The Practice Which leads to Nibbana - A Buddhist Library

w 138part in producing sound. Also discern separately the earth elementpresent in the cittaja kalŒpa rubbing against the earth element in thekammaja kalŒpas (which produces sound) in the place where soundis produced and the verbal intimation involved.6. vac´ vi––atti sadda lahutŒdi terasaka kalŒpa = a kalŒpa withthirteen factors; the basic eight plus vac´ vi––atti, sound, lahutŒ,mudutŒ, and kamma––atŒ.7. assŒsa passŒsa cittaja sadda navaka kalŒpa = a mind producedkalŒpa with nine factors; the basic eight plus sound. This is areal rèpa and a suitable object for vipassanŒ.8. assŒsa passŒsa cittaja sadda lahutŒdidvŒdasaka kalŒpa = amind produced kalŒpa with twelve factors; the basic eight plus sound,lahutŒ, mudutŒ, and kamma––atŒ.Note: In 7. and 8. the sound is the sound of breathing. ThekalŒpas containing not real rèpas mixed with real rèpas should bediscerned at the time of discerning nŒma and rèpa but later whenapplying the three characteristics during vipassanŒ they should notbe contemplated.Four Kinds Of Rèpa KalŒpas Produced By Temperature1. utuja suddhaÊÊhaka kalŒpa = a kalŒpa produced by temperaturecontaining eight factors; the basic eight. It is a real rèpa.2. utuja sadda navaka kalŒpa = a kalŒpa produced by temperaturecontaining nine factors; the basic eight plus sound. It is a realrèpa.3. lahutŒdekadasaka kalŒpa = lahutŒ as the eleventh factor kalŒpawith the basic eight factors plus lahutŒ, mudutŒ, and kamma––atŒ. It is not a real rèpa.4. sadda lahutŒdidvŒdasaka kalŒpa = a kalŒpa containing twelvefactors; the basic eight plus sound, lahutŒ, mudutŒ, and kamma––atŒ. This is not a real rèpa.