43HEAD OF KITTY 1947BronzeLent by Mr Arnold L. Haskell, C B EExhibited '<strong>Art</strong>s Council', 1952, cat. no. 48. Two heads of 'Kitty', dated1944 and 1949, are illustrated in the 'Autobiography' facing pages 183and 203. A bust (1956) was included in the 'Leicester Galleries' 1960exhibition, cat. no. 54.44MRS FRAENKEL 1947BronzeLent by Mr Arnold L. Haskell, C B E45ESTHER (THE SCULPTOR'S DAUGHTER) 1949BronzeLent by the Queensland National <strong>Art</strong> <strong>Gallery</strong>Illustrated 'Autobiography' facing page 202. Exhibited '<strong>Art</strong>s Council',1952, cat. no. 50, plate 27; 'Epstein-Sickert', Queensland National <strong>Art</strong><strong>Gallery</strong>, 1954, cat. no. 7.46RALPH VAUGHAN WILLIAMS 1950BronzeLent by the <strong>Art</strong>s Council of Great BritainOther casts are in the collections of the Birmingham City <strong>Art</strong> <strong>Gallery</strong>,and Mr Arnold F. Thompson.Exhibited 'Leicester Galleries', 1950, cat. no. 15; '<strong>Art</strong>s Council', 1952,cat. no. 52, plate 22. Illustrated 'Autobiography' facing page 211.Dr Ralph Vaughan Williams (1872-1958) was born at Down Ampney,Gloucestershire, and educated at Charterhouse and Cambridge. Hestudied music at the Royal College of Music and later, briefly, withBruch in Berlin and Ravel in Paris. His first major success was in 1907at the Leeds Festival. For 30 years professor of composition at the RoyalCollege, he was awarded the Order of Merit in 1935. Although an upholderof the English musical tradition, and a folk song enthusiast, hewas also progressive and was often represented among far youngercomposers at the festivals of the International Society for ContemporaryMusic.47MADONNA AND CHILD (Maquette) 1952Lead 13f" high Inscribed 'Epstein'<strong>Auckland</strong> City <strong>Art</strong> <strong>Gallery</strong>The 'Madonna and Child', for which this is a maquette, has now beencast in lead and erected on the bridge between two buildings on thenorth side of Cavendish Square, London. A further maquette for this21/
46same group was exhibited in the '<strong>Art</strong>s Council' 1952 exhibition, cat. no.56. See also 'Autobiography', plates following p. 238. A maquette dated1952 was exhibited at the 'Leicester Galleries', 1960, cat. no. 50.This Madonna and Child, thirteen and a half feet high, was commissionedby the Nuns of the Convent of the Holy Child Jesus. ... I gladlyseized this opportunity to design and execute a work of this nature withsuch a great subject and fitting site. The work ahsorhed me for a periodof over six months and then the day arrived for the Mother Superiorto come and view it. She came with another sister and they immediatelyshowed the warmest interest in the work and asked to be allowed tocontemplate it quietly and alone for some time. After that they returnedseveral times bringing different nuns on each occasion, and eventually thework was cast and the day of its unveiling arrived. . . . This cerenwnyseemed to reach back to the days of the Renaissance when the appearanceof a new religious work was the occasion for 'public rejoicing.(Autobiography, pp. 235, 236)22