BALLET WEST/AMERICAN GUILD OF MUSICAL ARTISTS

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I. MakeupAll makeup and makeup adjuncts shall comply with all regulations of the FederalDrug Administration.1. The EMPLOYER will instruct all makeup artists employed to take allnecessary steps to avoid contamination between ARTISTs, includingpossible contamination from utilizing the same water and/or applicatorwhen applying makeup on more than one ARTIST.2. Body makeup shall mean any makeup applied to the full torso and/or fullleg(s), except to cover suntan, or sunburn or tattoos. Any ARTISTrequired to wear body makeup shall be compensated one-half (½) hourovertime. ARTISTs will be provided with additional supplies in order toassist them in removing body makeup if so requested. An ARTIST shallnot be required to use body makeup unless suitable bathing facilities andhot water are available for removal of the makeup. If hot water andshower facilities are not available, body make-up will not be required.3. For makeup above the neck there shall be suitable bathing facilities andhot water available. The EMPLOYER must provide an alternative methodof makeup removal (e.g. “Wet wipe” disposable pre-moistened cloths)when these conditions are not met.J. Costumes, Shoes, and WigsAll costumes, costume accessories, shoes and wigs will be issued by theEMPLOYER.1. The EMPLOYER will supply kneepads for any ARTIST who is requiredto kneel in rehearsal and, when possible, for performance.K. AGMA Regulations For Safety With Swords or Knives (or other props used asweapons)The EMPLOYER agrees that whenever a production requires the coordinatedmovement of swords, knives or props used as weapons, the following regulationsshall apply, and further, these regulations shall be issued to and shall be read byall ARTISTs who are assigned and who accept stage business requiring the use ofswords.1. The EMPLOYER shall engage an Expert who shall be thoroughly familiarwith the proper use and maintenance of the weapons required in theproduction, and who, in turn, shall designate a Fight Captain to superviserehearsals and pre-performance warm-ups in the Expert’s absence. TheExpert will instruct all ARTISTs, covers and Stage Directors in the properand safe use of the weapons. This shall be a prerequisite prior to theissuance of any weapons to any ARTIST for any rehearsal or performance.No one may overrule the Expert’s judgment in this regard.
2. No ARTIST shall be required or permitted to handle any weapons in eitherrehearsal or performance until such ARTIST feels confident that he/shehas received adequate instructions.3. All weapons shall be in the possession of the Stage Manager/PropertyMaster when not actually in use during rehearsal or performance.4. It is agreed that at the commencement of the first rehearsal involvingcoordinated movement of weapons or like instruments, performancetempos shall be modified to facilitate a proper warm-up and orientationprior to rehearsing at a performance-level tempo.5. All weapons or like instruments will be thoroughly inspected, cleaned andinventoried at the end of each rehearsal and performance.6. At the conclusion of the scene, all weapons shall be returned toEMPLOYER’s representative and stored for safe-keeping.7. During a performance in which a coordinated movement of weaponsoccurs, there shall be a fight review of any such scenes prior to theperformance of said scenes during the ballet. This fight review shall bescheduled and supervised by the Expert or Fight Captain at fifteen (15)minutes to curtain.8. The regulations listed herein above pertaining to weapon safety shall applyto anyone who appears on the stage with a sword or knife which is to beused in a coordinated movement, whether or not that person is under anAGMA agreement.L. Firearm SafetyThe EMPLOYER agrees that whenever a production requires the use of firearms,the following rules shall apply:1. The EMPLOYER shall designate an Armorer who shall be thoroughlyfamiliar with the proper use and maintenance of the firearms required inthe production. The Armorer will instruct all ARTISTs in the proper andsafe use of the firearms. This shall be a prerequisite prior to the issuanceof any firearm to any ARTIST for any rehearsal or performance. No onemay overrule the Armorer’s judgment in this regard.2. No ARTIST shall be required or permitted to handle any firearms in eitherrehearsal or performance until such ARTIST has received adequateinstructions.3. All firearms shall be in the possession of the Armorer when not actually inuse during rehearsal or performance. At no time shall the Armorer or theARTIST leave the firearm unattended.
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BALLET WEST/AMERICAN GUILD OF MUSIC
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R. MASTER CLASS ...................
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SECTION IV. EMPLOYMENT CONDITIONS..
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SECTION II. DEFINITIONSWhenever use
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L. DELEGATE - shall be defined as a
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. handling fire or performing near
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Employment and/or the public announ
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A. APPLICATION OF BENEFITSSECTION I
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2. Any gross insubordination by the
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G. DELEGATESwho performs in the pro
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cooperate with such AGMA representa
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P. NON-PAYMENT OR PARTIAL PAYMENT O
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R. SOCIAL SECURITY, WORKERS’ COMP
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Artist’s Contract is terminated b
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SECTION IV. EMPLOYMENT CONDITIONSA.
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5. Additional PerformersOnly ARTIST
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g. In the event an ARTIST continuou
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C. ADDITIONAL WORK1. When ARTISTs a
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SECTION V. COMPENSATION & BENEFITSA
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C. SPECIAL FEES1. Extraordinary Ris
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The Artists’ Resource Fund shall
Page 44 and 45: ARTIST will be twenty per cent (20%
Page 46 and 47: . Bereavement LeaveIn the event of
Page 48 and 49: ARTIST during the term of her pregn
Page 50 and 51: 9. Performance TicketsEMPLOYER will
Page 52 and 53: through Sunday Week, except as need
Page 54 and 55: vi.vii.viii.ix.A request by the EMP
Page 56 and 57: two ten (10) minute breaks during e
Page 58 and 59: must indicate which rehearsal the A
Page 60 and 61: is unable to appear for performance
Page 62 and 63: c. School Performances shall not ex
Page 64 and 65: a. Performance AccessoriesReturning
Page 66 and 67: a. All costume pieces will be distr
Page 68 and 69: 4. ShoesUpon signing an Individual
Page 70 and 71: e. Ballet Slippersi. Female ARTISTs
Page 72 and 73: l. TouringFor tours of less than tw
Page 74 and 75: container. The liability for damage
Page 76 and 77: overtime incurred while traveling a
Page 78 and 79: 16. HotelsIn the event that an ARTI
Page 80 and 81: and the same applies returning to C
Page 82 and 83: SECTION VIII. MEDIA/PUBLICITY/PROMO
Page 84 and 85: tapes to be made. ARTIST shall furn
Page 86 and 87: C. PHOTOGRAPHY1. No photo calls sha
Page 88 and 89: EXHIBIT “B”HEALTH AND SAFETYAGM
Page 90 and 91: 7. When the rehearsal space is with
Page 92 and 93: is applied. In no event shall a flo
Page 96 and 97: 4. At the conclusion of the scene,
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BALLET WEST/AMERICAN GUILD OF MUSICAL ARTISTS

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