All About Trading - ArtTrader Magazine

All About Trading - ArtTrader Magazine All About Trading - ArtTrader Magazine

arttradermag.com
from arttradermag.com More from this publisher
02.12.2012 Views

Art TRADER m a g a z i n e Did you study art? Yes. I graduated from a Liberal Arts college. I was actually the first person in the college history to graduate with a 4.0 grade average and major in the Department of Fine Arts. This doesn’t necessarily mean I’m some outstanding artist, it simply means I was very competitive in academics. I loved it all--from Chemistry to English Lit to 3D Design. I see it all as important to my artistic development. One thing that I discovered was that the more I learned--I realized the less I knew. And I wanted to know more; I wanted to understand more. I didn’t simply want to graduate with the knowledge of how to stretch a canvas and compose a still life. I wanted to be able to hear the music of Chopin, to read the visual language of Kandinsky, and experience the sound and movement of Nijinsky and Diaghilev. And I was fortunate to have amazing art professors--ones who forced me to work. And by “work” I don’t mean simply “make pictures;” I had to defend my work. I had to learn how to verbalize my direction and goals. It deepened the experience. Because, so many times, even today, I have NO idea what in the world I’m doing. And sometimes, an artist has to go with her gut. And after the work is finished, the artist can step away, look back, and then the reason, the awakening, the enlightening is evident! Are there any artists who particularly inspire you? There is no way I could list who all have inspired me, guided me, or taught me. Every day I find new inspiration. And I believe that there is something to learn in any experience, whether the experience is positive or negative. The entire world inspires me. And this doesn’t mean I am always inspired! Far from it. Most days I can’t think of any direction. I can sit and sit for a long time and not come up with one thing I want to do. The fact is, having too many influences can be confusing. Because if one can’t limit something, then instead of having direction, there’s confusion! That’s where I am most the time--right in the middle of my big pot of boiling bewilderment. -24-

Art TRADER m a g a z i n e I will list some that come to mind: Marie Laurencin, Alice in Chains, Munch, Kandinsky, Picasso’s “Woman Ironing,” Percy Shelley, Virginia Woolf; the books: Veronika Decides to Die (Paulo Coelho); The Bonesetter’s Daughter (Amy Tan); Widow Basquiat (Jennifer Clement); Chelsea Horror Hotel (Dee Dee Ramone) (and more); the ballet “Giselle;” the Hotel Chelsea in New York; any books on magick, alchemy, tarot cards and/or visual symbolism; The Virgin Mary and images of the Virgin Mary (especially Our Lady of Lourdes); anything to do with All Hallow’s Eve, Dia De Los Muertos, Carnivals/state fairs/side shows; Nancy Spungen, and the piano of David Lanz; any master violinist; the music of Secret Garden; and anyone who forges new paths and breaks down barriers. I also find great truth in fairy tales. An angel pops up a lot in your work; is there special significance there? Randi: Yes, very much so. When I went to a local cemetery, ages ago, I wanted to photograph the images of these silent sentinels. While I was there, this one statue overwhelmed me. I stood for a very long time in the presence of this beautiful figure. The name “Manuel” came to mind, so that’s what I call him. At the time, he was almost black with moss and mold, but I saw this beauty underneath, and I photographed him many times. During this time, I was friends with a man named Malcolm. Malcolm was from New Orleans, a Cajun, and an amazing cook. He also was HIV positive. He was so spiritual. I told him about Manuel. Malcolm had become very ill at this time but told me that his hope was that he could go with me and help me clean this angel’s face. He told me how we could do it. Because of his failing health, this never came to pass. In time, Malcolm died. About six months later, I went to the cemetery to photograph Manuel again. At first, I couldn’t find him! Finally I realized, I was standing right before him. I didn’t recognize him at first because he was pure white--completely clean of the moss and mold. I was overwhelmed for a moment, but then, I thought of Malcolm. I thought to myself, did Malcolm do this? I stood in silence for a moment, and then I whispered, “Malcolm?” And at that moment, a breeze came and blew leaves across my feet. I really believe I witnessed an amazing miracle at that moment. To update this story, I went to visit Manuel this past week of All Hallow’s Eve. About three years ago, I lost another friend to AIDS. This friend was even closer than Malcolm. His name was Ron. I’d taken Ron to visit Manuel before and had told him the story of Malcolm. He had known Malcolm as well. Well, as I was standing there this past October, I thought of Ron. I whispered, Ron? But nothing happened. I went ahead and photographed Manuel. As I was going back to the car, I looked down and saw something I hadn’t noticed before. I don’t know how I missed it, because it was right there. Lying there on the ground was a bouquet of red flowers (plastic, like from an arrangement). I wonder if that was from Ron? Because I hadn’t noticed it before. Anyway, I picked it up and put it in Manuel’s hand and photographed it. -25-

