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Riga - European Capital of Culture 2014 candidate

Riga - European Capital of Culture 2014 candidate

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Creativity is the ability topaint a painting, creativityis the ability to see apainting and wallpaper,and understand thatthe painting’s motif canbe transformed intowallpaper and propose itin a creative mannerI think that life itself is a kind<strong>of</strong> creative project becauseat every instant we come intouch with new situations.Each moment is unique, youhave to resolve it and youneed new ways <strong>of</strong> thinking.Creativity isfreedom andself-assurance.Mutual respect.Respect towardscultural heritage,environmentalvalues. Culturaleducation <strong>of</strong> anew generation.Tolerance,understanding,culture <strong>of</strong>mutual relations.Knowledge <strong>of</strong>the creatorsand pioneers <strong>of</strong>Latvian culture,environment,heritage. Theacquisition <strong>of</strong>creative skillsand abilities froman early ageUsing a creativeapproach, we needto promote new ways<strong>of</strong> communicationthat broaden existingborders in people’sconsciousnesses, theso-called <strong>Riga</strong> cultureextends beyond the cityborders – not just ona Latvian, Baltic Searegion or <strong>European</strong>level, but also ona global levelCreative industries – in Latvia so little known, inthe EU considered strategically important fields <strong>of</strong>economic activity. At the same time they mark bordertransgression and the creation <strong>of</strong> aspects <strong>of</strong> newcommunication points – business and culture, variouscultural fields, international cooperation, etc.Everyone has somekind <strong>of</strong> creativeenergy, ideas. It doesnot matter whether heis or is not an artist.What matters is thathe does not focusesit solely on the choice<strong>of</strong> goods, on dailypreoccupations andmaterial things, buteither creates a work<strong>of</strong> art or expresseshimself in the creationCreativity: anyone can be creative. Childrenare creative, janitors and trolley-bus driversare creative. Unfortunately it is not called theright name. The intellectuals have privatisedcreativity as inherent in their circles only.<strong>of</strong> something new,even if only on thelevel <strong>of</strong> amateur art.There are very manydifferent opportunitiesto be creative, themain thing is thatit should not beconcentrated only andexclusively on somesort <strong>of</strong> consumerculture.creativityThe creativity <strong>of</strong> every <strong>Riga</strong> inhabitant is a value that can be madeuse <strong>of</strong> and which needs to be stimulated, ensuring the possibilityfor all to take part in cultural processes. <strong>Riga</strong> is a cultural territorythat is open to new ideas, orientated towards a wide participation<strong>of</strong> society and the stimulation <strong>of</strong> new work, with an aim to promotea greater cultural diversity and dialogue.• With the expansion <strong>of</strong> the concept <strong>of</strong> creativity, applying itto any sphere <strong>of</strong> life, not just traditional fields <strong>of</strong> culture, developinga symbiosis <strong>of</strong> various sectors, thus creating new ideas, newcommunication forms and actions. A new perception <strong>of</strong> cultureand the broadening <strong>of</strong> the concept <strong>of</strong> creation will stimulate thecreative economy, promote the transposition <strong>of</strong> art and creativityalso onto economic and business benefits and stimulate publicand private partnership.• Creativity is the most important driving force for <strong>Riga</strong>’s development,thanks to which solutions are possible both from the aspect<strong>of</strong> new communication forms and from the border expansionaspect. A change in the perception <strong>of</strong> creativity would mean acreative approach in any pr<strong>of</strong>ession or walk <strong>of</strong> life, which, if takenadvantage <strong>of</strong>, can achieve sustainable development for the city.• Creativity anticipates the promotion <strong>of</strong> dialogue and creation<strong>of</strong> joint responsibility for the city as a common living space,about environmental quality in the broadest sense <strong>of</strong> the word.Creativity is what promotes the participation <strong>of</strong> various groupsand individuals in the city, which makes the creation look for forms<strong>of</strong> expression.• With a growth in the well-being <strong>of</strong> society and the quality <strong>of</strong>city life, it is increasingly important for inhabitants to be involvedin some kind <strong>of</strong> creative activity. Personal growth is becomingincreasingly significant, therefore, taking into account <strong>Riga</strong>’s developmentscenario, where the accent is placed on the person,the possible uses <strong>of</strong> this potential have to be anticipated.• The merging <strong>of</strong> the cultural and creative sectors has stimulatedgrowth in recent years in Europe and created a need to developcreative industries and promote broader interdisciplinarycooperation forms – greater social, humanitarian, scientific andart cooperation. This is possible by changing the understanding<strong>of</strong> the concept <strong>of</strong> creativity. Creative industries are one <strong>of</strong> <strong>Riga</strong>’smost significant resources, which will have a major impact in thecontext <strong>of</strong> long-term development.• One <strong>of</strong> the main instruments <strong>of</strong> creativity, for achieving achange in the perception <strong>of</strong> culture and idea <strong>of</strong> border expansion,is the use <strong>of</strong> positive provocation in relation to the everyday level<strong>of</strong> consciousness <strong>of</strong> culture and society, and the desire for experimentation,supplementing the traditional process <strong>of</strong> the perception<strong>of</strong> culture with provocative methods, creating new processeswith an experimental approach.• Creativity as the main driving force <strong>of</strong> cultural developmentcan be employed in the use <strong>of</strong> technologies and for a change inthe perception <strong>of</strong> the fact that technologies are an element <strong>of</strong> culture,an instrument <strong>of</strong> creativity, a tool for people’s creativity. Therapid development <strong>of</strong> technologies can be used as an instrumentthat permits the synthesis <strong>of</strong> various sectors, developing cooperationbetween individuals and various societies. Technologies anda creative use <strong>of</strong> them present the opportunity for cooperationin an inter-regional and global context, which, over the comingyears, will be a significant factor <strong>of</strong> cultural development <strong>of</strong> anycity. In a situation where technologies are rapidly developing andpeople ‘can’t keep up’, it is precisely creativity that becomes themost significant resource <strong>of</strong> competitiveness.* Focus group comments20 21

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