BALLET WEST/AMERICAN GUILD OF MUSICAL ARTISTS

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C. SPECIAL FEES1. Extraordinary RiskAn ARTIST who is required to and performs an Extraordinary Risk feat,as defined in Section II. N. of this Agreement, shall receive, in addition tohis/her weekly compensation, in year one of the Agreement; thirty dollarsand sixty cents ($30.60), in year two of the Agreement; thirty - one dollarsand thirty seven cents (31.37), in year three of the Agreement, thirty-twodollars and thirty–one cents ($32.31) per rehearsal and Performanceinvolving the feat. For the purpose of compensation, the EMPLOYERshall pay ARTIST separately for each type of feat performed.2. Ballet Mistress/Master Feea. Any ARTIST who is scheduled to take charge of an officiallyscheduled EMPLOYER rehearsal or class in the absence of aBallet Master/Mistress shall be paid not less than the hourlyOvertime rate in addition to such ARTIST’s other compensation.b. Any ARTIST appointed by the Artistic Staff or theirrepresentative to take charge of an officially scheduled rehearsalin addition to participating as a dancer, whether or not the BalletMaster is present, shall be compensated the Penalty rate inaddition to such ARTIST’s compensation.3. Master ClassEMPLOYER shall compensate any ARTIST who teaches a Master Class aminimum fee of in year one of the Agreement; sixty-one dollars andtwenty cents ($61.20), in year two of the Agreement; sixty-two dollars andseventy-three cents ($62.73), in year three of the Agreement, sixty-fourdollars and sixty-one cents ($64.61) for each class in addition to all othercompensation owed such ARTIST.4. Singing and Speaking RolesEMPLOYER shall compensate an ARTIST who sings or speaks ten (10)words or more (except background noise; e.g., Black Cake) in a ballet ordance work in year one of the Agreement; fifteen dollars and thirty cents($15.30), in year two of the Agreement; fifteen dollars and sixty-eightcents ($15.68), in year three of the Agreement, sixteen dollars and fifteencents ($16.15) per Performance in addition to all other compensation owedsuch ARTIST.5. Choreographers Contract for Company ARTISTsa. For a dance piece created by a COMPANY ARTISTchoreographing his or her first ballet for the EMPLOYER, thefee shall be in year one of the Agreement; four hundred and eight34
dollars ($408.00) with a royalty of forty dollars and eighty cents($40.80), in year two of the Agreement; four hundred eighteendollars and twenty cents ($418.20) with a royalty of forty-onedollars and eighty-two cents ($41.82) in year three of theAgreement, four hundred and thirty dollars and seventy-fourcents ($430.74) with a royalty of forty-three dollars and sevencents ($43.07), for each Performance after the premier run.b. For choreography of a minor dance piece, (defined as a dancework of not more than ten (10) minutes duration with not morethan four (4) ARTISTs), after the first dance piece, the fee shallnot be less than in year one of the Agreement; five hundred andten dollars ($510) with a royalty of fifty - one dollars ($51.00),in year two of the Agreement; five hundred and twenty-twodollars and seventy-five cents ($522.75) with a royalty of fiftytwodollars and twenty – eight cents ($52.28) in year three of theAgreement, five hundred and thirty-eight dollars and forty-threecents ($538.43) with a royalty of fifty-three dollars and eightyfourcents ($53.84) for each Performance after the premier run.c. For all additional choreography other than a minor piece for theEMPLOYER, the fee shall not be less than in year one of theAgreement; eight hundred and sixteen dollars ($816) with aroyalty of fifty-one dollars ($51.00), in year two of theAgreement; eight hundred and thirty-six dollars and forty cents($836.40) with a royalty of fifty-two dollars and twenty-eightcents ($52.28) in year three of the Agreement, eight hundredsixty-one dollars and forty-nine cents ($861.49) with a royalty offifty-three dollars and eighty-four cents ($53.84) for eachPerformance after the premier run.D. <strong>ARTISTS</strong>’ RESOURCE FUNDThe EMPLOYER shall establish an Artists’ Resource Fund which shall beadministered by a committee comprised of three (3) persons known as theEMPLOYER’s Trustees, and three (3) persons known as the ARTISTs’ Trustees.The EMPLOYER’s Trustees shall be named by the EMPLOYER. TheEMPLOYER shall attempt to assure that one of its Board of Directors shall serveas a Trustee. The ARTISTs’ Trustees shall be named by the ARTISTs, and mayinclude an AGMA staff representative.During the initial organizational period, until the Trustees otherwise establishrules for the governing of the Trust and providing for the succession of Trustees,the Trustees shall act by majority vote in all matters.35
Page 1: BALLET WEST/AMERICAN GUILD OF MUSIC
Page 4 and 5: R. MASTER CLASS ...................
