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The Practice Which leads to Nibbana - A Buddhist Library

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w 68Internally And Externally<strong>The</strong> Abhidhamma commentary explains that whoever has attainedthe first jhŒna by paying attention <strong>to</strong> the repulsiveness of theskele<strong>to</strong>n should go on <strong>to</strong> develop the five masteries of the first jhŒna.<strong>The</strong>n after that the medita<strong>to</strong>r should take a being sitting in front ofhim or the nearest being that he can see with his light of concentrationand take that being's skele<strong>to</strong>n as an object and pay attention <strong>to</strong> that asrepulsive and develop this perception until the jhŒna fac<strong>to</strong>rs becomeprominent. According <strong>to</strong> the commentary even though the jhŒnafac<strong>to</strong>rs are prominent you cannot call this concentration upacŒra orappanŒ concentration because the object is living, but according <strong>to</strong>the explanation of the Sub-commentary <strong>to</strong> the Abhidhamma, calledMèlaÊ´ka, if you pay attention <strong>to</strong> the external bones as if they were adead skele<strong>to</strong>n you can attain upacŒra concentration. When the jhŒnafac<strong>to</strong>rs become clear in this way then you should again pay attention<strong>to</strong> the internal skele<strong>to</strong>n as repulsive. You should pay attentionalternately once internally and then once externally. When you havepaid attention <strong>to</strong> the repulsiveness of the skele<strong>to</strong>n like this bothinternally and externally many times and when your meditation onrepulsiveness has become very strong and complete, then you shouldstart <strong>to</strong> discern the skele<strong>to</strong>n externally in all ten directions. Youshould take one direction at a time, wherever your light of concentrationreaches, and develop each direction in the same way.You should apply your knowledge both far and near and in alldirections in this way once internally and once externally. Practiseuntil wherever you look in the ten directions you only see skele<strong>to</strong>ns.When you have succeeded in doing this you are now ready <strong>to</strong>proceed <strong>to</strong> the development of the white kasiöa.Colour Kasiöa<strong>The</strong>re are four colours used as a basis for kasiöa meditation andthey are blue, red, yellow, and white. Of these four colours the one

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