All About Trading - ArtTrader Magazine
All About Trading - ArtTrader Magazine All About Trading - ArtTrader Magazine
Art TRADER m a g a z i n e This next card has a lot of potential; the color scheme has already been established (purple, green and neutrals) and the placement of the elements (text, boy, window, skull) is fairly solid. The elements, however, are competing for the eye’s attention, rather than working together to create a cohesive whole. This can be fixed by lessening the dominance of the green window, and bringing the boy visually ‘forward’. In order to do this, the window needs to be ‘pushed’ into the background. This can be done in a variety of ways: 1) Distress the image using fine sandpaper and apply a light wash of walnut ink or darker-colored distressing ink. 2) Apply gesso mixed with a little brown paint, just to the window area, to make the bright green color appear less saturated, and more subtle; then re-create the brown punchinello ‘circle’ texture over the area, to blend it with the background. The window will still be visible, but it won’t compete with the boy any longer. 3) To bring the boy ‘forward’, outline the figure using metallic pens or any light-colored acrylic paint, or give the figure a ‘shadow’ by painting the area around the outlines a darker color, like a deep purple, or green. I hope this critique has been helpful to our readers. Thanks Kati, for starting off this column! Here are some Critique Corner submission guidelines to keep in mind when choosing work for critique: * Don’t submit your masterpiece! Submit something you already feel you’re having trouble with. This way you will not feel your Best-Work-Ever is being ripped into. * Copyright Issues: When submitting a collage, make sure the images you have used have expired copyright protection. Dover Publications has a wide range of image collections that are copyright free. * Don’t take anything personally: Remember, the person doing the critique is working from his or her own perspective, and it’s okay if you don’t agree with them. * Just Ask! Feel free to ask several questions when you submit your piece. Let us know what areas you’d like some specific help with! Email us at art@arttradermag.com -20- Kati Barrett
Art TRADER m a g a z i n e Tabitha Ladin kFunky Mermaids Handdrawn and painted ATCs from IllustratedATCs.com -21- Ang Westermann Joy Saethre Andrea Melione Lynne Lemyre
- Page 1 and 2: ArtTRADER m a g a z i n e PUTTING T
- Page 3 and 4: Art TRADER m a g a z i n e Contribu
- Page 5 and 6: Art TRADER m a g a z i n e Winter C
- Page 7 and 8: Art TRADER m a g a z i n e Ambiguit
- Page 9 and 10: Art TRADER m a g a z i n e D Paint!
- Page 11 and 12: Art TRADER m a g a z i n e Have you
- Page 13 and 14: Art TRADER m a g a z i n e Do you h
- Page 15 and 16: Art TRADER m a g a z i n e In Searc
- Page 17 and 18: Art TRADER m a g a z i n e Using a
- Page 19: Art TRADER m a g a z i n e Critique
- Page 23 and 24: Art TRADER m a g a z i n e An Inter
- Page 25 and 26: Art TRADER m a g a z i n e I will l
- Page 27 and 28: Art TRADER m a g a z i n e Artistic
- Page 29 and 30: Art TRADER m a g a z i n e Altered
- Page 31 and 32: Art TRADER m a g a z i n e Donna Ra
- Page 33 and 34: Art TRADER m a g a z i n e Tracie R
- Page 35 and 36: Art TRADER m a g a z i n e Q: Any f
- Page 37 and 38: Art TRADER m a g a z i n e Petite A
- Page 39 and 40: Art TRADER m a g a z i n e Readers
- Page 41 and 42: Art TRADER m a g a z i n e -41- Adv
Art TRADER<br />
m a g a z i n e<br />
This next card has a lot of potential; the color scheme has<br />
already been established (purple, green and neutrals) and<br />
the placement of the elements (text, boy, window, skull)<br />
is fairly solid. The elements, however, are competing for<br />
the eye’s attention, rather than working together to create<br />
a cohesive whole. This can be fixed by lessening the<br />
dominance of the green window, and bringing the boy<br />
visually ‘forward’.<br />
In order to do this, the window needs to be ‘pushed’ into<br />
the background. This can be done in a variety of ways:<br />
1) Distress the image using fine sandpaper and apply a<br />
light wash of walnut ink or darker-colored distressing ink.<br />
2) Apply gesso mixed with a little brown paint, just to<br />
the window area, to make the bright green color appear<br />
less saturated, and more subtle; then re-create the brown<br />
punchinello ‘circle’ texture over the area, to blend it with<br />
the background. The window will still be visible, but it won’t<br />
compete with the boy any longer.<br />
3) To bring the boy ‘forward’, outline the figure using<br />
metallic pens or any light-colored acrylic paint, or give the<br />
figure a ‘shadow’ by painting the area around the outlines<br />
a darker color, like a deep purple, or green.<br />
I hope this critique has been helpful to our readers. Thanks<br />
Kati, for starting off this column!<br />
Here are some Critique Corner submission guidelines to keep in mind when<br />
choosing work for critique:<br />
* Don’t submit your masterpiece! Submit something you already feel you’re having trouble with.<br />
This way you will not feel your Best-Work-Ever is being ripped into.<br />
* Copyright Issues: When submitting a collage, make sure the images you have used have<br />
expired copyright protection. Dover Publications has a wide range of image collections that are<br />
copyright free.<br />
* Don’t take anything personally: Remember, the person doing the critique is working from his or<br />
her own perspective, and it’s okay if you don’t agree with them.<br />
* Just Ask! Feel free to ask several questions when you submit your piece. Let us know what<br />
areas you’d like some specific help with! Email us at art@arttradermag.com<br />
-20-<br />
Kati Barrett