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The Practice Which leads to Nibbana - A Buddhist Library

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THE 54 RòPAS OF THE EAR DOOR (SOTA DVîRA)w128sota dasaka kŒya dasaka bhŒva dasaka cittaja utuja ŒhŒrajakalŒpas kalŒpas kalŒpas aÊÊhaka kalŒpa aÊÊhaka kalŒpa aÊÊhaka kalŒpa1. pathav´, earth 1. pathav´ 1. pathav´ 1. pathav´ 1. pathav´ 1. pathav´2. Œpo, water 2. Œpo 2. Œpo 2. Œpo 2. Œpo 2. Œpo3. tejo, fire 3. tejo 3. tejo 3. tejo 3. tejo 3. tejo4. vŒyo, air 4. vŒyo 4. vŒyo 4. vŒyo 4. vŒyo 4. vŒyo5. vaööa, colour 5. vaööa 5. vaööa 5. vaööa 5. vaööa 5. vaööa6. gandha, odour 6. gandha 6. gandha 6. gandha 6. gandha 6.gandha7. rasa, taste 7. rasa 7. rasa 7. rasa 7. rasa 7. rasa8. ojŒ, nutriment 8. ojŒ 8. ojŒ 8. ojŒ 8. ojŒ 8. ojŒ9. jivita, life faculty 9. jivita 9. jivita10. sota pasŒda 10. kŒya pasŒda 10. bhŒva rèpaproduced by kamma, prod. by kamma, prod. by kamma, prod. by mind, prod. by temp., produced by nutriment,transparent transparent not transparent not transparent not transparent not transparentSota dasaka kalŒpa = ear transparent element as the tenth fac<strong>to</strong>r particle which is sensitive <strong>to</strong> the impinging of sound.Of these 54 rèpas the ear transparent element can be called pasŒda sota or sasambhŒra sota and the other 53 rèpas are called justsasambhŒra sota. <strong>The</strong> kŒya dasaka kalŒpas and the other four types of particles have been explained on the chart for the eye door.

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