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cover 4_05-gfq.RV - German Films

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“I knew from my contact network,” says Jarzyk, who founded the<br />

agency Players together with his wife Mechthild Jarzyk-Holter, “that<br />

Ralf was already working on a related subject. I called his agency, sent<br />

him the script and he agreed in 24 hours! Then we worked together<br />

on the script for three months. We orientated ourselves on the<br />

British producers Working Title to make sure we had the light touch.”<br />

<strong>Films</strong> such as the crime comedy Die Musterknaben and the comedy<br />

Mondscheintarif (also co-produced and distributed by Senator), amply<br />

demonstrate that Huettner has “the light touch”.<br />

Jarzyk, who came into film via theater promotion and actor management<br />

via the art trade, left Players to pursue his production ideas. “It’s<br />

untypically <strong>German</strong>,” he says, “but I didn’t want to do the same thing<br />

my whole life!”<br />

Jarzyk is also keen to point out that his production company,<br />

Independent Players, is what it says on the box, independent.<br />

“So the film is even more market compatible and there’s no conflict<br />

of interest! But seriously, we cast the film on its and the actors’<br />

merits. Independent Players is a separate entity. It’s not a pre-packaged<br />

deal like in the U.S.”<br />

And coming next from Independent Players is Der Absacker. “Also a<br />

comedy,” says Jarzyk, “about a man who very quickly loses everything<br />

and only then gets to know what life really is and has to offer.”<br />

Sieben Zwerge – Der<br />

Wald ist nicht genug<br />

SK<br />

On the set with the Seven Dwarves<br />

(photo courtesy of Zipfelmuetzenfilm)<br />

Type of Project Feature Film Cinema Genre Family, Comedy,<br />

Family Entertainment Production Company Zipfelmuetzenfilm/<br />

Hamburg, in cooperation with Film & Entertainment VIP Medienfonds<br />

2/Munich, MMC Independent/Cologne, Rialto Film/Berlin, Universal<br />

Pictures Productions/Hamburg, in association with Telepool/Munich<br />

With backing from Filmfoerderungsanstalt (FFA), FilmFernseh<br />

Fonds Bayern Producers Otto Waalkes, Bernd Eilert, Douglas<br />

Welbat Director Sven Unterwaldt Screenplay Otto Waalkes,<br />

Bernd Eilert, Sven Unterwaldt Director of Photography Peter<br />

von Haller Editor Norbert Herzner Music by Joja Wendt<br />

Production Design Thomas Freudenthal Principal Cast Otto<br />

Waalkes, Mirco Nontschew, Martin Schneider, Ralf Schmitz, Norbert<br />

Heisterkamp, Boris Aljinovic, Gustav Peter Woehler, Nina Hagen,<br />

Cosma Shiva Hagen, Hans Werner Olm, Christian Tramitz, Ruediger<br />

Hoffmann, Heinz Hoenig Format 35 mm, color, 1:1.85, Dolby<br />

Digital Shooting Language <strong>German</strong> Shooting in Hamburg,<br />

Bremen, Goslar, Clausthal-Zellerfeld, Quedlinburg, Wernigerode,<br />

Bad Harzburg, Braunschweig, July-September 20<strong>05</strong> <strong>German</strong><br />

Distributor Universal <strong>German</strong>y & United International Pictures/<br />

Frankfurt<br />

World Sales<br />

TELEPOOL GmbH<br />

Wolfram Skowronnek, Carlos Hertel<br />

Sonnenstrasse 21 · 80331 Munich/<strong>German</strong>y<br />

phone +49-89-55 87 60 · fax +49-89-55 87 62 29<br />

email: cinepool@telepool.de · www.telepool.de<br />

Proving you can’t keep a good dwarf down, let alone seven of the<br />

little fellows, those feisty fairy-tale critters, the Seven Dwarves are<br />

back! And this time the forest isn’t big enough to hold ’em!<br />

As created by the multitalented writing, directing, producing, singing,<br />

comedy-performing Otto Waalkes, this time the dwarves Cloudy,<br />

Sunny, Bubi, etc. (who seem much taller than real dwarves should but<br />

explain it away as “a common misconception”) set off to help Snow<br />

White – who has since had a baby – guess the name of the evil dwarf<br />

that has threatened to take her child. Will they succeed? Can you say<br />

“Rumpelstiltskin”? ’Course they will! But that’s only after they’ve gone<br />

about things in their own, highly unique way, together with director<br />

Sven Unterwaldt, doing for (or is it to?) the Brothers Grimm<br />

what the Monty Python team did for King Arthur in Monty Python and<br />

the Holy Grail.<br />

“We decided to make the sequel last May,” says producer Douglas<br />

Welbat, “before the first one was even released. We wanted to<br />

take the story further so while the first film was ninety-percent studio<br />

filmed, this time we’ve gone for locations. Otherwise there have been<br />

few changes. The cast regulars are back but we also have many, many<br />

new surprises!”<br />

Not even the promise to write something nice about him could persuade<br />

Welbat to say what those surprises are, but since the first film<br />

reached more than 7 million viewers in the <strong>German</strong>-speaking territories<br />

he’s certainly not going to let them down. As Welbat says: “We<br />

hit their nerves with the first film and hope it will happen a second<br />

time.”<br />

As already mentioned, this time the production heads outdoors and<br />

Welbat promises “viewers will see a greatly increased production<br />

value. The Seven Dwarves are very valuable and what’s valuable costs<br />

money so we couldn’t afford to be mean. Visually, it will be absolutely<br />

wonderful.”<br />

About the first film, Variety wrote: “When it’s clicking, it’s hilarious ...<br />

Anarchic, satiric and silly enough to ignite a midnight movie-style cult<br />

following, this comedy-as-cudgel from Sven Unterwaldt could, with<br />

appropriate handling, break out of the foreign film/festival forest and<br />

make some real noise at the international box office.”<br />

german films quarterly in production<br />

4 · 20<strong>05</strong> 34<br />

SK

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