Art TRADER<br />

m a g a z i n e<br />

I will list some that come to mind: Marie Laurencin, Alice in Chains, Munch,<br />

Kandinsky, Picasso’s “Woman Ironing,” Percy Shelley, Virginia Woolf; the<br />

books: Veronika Decides to Die (Paulo Coelho); The Bonesetter’s Daughter<br />

(Amy Tan); Widow Basquiat (Jennifer Clement); Chelsea Horror Hotel (Dee<br />

Dee Ramone) (and more); the ballet “Giselle;” the Hotel Chelsea in New York;<br />

any books on magick, alchemy, tarot cards and/or visual symbolism; The Virgin<br />

Mary and images of the Virgin Mary (especially Our Lady of Lourdes); anything<br />

to do with <strong>All</strong> Hallow’s Eve, Dia De Los Muertos, Carnivals/state fairs/side<br />

shows; Nancy Spungen, and the piano of David Lanz; any master violinist; the<br />

music of Secret Garden; and anyone who forges new paths and breaks down<br />

barriers. I also find great truth in fairy tales.<br />

An angel pops up a lot in your work; is there special<br />

significance there?<br />

Randi: Yes, very much so. When I went to a local cemetery, ages ago, I wanted to photograph the images of<br />

these silent sentinels. While I was there, this one statue overwhelmed me. I stood for a very long time in the<br />

presence of this beautiful figure. The name “Manuel” came to mind, so that’s what I call him. At the time, he was<br />

almost black with moss and mold, but I saw this beauty underneath, and I photographed him many times.<br />

During this time, I was friends with a man named Malcolm. Malcolm was from New Orleans, a Cajun, and an<br />

amazing cook. He also was HIV positive. He was so spiritual. I told him about Manuel. Malcolm had become<br />

very ill at this time but told me that his hope was that he could go with me and help me clean this angel’s face.<br />

He told me how we could do it. Because of his failing health, this never came to pass. In time, Malcolm died.<br />

<strong>About</strong> six months later, I went to the cemetery to photograph<br />

Manuel again. At first, I couldn’t find him! Finally I realized, I<br />

was standing right before him. I didn’t recognize him at first<br />

because he was pure white--completely clean of the moss and<br />

mold. I was overwhelmed for a moment, but then, I thought of<br />

Malcolm. I thought to myself, did Malcolm do this? I stood in<br />

silence for a moment, and then I whispered, “Malcolm?” And at<br />

that moment, a breeze came and blew leaves across my feet. I<br />

really believe I witnessed an amazing miracle at that moment.<br />

To update this story, I went to visit Manuel this past week of<br />

<strong>All</strong> Hallow’s Eve. <strong>About</strong> three years ago, I lost another friend<br />

to AIDS. This friend was even closer than Malcolm. His name<br />

was Ron. I’d taken Ron to visit Manuel before and had told him<br />

the story of Malcolm. He had known Malcolm as well. Well,<br />

as I was standing there this past October, I thought of Ron.<br />

I whispered, Ron? But nothing happened. I went ahead and<br />

photographed Manuel. As I was going back to the car, I looked<br />

down and saw something I hadn’t noticed before. I don’t know<br />

how I missed it, because it was right there. Lying there on<br />

the ground was a bouquet of red flowers (plastic, like from an<br />

arrangement). I wonder if that was from Ron? Because I hadn’t<br />

noticed it before. Anyway, I picked it up and put it in Manuel’s<br />

hand and photographed it.<br />

-25-

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!