analecta romana instituti danici xxxiv - Det Danske Institut i Rom

36 Sisse Tanderupus of nature and naturalness. Globalizationdoes thus not seem to have neutralized thedifference between the design identities ofdifferent countries. What Alessi and GeorgJensen have in common is their attempts tocouple poetry and memory in their designs.Memories have a special capacity for addinglife, closeness and engagement to designproducts, both when the designer deliberatelyor intuitively involves the dimension ofmemory in his design.Sisse TanderupM.A., Ph.D.-fellowVonsildvej 69DK-6000 Koldingsit@dskd.dkBIBLIOGRAPHYAlessi, A.1921 The Dream Factory. Alessi since 1921,Milan.Bachelard, G.1994 The Poetics of Space, transl., Boston.Baudrillard, J.2002 Terrorismens Ånd, overs., København.Baudrillard, J.2003 Power of Inferno, Copenhagen.Benjamin, W.1982 “Der Sammler”. In: Das Passagen-Werk,Erster Band, Frankfurk am Main, 269-280.Braghieri, G.1991 Aldo Rossi. Work and Projects, Barcelona.Bunschoten, R.1998 Metaspaces, London.Dant, T.1999 Material Culture in the Social World –Values, Activities, Lifestyles, Buckingham,Phil.Gilloch, G.1997 Myth and Metropolis. Walter Benjaminand the City, Cambridge.Horsfeld, H.2005 Nanna Ditzel, København.Leslie, E.1999 “Telescoping the microscopic Object:Benjamin the Collector”. In: Coles, A.(ed.), The Optic of Walter Benjamin,London, 58-91.McCracken, G.1988 Culture and Consumption, Bloomington-Indianapolis.Mendini, A. (ed.)2003 Tea & Coffee Towers, Milan.Mitchell, T.2005 What do Pictures want? – The Lives andLoves of images, Chicago.Norman, D.A.2004 Emotional Design: Why we love (or hate)Everyday Things, New York.Rossi, A.1981 A Scientific Autobiography, 1st ed.,Cambridge, Mass. & London.Rossi, A.1991 “Invisible Distances”. In: Adjmi, M. (ed.),Aldo Rossi Architecture 1981-1991, NewYork, 272.