Page 6 and 7: SECTION IV. EMPLOYMENT CONDITIONS..
Page 8 and 9: SECTION II. DEFINITIONSWhenever use
Page 10 and 11: L. DELEGATE - shall be defined as a
Page 12 and 13: . handling fire or performing near
Page 14 and 15: Employment and/or the public announ
Page 16 and 17: A. APPLICATION OF BENEFITSSECTION I
Page 18 and 19: 2. Any gross insubordination by the
Page 20 and 21: G. DELEGATESwho performs in the pro
Page 22 and 23: cooperate with such AGMA representa
Page 24 and 25: P. NON-PAYMENT OR PARTIAL PAYMENT O
Page 26 and 27: R. SOCIAL SECURITY, WORKERS’ COMP
Page 28 and 29: Artist’s Contract is terminated b
Page 30 and 31: SECTION IV. EMPLOYMENT CONDITIONSA.
Page 32 and 33: 5. Additional PerformersOnly ARTIST
Page 34 and 35: g. In the event an ARTIST continuou
Page 36 and 37: C. ADDITIONAL WORK1. When ARTISTs a
Page 38 and 39: SECTION V. COMPENSATION & BENEFITSA
Page 42 and 43: The Artists’ Resource Fund shall
Page 44 and 45: ARTIST will be twenty per cent (20%
Page 46 and 47: . Bereavement LeaveIn the event of
Page 48 and 49: ARTIST during the term of her pregn
Page 50 and 51: 9. Performance TicketsEMPLOYER will
Page 52 and 53: through Sunday Week, except as need
Page 54 and 55: vi.vii.viii.ix.A request by the EMP
Page 56 and 57: two ten (10) minute breaks during e
Page 58 and 59: must indicate which rehearsal the A
Page 60 and 61: is unable to appear for performance
Page 62 and 63: c. School Performances shall not ex
Page 64 and 65: a. Performance AccessoriesReturning
Page 66 and 67: a. All costume pieces will be distr
Page 68 and 69: 4. ShoesUpon signing an Individual
Page 70 and 71: e. Ballet Slippersi. Female ARTISTs
Page 72 and 73: l. TouringFor tours of less than tw
Page 74 and 75: container. The liability for damage
Page 76 and 77: overtime incurred while traveling a
Page 78 and 79: 16. HotelsIn the event that an ARTI
Page 80 and 81: and the same applies returning to C
Page 82 and 83: SECTION VIII. MEDIA/PUBLICITY/PROMO
Page 84 and 85: tapes to be made. ARTIST shall furn
Page 86 and 87: C. PHOTOGRAPHY1. No photo calls sha
Page 88 and 89: EXHIBIT “B”HEALTH AND SAFETYAGM
Page 90 and 91:
7. When the rehearsal space is with
Page 92 and 93:
is applied. In no event shall a flo
Page 94 and 95:
I. MakeupAll makeup and makeup adju
Page 96 and 97:
4. At the conclusion of the scene,
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BALLET WEST/AMERICAN GUILD OF MUSICAL ARTISTS

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