The principles of Latin grammar; comprising the ... - Essan.org

The principles of Latin grammar; comprising the ... - Essan.org The principles of Latin grammar; comprising the ... - Essan.org

12.07.2015 Views

—318 PROSODY.—VERSIFICATION. §162850 —Simple feet of three Syllables.TribrachMolossusDactylAnapaestBacchiusAntibacchiusAmphibrachAniphimacerasasasasasasasasfacere.contendunt.corpora,dominl.dolores.Romanus.honore.charitas.851.ChoriambusAntispastusIonic a majoreIcn ; « a minoreFirst PaeonSecond PaeonThird PaeonFourth PaeonFirst Epi triteSecond EpitriteThird EpitriteFourth EpitriteProceleusmaticusDispondee•DiiambusDitrocheeCompound feetpontif Icesamabatisof four Syllables.•calcaribusproperabanttemporibuspotentiaanimatusceleritasvoluptatesconditoresdiscordiasadduxistishominibusoratoresamaverantCantilena852.—ISOCHRONOUS FEET.Trochee and Iambus.Iambus and Trochee.Spondee and Pyrrhic.Pyrrhic and Spondee.Trochee and Pyrrhic.Iambus and Pyrrhic.Pyrrhic and Trochee.Pyrrhic and Iambus.Iambus and Spondee.Trochee and Spondee.Spondee and Iambus.Spondee and Trochee.Two Pyrrhics.Two Spondees.Two Iambi.Two Trochees.1. In every foot, a long syllable is equal in time to two short ones. Toconstitute feet Isochronous, two things are necessary : 1st. That they havethe same time : 2d. That they be interchangeable in metre.2. Feet have the same time which are measured by an equal numberof short syllables ; thus, the Spondee, Dactyl, Anapaest, and Proceleusmaticus,have the same time, each being equal to .four short syllables.3. Feet are interchangeable in metre, when the ictus or stress of thevoice falls, or may fall, on the same portion of the foot. The part of thefoot that receives the ictus, is called arsis, or elevation ; the rest of thefoot is termed thesis, or depression.4. The natural place of the arsis, is the long syllable of the foot. Hence,in the Iambus, it fails on the second syllable, and in the Trochee, on thefirst. Its place in the Spondee and Tribrach cannot be determined by thefeet themselves, each syllable being of the same length.5. In all kinds of verse, the fundamental foot determines the place ofthe arsis for the other feet admitted into it ; thus, in Dactylic verse, andTrochaic verse, the Spondee will have the arsis on the first syllable ;—inAnapaestic and Iambic, on the last. In Trochaic verse, the tribrach willhave the arsis on the first syllable, s_/^ w, in Iambic on the second.

§163 PROSODY.—METRE. 3196. Those feet, then, accordiDg to the ancients, were called isochronous^which were capable of being divided into parts that were equal in time,so that a short syllable should correspond to a short ; and a long to along, or to two short ; thus, in Iambic aud Trochaic verse.Iambus ^ — Trochee —Tribrach vTribrach w wIn Dactylic and Anapaestic ;Dactyl —Spondee -thus,Anapaest^ ^Spondee —853.—But feet which cannot be divided in this manner, are not isochronous,though they have the same time ;thus, the Iambus and Trochee,though equal in time, cannot be divided so as to have the correspondingparts of equal length ;thus,Iambus,^Trochee, —854.—Hence these feet are not interchangeable, or isochronous ; andfor this reason a Trochee is never admitted into Iambic verse nor anIambus into Trochaic. The same is true of the Spondee, ( ) andAmphibrach ( ^ — ^ ), and of the Amphibrach with the Dactyl orAnapaest855.—§ 163. OF METRE.1. Metre, in its general sense, means an arrangement of syllables andfeet in verse, according to certain rules ; and, in this sense, applies, notonly to an entire verse, but to part of a verse, or to any number of verses.A metre, in a specific sense, means a combination of two feet (sometimescalled a syzygy), and sometimes one foot only.The distinction between rhythm and metre is this :—the former refersto the time only, in regard tc which, two short syllables are equivalent toone long ; the latter refers both to the time and the order of the syllables.The rhythm of an anapaest and dactyl is the 'same; the metre different.The term rhythm, is also understood in a more comprehensive sense, andis applied to the harmonious construction and enunciation of feet and wordsin connection ; thus, a line has rhythm when it contains any number ofmetres of equal time, without regard to their order. Metre requires acertain number of metres, and these arranged in a certain oi der. Thus,in this line,Panditur interea domus omnipotentisOlympi,there is both rhythm (as it contains six metres of equal value in respectof time) and metre, as these metres are arranged according to the canor

§163 PROSODY.—METRE. 3196. Those feet, <strong>the</strong>n, accordiDg to <strong>the</strong> ancients, were called isochronous^which were capable <strong>of</strong> being divided into parts that were equal in time,so that a short syllable should correspond to a short ; and a long to along, or to two short ; thus, in Iambic aud Trochaic verse.Iambus ^ — Trochee —Tribrach vTribrach w wIn Dactylic and Anapaestic ;Dactyl —Spondee -thus,Anapaest^ ^Spondee —853.—But feet which cannot be divided in this manner, are not isochronous,though <strong>the</strong>y have <strong>the</strong> same time ;thus, <strong>the</strong> Iambus and Trochee,though equal in time, cannot be divided so as to have <strong>the</strong> correspondingparts <strong>of</strong> equal length ;thus,Iambus,^Trochee, —854.—Hence <strong>the</strong>se feet are not interchangeable, or isochronous ; andfor this reason a Trochee is never admitted into Iambic verse nor anIambus into Trochaic. <strong>The</strong> same is true <strong>of</strong> <strong>the</strong> Spondee, ( ) andAmphibrach ( ^ — ^ ), and <strong>of</strong> <strong>the</strong> Amphibrach with <strong>the</strong> Dactyl orAnapaest855.—§ 163. OF METRE.1. Metre, in its general sense, means an arrangement <strong>of</strong> syllables andfeet in verse, according to certain rules ; and, in this sense, applies, notonly to an entire verse, but to part <strong>of</strong> a verse, or to any number <strong>of</strong> verses.A metre, in a specific sense, means a combination <strong>of</strong> two feet (sometimescalled a syzygy), and sometimes one foot only.<strong>The</strong> distinction between rhythm and metre is this :—<strong>the</strong> former refersto <strong>the</strong> time only, in regard tc which, two short syllables are equivalent toone long ; <strong>the</strong> latter refers both to <strong>the</strong> time and <strong>the</strong> order <strong>of</strong> <strong>the</strong> syllables.<strong>The</strong> rhythm <strong>of</strong> an anapaest and dactyl is <strong>the</strong> 'same; <strong>the</strong> metre different.<strong>The</strong> term rhythm, is also understood in a more comprehensive sense, andis applied to <strong>the</strong> harmonious construction and enunciation <strong>of</strong> feet and wordsin connection ; thus, a line has rhythm when it contains any number <strong>of</strong>metres <strong>of</strong> equal time, without regard to <strong>the</strong>ir order. Metre requires acertain number <strong>of</strong> metres, and <strong>the</strong>se arranged in a certain oi der. Thus,in this line,Panditur interea domus omnipotentisOlympi,<strong>the</strong>re is both rhythm (as it contains six metres <strong>of</strong> equal value in respect<strong>of</strong> time) and metre, as <strong>the</strong>se metres are arranged according to <strong>the</strong> canor

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!