BALLET WEST/AMERICAN GUILD OF MUSICAL ARTISTS

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c. School Performances shall not exceed ninety (90) minutes inlength including half (½) hour call.d. A School Performance does not convert a Rehearsal Week into aPerformance Week.e. On a two (2) School Performance day, EMPLOYER may use up toone and one-half (1 ½) hours to accommodate change of studentaudience between shows. The one-half (½) hour call for thesecond show shall be in the last half (½) hour of such break.f. For the purposes of determining the maximum number ofPerformances and School Performances allowed in a PerformanceWeek only, each School Performance shall count as one-half (1/2)of a Performance. However, second School Performance on thesame day shall count as one (1) Performance. Two (2) SchoolPerformances that are performed consecutively on the same dayshall therefore count as one and one-half (1 ½) Performances.g. School Performances scheduled on a Performance/Dress Rehearsalday following a day which includes an evening performance or anevening dress rehearsal, shall not be scheduled to start earlier than10:00 a.m.h. On a Performance Day or day with a Dress Rehearsal, there shallonly be one (1) School Performance.7. All performance conditions shall apply to Preview Performances andSchool Performances.8. Lecture Demonstrations/OutreachShould the EMPLOYER decide to include any number of ARTISTs aspart of a Lecture Demonstration, the EMPLOYER will negotiate withAGMA in advance of those matters directly relating to subsistenceallowance, transportation arrangements, and participation in the LectureDemonstration.D. POSTING <strong>OF</strong> SCHEDULES1. A callboard shall be provided in each place where rehearsals are regularlyscheduled, and all notices concerning rehearsals shall be posted thereon.Complete daily schedules must be posted at least two (2) working days,forty-eight (48) hours in advance of the first Artist Activity. During aPerformance Week, the information provided on the callboard closest tothe stage shall override information provided on any other callboard.56
2. If the EMPLOYER does not abide by the foregoing or a part thereof, theARTIST shall be exonerated for any lateness or missing of rehearsalsoccasioned thereby, and EMPLOYER shall pay one hundred dollars($100.00) into the Artists’ Resource Fund. The EMPLOYER shall usebest efforts to notify the ARTISTs by telephone or in person within onehalf(½) hour after curtain down on a performance day or Dress Rehearsalday and prior to 9:00 a.m. on a rehearsal day of any changes in rehearsalschedule for the following day.3. Change of Rehearsal Schedule ProcedureIf an early release from a rehearsal or a cancellation of a rehearsal, or aneed from EMPLOYER prompts a desire for either the EMPLOYER or anaffected ARTISTs to alter the schedule for the rest of the day, thefollowing procedure shall be used to determine whether or not theschedule shall be altered:a. Delegates and the appropriate Ballet West staff member shalldiscuss suggested change option(s).b. Delegates shall decide whether or not to present such an option(s)to the affected ARTISTs.c. If after such discussion Delegates decide to present such anoption(s) to the affected ARTISTs, the affected ARTISTs shall beconvened for the purpose of explaining such option(s) and taking avote.d. Affected ARTISTs shall vote by secret ballot.e. The proposed schedule change shall be implemented only if thevote is unanimous.f. At no time shall a Ballet West staff member approach an individualARTIST nor should an individual ARTIST approach a Ballet Weststaff member regarding such options. All such requests shall bemade through a Delegate only.E. COSTUMES, SHOES, WIGS AND MAKE-UP1. The EMPLOYER agrees to supply the ARTIST with all costumes, wigs,hair coloring, shoes, body makeup, and any special make-up andaccessories for character roles, and all costume accessories (i.e., jewelry,fans, and so forth) prior to performances and rehearsals in which suchitems are required in a manner that is in keeping with the Health andSafety Standards outlined in Exhibit B, Section J. If EMPLOYERrequests ARTIST to purchase his/her own items, EMPLOYER shallreimburse ARTIST.57
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BALLET WEST/AMERICAN GUILD OF MUSIC
Page 4 and 5:
R. MASTER CLASS ...................
Page 6 and 7:
SECTION IV. EMPLOYMENT CONDITIONS..
Page 8 and 9:
SECTION II. DEFINITIONSWhenever use
Page 10 and 11:
L. DELEGATE - shall be defined as a
Page 12 and 13: . handling fire or performing near
Page 14 and 15: Employment and/or the public announ
Page 16 and 17: A. APPLICATION OF BENEFITSSECTION I
Page 18 and 19: 2. Any gross insubordination by the
Page 20 and 21: G. DELEGATESwho performs in the pro
Page 22 and 23: cooperate with such AGMA representa
Page 24 and 25: P. NON-PAYMENT OR PARTIAL PAYMENT O
Page 26 and 27: R. SOCIAL SECURITY, WORKERS’ COMP
Page 28 and 29: Artist’s Contract is terminated b
Page 30 and 31: SECTION IV. EMPLOYMENT CONDITIONSA.
Page 32 and 33: 5. Additional PerformersOnly ARTIST
Page 34 and 35: g. In the event an ARTIST continuou
Page 36 and 37: C. ADDITIONAL WORK1. When ARTISTs a
Page 38 and 39: SECTION V. COMPENSATION & BENEFITSA
Page 40 and 41: C. SPECIAL FEES1. Extraordinary Ris
Page 42 and 43: The Artists’ Resource Fund shall
Page 44 and 45: ARTIST will be twenty per cent (20%
Page 46 and 47: . Bereavement LeaveIn the event of
Page 48 and 49: ARTIST during the term of her pregn
Page 50 and 51: 9. Performance TicketsEMPLOYER will
Page 52 and 53: through Sunday Week, except as need
Page 54 and 55: vi.vii.viii.ix.A request by the EMP
Page 56 and 57: two ten (10) minute breaks during e
Page 58 and 59: must indicate which rehearsal the A
Page 60 and 61: is unable to appear for performance
Page 64 and 65: a. Performance AccessoriesReturning
Page 66 and 67: a. All costume pieces will be distr
Page 68 and 69: 4. ShoesUpon signing an Individual
Page 70 and 71: e. Ballet Slippersi. Female ARTISTs
Page 72 and 73: l. TouringFor tours of less than tw
Page 74 and 75: container. The liability for damage
Page 76 and 77: overtime incurred while traveling a
Page 78 and 79: 16. HotelsIn the event that an ARTI
Page 80 and 81: and the same applies returning to C
Page 82 and 83: SECTION VIII. MEDIA/PUBLICITY/PROMO
Page 84 and 85: tapes to be made. ARTIST shall furn
Page 86 and 87: C. PHOTOGRAPHY1. No photo calls sha
Page 88 and 89: EXHIBIT “B”HEALTH AND SAFETYAGM
Page 90 and 91: 7. When the rehearsal space is with
Page 92 and 93: is applied. In no event shall a flo
Page 94 and 95: I. MakeupAll makeup and makeup adju
Page 96 and 97: 4. At the conclusion of the scene,
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BALLET WEST/AMERICAN GUILD OF MUSICAL ARTISTS

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