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The Practice Which leads to Nibbana - A Buddhist Library

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THE 54 RòPAS OF THE TONGUE DOOR ( JIVHî DVîRA)w130jivhŒ dasaka kŒya dasaka bhŒva dasaka cittaja utuja ŒhŒrajakalŒpas kalŒpas kalŒpas aÊÊhaka kalŒpa aÊÊhaka kalŒpa aÊÊhaka kalŒpa1. pathav´, earth 1. pathav´ 1. pathav´ 1. pathav´ 1. pathav´ 1. pathav´2. Œpo, water 2. Œpo 2. Œpo 2. Œpo 2. Œpo 2. Œpo3. tejo, fire 3. tejo 3. tejo 3. tejo 3. tejo 3. tejo4. vŒyo, air 4. vŒyo 4. vŒyo 4. vŒyo 4. vŒyo 4. vŒyo5. vaööa, colour 5. vaööa 5. vaööa 5. vaööa 5. vaööa 5. vaööa6. gandha, odour 6. gandha 6. gandha 6. gandha 6. gandha 6.gandha7. rasa, taste 7. rasa 7. rasa 7. rasa 7. rasa 7. rasa8. ojŒ, nutriment 8. ojŒ 8. ojŒ 8. ojŒ 8. ojŒ 8. ojŒ9. jivita, life faculty 9. jivita 9. jivita10. jivhŒ pasŒda 10. kŒya pasŒda 10. bhŒva rèpaproduced by kamma, prod. by kamma, prod. by kamma, prod. by mind, prod. by temp., produced by nutriment,transparent transparent not transparent not transparent not transparent not transparentJivha dasaka kalŒpa = <strong>to</strong>ngue transparent element as the tenth fac<strong>to</strong>r particle which is sensitive <strong>to</strong> the impinging of taste.Out of these 54 rèpas the <strong>to</strong>ngue transparent element can be called pasŒda jivhŒ or sasambhŒra jivha, the other 53 are called justsasambhŒra jivha.<strong>The</strong> kŒya dasaka kalŒpas and the other four types of particles have been explained on the chart for the eye door.

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