyand time consuming. Homeowners need help and advice to navigatetheir way through their projects. It is important for the homeownerto do their homework and work with people that areexperienced with special needs that an older home presents.Van Dusen’s goal is to bring back the original woodwork detailsof <strong>San</strong> <strong>Diego</strong>’s old homes that may have been lost over the years.He does his research on the built-in bookcases, china cabinets,molding and other millwork features common in specific neighborhoodsor by a specific builder.Using his collection of vintage American-made woodworkingmachinery, traditional craftsmanship and historically correct wood,such as White Oak, Gumwood and Douglas Fir, he re-discovershistory one project at a time.William Van Dusen Millworking can be reached at (619) 443-7689.Van Dusen’s email is: william@wvdmillwork.com.William Van Dusen in his shop.Woodwork on a 33rd Streethouse in North Park.French doors and transomDoor at the University of <strong>San</strong> <strong>Diego</strong>3 4S A N D I E G O M E T R O . C O M | J U LY 2 0 1 2 | 2 7 T H A N N I V E R S A R Y 1 9 8 5 - 2 0 1 2
B A L B O A PA R KPainting Himself on Death’s DoorGoya’s work one of the most arresting self-portraits in art historyThe second in the series of major loans tothe Timken Museum of Art comes from theMinneapolis Institute of Art. Francisco deGoya’s “Self-Portrait with Dr. Arrieta” from1820 is on display at the Timken throughSept. 9. The museum will display the paintingalongside the Timken’s own revolutionary-eramasterpiece, Jacques-Louis David’slandmark portrait of the Irish Republicansympathizer, Cooper Penrose, of 1802. Admissionis free.As court painter for both Charles III andCharles IV of Spain, Goya achieved considerablerenown as a portraitist. “Self-Portraitwith Dr. Arrieta,” one of his masterpieces andthe last of his many self-portraits, was createdlate in his life. Goya, who because of a previousmysterious illness was stone deaf, hadFrancisco de Goya’s ‘Self Portrait with Dr.Arrieta’fallen seriously ill again and his doctor EugenioGarc’a Arrieta brought him back tohealth.On recovering, he presented Arrieta withthe portrait that shows the physician caringfor his patient. The artist’s inscription reads:“Goya gives thanks to his friend Arrieta forthe expert care with which he saved his lifefrom an acute and dangerous illness whichhe suffered at the close of the year 1819 whenhe was seventy-three years old. He painted itin 1820.”“One of the most arresting self-portraitsin the history of art, Goya has painted himselfon death’s door, collapsed onto Dr. Arrieta,who offers him a glass of red liquid,” saidJohn Wilson, executive director of theTimken. “Small details create a compellingstory: as Goya’s head lolls he grips the edge ofthe sheet and mysterious figures crowd thebackground in the rich darkness; Arrieta’s attentiveconcern contrasts with Goya’s unconsciousness.”A private dinner hosted by Lori and BillWalton is planned for Aug. 9 to commemoratethe showing. Each guest will wear a designinspired by either Goya’s Self Portrait orJacques-Louis David’s Cooper Penrose. Costis $5,000 per couple.Goya’s self-portrait is on loan to theTimken Museum of Art from the MinneapolisInstitute of Arts, The Ethel MorrisonVan Derlip Fund in exchange for theTimken’s loan of Rembrandt’s SaintBartholomew, part of the exhibition Rembrandtin America on view at the MIAthrough Sept. 16.Patrons of the Prado toHonor Peter EllsworthPeter “Pete” K. Ellsworth,known as <strong>San</strong> <strong>Diego</strong>’sfounding father of culturalleadership. will be honoredJuly 14 by Patrons of thePrado, a philanthropic organizationthat supportsarts and cultural institutionsin the park. Ellsworth, president ofthe Legler Benbough Foundation, is creditedwith the expansion of Sharp Hospitalinto the Sharp Healthcare network of hospitalsand clinics from the mid-1980s tothe mid-1990s. He was nominated by theTimken Museum of Art as one of 11 visionary“Patrons on the Prado Stars” for2012 who serve the community by providingan enhanced Balboa Park experience.The awards program will be held at 6 p.m.on the Prado and also will feature tributesto the Beach Boys and Jersey Boys, entertainmentby the Wayne Foster Orchestra,and cuisine by Jeffrey Strauss of PamplemousseGrill. Ellsworth and 10 other honorees,who were nominated by galabeneficiary institutions, will be honoredduring the program. Ellen Zinn is chair ofthe event.Ellsworth and his wife Doris have beenFriends of the Timken since 1998. Hisstewardship of the Legler BenboughFoundation has been instrumental in theevolution of the museum through conservationand acquisition of world class art.Major gifts from the foundation were alsodirectly responsible for the development ofa strategic plan and the hiring of its executivedirector, John Wilson, in 2008.Ellsworth serves on the Mayor’s 2015 BalboaPark Committee and Irwin Jacob’sPlaza de Panama Board.2 7 T H A N N I V E R S A R Y 1 9 8 5 - 2 0 1 2 | J U LY 2 0 1 2 | S A N D I E G O M E T R O . C O M3 5