wherein all the reason and philosophy of atheism is confuted, and
wherein all the reason and philosophy of atheism is confuted, and wherein all the reason and philosophy of atheism is confuted, and
''156 That Nature liB'ook I..nor communicate itfelf to it, but with a great deal of tumult and hurliburiy,noife and clatter, it ufing hands and axes, laws and hammers, and after thismanner with much ado, by knockings and thruftings, (lowly introducingits form or idea (as for example of a fliip or houfe) intothe materials-,,nature in the mean time is another kind of art, which infinuating itfelfimmediately into things themfelves, and there afting more commandinglyupon the matter as an inward principle, does its work eafily, cleaverly, andfilently. Nature is art as it were incorporated and embodied in matter,which doth not aft upon it from without mechanically, but from within vi-P/.£n. 3./. 8. tally a.nd magically ; fJT£ XsiVf,- EvrauSa, ojte Trohc, o'jTi Ti ooyxvov iTrxxlov >iy ' ovu.'P'jIov, uA»r? ii $iT sfp' ?? TToirKra, x^ >ii' iv tSu ttoiiT, trx-tli'^i iriXc},. ^t7ii>^ to ij.o-'"^^y>^!-j(fj aCptAfiv Ik rri? (|Ju(ri>t»if woniofu?. ^Toi; yoic u^ktixoi;, ri ti? i/.o-xXilci, &C. Hereare no hands, nor feet, nor any injirttment, connate, or adventitious, there beingonlyneed of matter to work upon, and to be brought into a certain form, and nothingelfe. For it is manifefi that the operation of nature is different front'mechanifm^ it doing not its work by trufion or pulfion, by knockings or thrujlings^.as if it were without that which it wrought upon. But as God is inward toevery thing, fo nature afts immediately upon the matter, as an inward andliviog foul, or law in it;.10. Another preeminence of nature above Human art^ is this, thatwhereas human artifts are often to feek and at a lofs, and therefore confultand deliberate, as alfo upon fecond thoughts mend their former worknature,on the contrary, is neverto feek what to do, nor at a ftand ; and forthat reafon alfo (befides another that will be fuggefted afterwards) it dothneverconfult nor deliberate. Indeed Ai-iflotle intimates, as if this hadbeen the grand objeftion of th* old atheiftick philofophers againft the plafticknature. That becaufe we do not fee natural bodies to confult or deliberate,therefore there could be nothing of art. counfel or contrivance in them, but allP7j\/,l.z.c.S:came to pafs fortuitoujly. But he confutes it after this manner: "Aro-n-ovHfP. ^77. TO (/.r, oilSxi 'iviiiX TS yniQxi, tav y.ri 'iSuTom. I.^f^^iisTxi' It is abfurd for men to think nothing to be done for ends, if they-^^"ido not fee that which moves to confult^ altho* art itfelf doth not confult."Whence he concludes, that nature may aft artificially, orderly and methodically,for the fake of ends, though it never confult or deliberate. Indeedhuman artifts themfelves do not confult properly as they are artiftsjbut when ever they do it, it is for want of art, and becauffe they are tofeek, their art being imperfeft and adventitious : but art itfelf or perfeftart is never to feek, and therefore doth never confult or deliberate. Andnature is this art, which never hefitates nor ftudies, as unrefolved what todo, but is always readily prompted ; nor does it ever repent afterwards ofwhat it hath formerly done, or go about, as it were upon fecond thoughts,to alter and mend its former courfe, but it goes on in one conftant unrepentingtenor, from generation to generation, becaufe it is the ftainp orjmprefs of that infallibly omnifcient art, of the divine underftanding,'which is the very law and rule of what is fimply thi bcft in every thing.•;-And
Chap. IIL the Divine Art embodied, 157And thus we have ^ttn the difference between nature and human art ;.that the latter is imperfeft art, acting upon the matter from without, andat a diftance ; but the former is art itfelf, or perfccfl art, aifting as an inwardprinciple in it. Wherefore when art is faid to imitate nature, themeaning thereof is, that imperfeft human art imitates that perfeft art ofnature, which is really no other than the divine art itfelf; as before Arijlotle^Plato had declared in his Sophifl: ', in thefe words ; Tx(p-jcfi XsyoixcMx-TotiTSxr^iixTixvyi' Thofe things^:Which are faid to be done by nature^ are indeed done bydivineart.II. Notwithftanding whicH, we are to take notice in the next place, thatas nature is not the Deity itfelf, but a thing very remote from it, and farbelow it, fo neither is it the divine art, as it is in itfelf pure and abftrafV,,but concrete and embodied only ; for the divine art confidered in itfelf isnothingbut knowledge, underftanding, or wifdom in the mind of God.Now knowledge and underftanding, in its own nature, is xtx'-^oia-fji.nov n, acertain feparate and ahftra^ thing, and of fo fubtile and refined a nature, aythat it is not capable of being incorporated with matter, or mingled andblended with it, as the foul of it. And therefore Arijiotle\ fecond inftance,which he propounds as moft pertinent to illuftrate this bufinefs of nature by,namely of the phyfician's art curing himfelf, is not fo adequate thereunto jbecaufe when the medicinal art cures the phyfician, in whom it is, it dothnot there aAy'^ tZ c^y*.