57ChickCoreaElectric Keyboardistof the YearBy Aaron CohenElectricKeyboard/Synthesizer161 Chick Corea147 Herbie Hancock119 Uri Caine76 John Medeski60 Craig Taborn23 Jim Baker20 Wayne Horvitz15 Gil Goldstein14 Geoffrey Keezer14 Lyle Mays13 Hiromi13 Jason LindnerIt’s no accident that two of Chick Corea’sbest-known bands have been named Circleand Return To Forever (RTF). The winnerof this year’s Critics Poll in the ElectricKeyboard/Synthesizer category has alwaysbeen a step ahead of the next technologicaltrends. But during 2008 and 2009, he’s alsobeen going back to his own past, and showinghow much his associations from the 1960s and’70s mean to today’s jazz audiences.Last year, Corea appeared on DownBeat’scover as RTF’s classic lineup of himself, AlDiMeola, Stanley Clarke and Lenny Whitereconvened for a wildly successful tour. Thereunion has already resulted in the 2-discReturn To Forever Returns (Eagle Records) andthe DVD Return To Forever Returns: Live AtMonreux (Eagle Eye). A few months ago, hejoined up with guitarist John McLaughlin—hiscolleague from Miles Davis’ seminal work infusion—to form the Five Peace Band with suchyounger musicians as Christian McBride andKenny Garrett along with drummer VinnieColaiuta (alternating on some live gigs withBrian Blade). This group’s self-titled live discwas released this year (Concord).When he had the chance to take a shortbreak between tours, a relaxed-sounding Coreamade it seem like his own joviality and wiseobservations make him as much of a magnet forhis new crew as his landmark music.Like his take on a seemingly easy life on theroad with the Five Peace Band.“One of the beauties of making music andworking with artists in general—especially injazz—is that age sort of disappears,” Coreasaid. “We’re commonly linked with the traditionswe love and when we get together, theredoesn’t seem to be any age barrier. Especiallyonstage. On the bus, I don’t follow the TVshows that the young guys had been watching—andI’ll be talking about Steve Allen—but, musically, the energy of the young guys isrefreshing. It’s a nice exchange between whatJohn calls us old hippies and the young cats.”Still, it’s the ties between those old hippiesthat made the Five Peace Band happen afterseveral years of percolating.“I could roll it back to the ’70s when Johnand I were running around with our bands andwe became good friends since we first met,”Corea said. “Around 1969 we played a little bittogether, recorded with Miles and developed amutual admiration for each other that lastedthrough the decades. We always—in one wayor another—would mention wanting to dosomething with each other. And while we sat inwith each other, we never really did a projecttogether. Then, when my schedule opened up, Iproposed this project to John and it clicked inand we tried to nail a schedule down and itcame together.”Corea also mentions his 60th birthday celebrationin December 2001 at New York’s BlueNote as his incentive to reconvene RTF anddive into building new performance opportunitieswith musicians like McLaughlin. Thatthree-week event included Corea performingwith veteran colleagues like Michael Brecker,Roy Haynes and Gary Burton, new partners likeGonzalo Rubalcaba, and such groups as Originand his Akoustic Band. In his unique method ofmaking his releases unabridged, the resultscomprised the 10-DVD box set Rendezvous InNew York (Image Entertainment) in 2005.“When I had that celebration at the BlueJOS KNAEPEN40 DOWNBEAT August 2009
Note and gathered a lot of the guys I workedwith in bands of mine, the whole concept of notwanting to go back to something that’s ‘old’ leftme,” Corea said. “The richness I had withmusic was actually the friendships I developedwith my musical partners, and they were timeless.It all seemed fresh to me, even though weweren’t playing new compositions. The jamsessions seemed fresh, and I blew away the ideathat reunions were bad. These relations are endless.So getting together with Stanley Clarkeand Lenny White especially, it was a long timecoming that we hadn’t played together, and itwas very joyous.”What has obviously changed is the electrickeyboard’s inherent technology, though it’s atestament to Corea’s victory in this categorythat he continues to experiment with the soundshe gets from them.“I play an extensive keyboard rig for ReturnTo Forever and paired it down for the FivePeace Band,” Corea said. “I’ve been trying towork out what is the most suitable kind ofinstruments to use to get the kind of musicalimpact that I like. I’ve tried different approachesin programming sounds, improvising my sounddesign as I play. I also enjoy going back to gettingthe sound going from my old FenderRhodes, while there’s a new Mini MoogVoyager that I enjoy playing. But to haularound a huge set of keyboards was like carryinga ball and chain, so I’m trying to make myrig compact. I’m also going to try a looserapproach for my next tour. With the Five PeaceBand, I used a couple Yamaha Motif keyboardsand brought my own patches and only neededto use four of five different sounds that suitedme for the kind of music I was playing.”At first, Corea said that he felt trepidationabout the ways that musical instrument companieshave been trying to duplicate the sound ofan acoustic piano in a digital format. Still, herecognized that it’s not just music, but the relatedworlds of film and computers that haveaccelerated the digital process with affordablesoftware’s convenience. Meanwhile, he addsthat Yamaha’s recent Avant model has madehim more comfortable with the technology.“If I’m playing a Fender Rhodes, I don’tthink of it as a piano—not even remotely,”Corea said. “In the same way, when I play adigitized piano sound, I approach it as thatinstrument, not as a piano, and then I can kindof make it work. But now, with the YamahaAvant, you sit down at that instrument and thein-built speakers bring it close to an acousticpiano feel. The keyboard is exactly an acousticpiano keyboard and whatever they did with thesampling gave it a wide dynamic range.”Last year, Corea recorded with keyboardistHiromi, and their pairing was released a fewmonths ago as Duet (Concord). As he recalledmeeting her in Tokyo when she was a teenager,he marveled at how she has become “quite amusician and a great young pianist.” Such anobservation leads to the question of what advicehe would give any young artist.“Pleasure is being able to do what you liketo do, and there’s so much in life that can goagainst that from authoritarian figures who keepyou from pursuing something you would like todo,” Corea said. “So it’s a matter of strengthand integrity for any young person to pursuesomething they’re interested in. As for education,the old concept of the apprentice systemstill works. You learn from one of the mastersin your area, and that’s how I learned. Any successfulperson, if you look into it, they learnedthat way.”Corea is giving himself plenty of time andspace to keep making his own new pursuitsthroughout the rest of the year. In the fall, he’lltour as a trio with Clarke and White. But he’sparticularly looking forward to a rare summertour as a solo act.“I’ve never toured solo,” Corea said. “I’vealways done solo piano concerts as fillers—acouple here or there upon requests sometimes,but never a whole tour, especially during theactive summer concert months. It’s going to bea refreshing relief after Return To Forever andthe Five Peace Band. I get back to myself andsee where the kid is at.”DBAugust 2009 DOWNBEAT 41