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22 Aug: Vol 24, #12 - UWA News staff magazine - The University of ...

22 Aug: Vol 24, #12 - UWA News staff magazine - The University of ...

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10 <strong>UWA</strong>newsWorking together creates supportA simple solution to a problem in a <strong>University</strong>library has been an excellent example <strong>of</strong> <strong>staff</strong>from different areas working together.<strong>The</strong> Education, Fine Arts and Architecture (EDFAA) Libraryhas hundreds <strong>of</strong> big heavy art and architecture books that usedto fall over when somebody took a nearby book <strong>of</strong>f the shelf.Straightening the shelves was becoming a problem and causingphysical pain to library <strong>staff</strong>.<strong>The</strong> problem was identified by EDFAA library <strong>staff</strong> CaroleDuffil and Judy Smith; they asked advice from Safety andHealth Office (SHO) occupational therapist Averil Riley, whodid some research and came up with an idea; <strong>staff</strong> at FacilitiesManagement, particularly tradesman, welding expert and sculptorOne <strong>of</strong> the world’s great artshows will feature a sculptureby <strong>UWA</strong> <strong>staff</strong> member LenZuks.Len’s steel sculpture <strong>of</strong> a horse andrider has been chosen to be part <strong>of</strong> theBeijing Biennale, China’s biggest and mostimportant art exhibition, opening nextmonth.He has been an artist and sculptor allhis life but says he also enjoys his work asa tradesman for the Facilities Management(FM) maintenance workshop.“It’s hard to make a living as an artist,but I don’t do it for the money, I do itbecause I love it,” he said.Len was at the exhibition <strong>of</strong> Sculpturesby the Sea at Cottesloe early this year atthe same time as a Chinese delegation.“<strong>The</strong>y were talking about acquiring artfor the Beijing Olympics, so they couldline the road between the airport andthe Olympic Village with installations. Ihappened to have photographs <strong>of</strong> someLen Zuksexplains hisdesign tolibrarian JudySmithAn Aussie icon in China<strong>of</strong> my work with me and showed themto them. <strong>The</strong>y immediately chose one<strong>of</strong> my pieces, then returned to Beijingwhere a committee decided on a differentpiece, then asked me to exhibit it in theBiennale,” he said.“It was one <strong>of</strong> those hugely luckycircumstances.”Len’s horse and rider sculpture is 1.8metres tall, 1.8 metres long and about ametre wide. He calls it Duffer McCreedyafter a fictitious iconic Australian outbackcharacter.“He was a hard-working but illiteratestation hand, who met a teacher whocame to the station, learnt to read andwrite, fell in love with the teacher andmarried her, but didn’t quite overcomesome <strong>of</strong> his early ways.“<strong>The</strong> police were after him for somepetty thieving, so he ran away to war,served in Gallipoli and returned hometo make a lot <strong>of</strong> money on the land, thenbecame a philanthropist.“It’s the story <strong>of</strong> our land <strong>of</strong>THE UNIVERSITY OF WESTERN AUSTRALIA • <strong>22</strong> AUGUST 2005Len Zuks (see also below), played around with the idea and, aftera few prototypes, and the help <strong>of</strong> Peter Norgard in the electricalengineering workshop, came up with the solution; and Libraryadministration manager Annie Macnab initiated the project andfound funding for it.Judy Smith explained that while most library books weighedabout 500 grams, EDFAA’s big books could weigh up to fourkilograms. <strong>The</strong> <strong>staff</strong> were getting repetitive use strain fromcontinually sorting the books, which were held up only by otherbooks. Averil Riley contacted other art libraries and found onesolution at Curtin <strong>University</strong> <strong>of</strong> Technology: a shelf support thatcould be attached to existing shelves, to take the load <strong>of</strong> heavybooks.Len Zuks considered the Curtin model, then thought <strong>of</strong> abetter way to make the support, using less material but in athicker gauge so the extra strength gave more support.“Len also ensured that the edges weren’t sharp and they wereset back from the edge <strong>of</strong> the shelf, so nobody would scratch orgraze themselves on it,” said Ms Smith.About 600 shelf supports are needed and the FM workshophas produced and installed about 200 so far. <strong>The</strong>y haveoutsourced the cutting <strong>of</strong> the zinc-plated steel supports as FMdoes not have a machine capable <strong>of</strong> large numbers <strong>of</strong> repetitions,and Len is welding them together.Ms Riley said she encouraged <strong>staff</strong> who identified manualhandling hazards to reportthem to SHO.opportunity, and it inspired me to createthis vision <strong>of</strong> a proud man on his horse,”Len said.He doesn’t know <strong>of</strong> any other WesternAustralian artists who have been invitedto exhibit at the Biennale, where he hopessomebody will buy Duffer McCreedy.Len is currently working on a life-sizedsteel sculpture <strong>of</strong> an Aboriginal man. “<strong>The</strong>body’s done but I have to think <strong>of</strong> a storyfor him before I do his arms and hands,which will dictate what he’s doing with hisarms,” he said.Len has been working at <strong>UWA</strong> for 16years, first in the physics workshop, thenfor FM. He is taking leave to go to Chinafor the Biennale, where he will attendseminars and workshops with otherinternational artists.

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