£i/£u vXn, the reafon of the thing without matter ; and fo the divine art orknowledge in the mind of God is unbodied reafon : bat nature is ratiomerfa ^ confufa, reafon immerfed and plunged into matter, and as it werefuddled in it, and confounded with it. Nature is not the divine artarchety*pal, but only edypai; it is a living ftamp or fignature of the divine wifdom ;which though it aft exaftly according to its archetype, yet it doth not at allcomprehend nor underftand the reafon of what itfelf doth. And the differencebetween thefe two may be refembled to that between the XsJ^^r IJixBtloi^,the reafon of the mind and conception, called verbum mentis, atid the >o^o
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Chap. IIL <strong>the</strong> Divine Art embodied, 157And thus we have ^ttn <strong>the</strong> difference between nature <strong>and</strong> human art ;.that <strong>the</strong> latter <strong>is</strong> imperfeft art, acting upon <strong>the</strong> matter from without, <strong>and</strong>at a diftance ; but <strong>the</strong> former <strong>is</strong> art itfelf, or perfccfl art, aifting as an inwardprinciple in it. Wherefore when art <strong>is</strong> faid to imitate nature, <strong>the</strong>meaning <strong>the</strong>re<strong>of</strong> <strong>is</strong>, that imperfeft human art imitates that perfeft art <strong>of</strong>nature, which <strong>is</strong> re<strong>all</strong>y no o<strong>the</strong>r than <strong>the</strong> divine art itfelf; as before Arijlotle^Plato had declared in h<strong>is</strong> Sophifl: ', in <strong>the</strong>fe words ; Tx(p-jcfi XsyoixcMx-TotiTSxr^iixTixvyi' Th<strong>of</strong>e things^:Which are faid to be done by nature^ are indeed done bydivineart.II. Notwithft<strong>and</strong>ing whicH, we are to take notice in <strong>the</strong> next place, thatas nature <strong>is</strong> not <strong>the</strong> Deity itfelf, but a thing very remote from it, <strong>and</strong> farbelow it, fo nei<strong>the</strong>r <strong>is</strong> it <strong>the</strong> divine art, as it <strong>is</strong> in itfelf pure <strong>and</strong> abftrafV,,but concrete <strong>and</strong> embodied only ; for <strong>the</strong> divine art confidered in itfelf <strong>is</strong>nothingbut knowledge, underft<strong>and</strong>ing, or wifdom in <strong>the</strong> mind <strong>of</strong> God.Now knowledge <strong>and</strong> underft<strong>and</strong>ing, in its own nature, <strong>is</strong> xtx'-^oia-fji.nov n, acertain feparate <strong>and</strong> ahftra^ thing, <strong>and</strong> <strong>of</strong> fo fubtile <strong>and</strong> refined a nature, aythat it <strong>is</strong> not capable <strong>of</strong> being incorporated with matter, or mingled <strong>and</strong>blended with it, as <strong>the</strong> foul <strong>of</strong> it. And <strong>the</strong>refore Arijiotle\ fecond inftance,which he propounds as m<strong>of</strong>t pertinent to illuftrate th<strong>is</strong> bufinefs <strong>of</strong> nature by,namely <strong>of</strong> <strong>the</strong> phyfician's art curing himfelf, <strong>is</strong> not fo adequate <strong>the</strong>reunto jbecaufe when <strong>the</strong> medicinal art cures <strong>the</strong> phyfician, in whom it <strong>is</strong>, it dothnot <strong>the</strong>re aAy'^ tZ c^y*.£i/£u vXn, <strong>the</strong> reafon <strong>of</strong> <strong>the</strong> thing without matter ; <strong>and</strong> fo <strong>the</strong> divine art orknowledge in <strong>the</strong> mind <strong>of</strong> God <strong>is</strong> unbodied reafon : bat nature <strong>is</strong> ratiomerfa ^ confufa, reafon immerfed <strong>and</strong> plunged into matter, <strong>and</strong> as it werefuddled in it, <strong>and</strong> confounded with it. Nature <strong>is</strong> not <strong>the</strong> divine artarchety*pal, but only edypai; it <strong>is</strong> a living ftamp or fignature <strong>of</strong> <strong>the</strong> divine wifdom ;which though it aft exaftly according to its archetype, yet it doth not at <strong>all</strong>comprehend nor underft<strong>and</strong> <strong>the</strong> reafon <strong>of</strong> what itfelf doth. And <strong>the</strong> differencebetween <strong>the</strong>fe two may be refembled to that between <strong>the</strong> XsJ^^r IJixBtloi^,<strong>the</strong> reafon <strong>of</strong> <strong>the</strong> mind <strong>and</strong> conception, c<strong>all</strong>ed verbum ment<strong>is</strong>, atid <strong>the</strong> >o^o