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MFA in - The New School

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THE CURRICULUM<br />

Writ<strong>in</strong>g Workshops<br />

<strong>The</strong> <strong>New</strong> <strong>School</strong> Writ<strong>in</strong>g Program follows the workshop<br />

method of teach<strong>in</strong>g: An experienced writer-teacher gives<br />

guidance to students by focus<strong>in</strong>g on their manuscripts and<br />

on the creative acts of revision and self-edit<strong>in</strong>g through<br />

workshops and <strong>in</strong>dividual conferences. This program<br />

provides a framework and susta<strong>in</strong>ed blocks of time for<br />

students to focus <strong>in</strong>tensively on develop<strong>in</strong>g their craft and<br />

creat<strong>in</strong>g a substantial body of work. Graduate writ<strong>in</strong>g<br />

workshops meet once a week <strong>in</strong> two-hour even<strong>in</strong>g<br />

sessions, Monday through Thursday. Graduate writ<strong>in</strong>g<br />

workshops may <strong>in</strong>clude a short assigned read<strong>in</strong>g list and<br />

occasional visits by guest writers who read and discuss<br />

their work. Structure and content of writ<strong>in</strong>g workshops<br />

are adapted to the <strong>in</strong>dividual area of concentration:<br />

Fiction<br />

Class sessions are pr<strong>in</strong>cipally devoted to read<strong>in</strong>g and<br />

discuss<strong>in</strong>g students’ fiction, usually short stories or<br />

excerpts from novels-<strong>in</strong>-progress. Students learn how to<br />

balance <strong>in</strong>spiration with revision; explore methods for<br />

strengthen<strong>in</strong>g characterization, storytell<strong>in</strong>g, and style<br />

while develop<strong>in</strong>g their voices to the utmost; and explore<br />

those narrative forms and techniques best suited to their<br />

<strong>in</strong>dividual styles.<br />

Poetry<br />

Class sessions are pr<strong>in</strong>cipally devoted to read<strong>in</strong>g and<br />

discuss<strong>in</strong>g students’ poems. <strong>The</strong>re is constant attention to<br />

the craft of poetry; the skills and strategies <strong>in</strong>volved <strong>in</strong><br />

mak<strong>in</strong>g the modern poem; aspects of prosody and new<br />

directions <strong>in</strong> writ<strong>in</strong>g; and, particularly, the discovery (and<br />

<strong>in</strong>vention) of techniques most appropriate for the poet's<br />

subjects, issues, and materials. <strong>The</strong>re is special emphasis<br />

on possibilities for revision.<br />

Nonfiction<br />

Class sessions are pr<strong>in</strong>cipally devoted to read<strong>in</strong>g and<br />

discuss<strong>in</strong>g students’ nonfiction, usually <strong>in</strong> the form of<br />

personal rem<strong>in</strong>iscence, reflective essay, reportage, and<br />

biography. Students learn how to choose a subject;<br />

develop a sense of structure, tone, style, and personal<br />

voice; and attend to such techniques as characterization,<br />

dialogue, imagery, metaphor, and dramatic development,<br />

as well as to the skills of <strong>in</strong>terview<strong>in</strong>g and documentary<br />

research.<br />

Writ<strong>in</strong>g for Children<br />

Class sessions are pr<strong>in</strong>cipally devoted to read<strong>in</strong>g and<br />

discuss<strong>in</strong>g students’ writ<strong>in</strong>gs for children <strong>in</strong> the form of<br />

stories, picture book texts, 8-12 fiction or nonfiction, and<br />

teenage fiction or nonfiction. Students explore the<br />

techniques and strategies of writ<strong>in</strong>g and produc<strong>in</strong>g books<br />

for children, and learn to f<strong>in</strong>d voices and forms for their<br />

writ<strong>in</strong>g and to express their ideas <strong>in</strong> styles appropriate for<br />

children’s <strong>in</strong>terests at different ages. Students <strong>in</strong>itiate and<br />

develop projects of their own choos<strong>in</strong>g.<br />

Literature Sem<strong>in</strong>ars<br />

<strong>The</strong> graduate Writ<strong>in</strong>g Program <strong>in</strong>cludes <strong>in</strong>tensive<br />

sem<strong>in</strong>ars on traditional and contemporary literary topics,<br />

which are <strong>in</strong>vestigated from the specialized perspective of<br />

the active writer. Topics and read<strong>in</strong>gs vary each semester,<br />

but all literature sem<strong>in</strong>ars are conducted by writers and<br />

concentrate on crucial aspects of craft and technique as<br />

well as on issues of literary history and theory. Literature<br />

sem<strong>in</strong>ars meet once a week <strong>in</strong> two-hour sessions. Like the<br />

writ<strong>in</strong>g workshops, sem<strong>in</strong>ars are conveniently scheduled<br />

<strong>in</strong> two-hour even<strong>in</strong>g sessions, Monday through Thursday.<br />

<strong>The</strong> Writer’s Life Colloquium<br />

Graduate writ<strong>in</strong>g students at <strong>The</strong> <strong>New</strong> <strong>School</strong> participate<br />

<strong>in</strong> an ongo<strong>in</strong>g colloquium of visit<strong>in</strong>g writers, editors,<br />

writ<strong>in</strong>g teachers, publishers, and literary agents. This<br />

Writer’s Life Colloquium reflects the wide range of<br />

cultural activity at <strong>The</strong> <strong>New</strong> <strong>School</strong> and the belief that<br />

students benefit from exposure to many voices and<br />

genres. <strong>The</strong> Writer’s Life Colloquium carries 1 po<strong>in</strong>t of<br />

credit each term, and <strong>in</strong>volves special read<strong>in</strong>gs, craft<br />

sem<strong>in</strong>ars, teach<strong>in</strong>g lectures, publication discussions, and<br />

visit<strong>in</strong>g writer residencies arranged exclusively for the<br />

<strong>MFA</strong> candidates. Active participation <strong>in</strong> the colloquium<br />

consists of attendance at a m<strong>in</strong>imum of eight events.<br />

<strong>The</strong> Writ<strong>in</strong>g <strong>The</strong>sis<br />

Upon successful completion of three writ<strong>in</strong>g workshops,<br />

students advance to the thesis stage. Each student works<br />

closely with a writ<strong>in</strong>g <strong>in</strong>structor through structured<br />

conferences over an entire semester to produce a<br />

substantial manuscript <strong>in</strong> the student’s area of<br />

concentration, whether fiction, poetry, nonfiction, or<br />

writ<strong>in</strong>g for children.<br />

<strong>The</strong>sis requirements for each concentration are as follows:<br />

• Poetry: a manuscript of 40 to 60 pages of<br />

<strong>in</strong>dividual poems, poetic sequences, or a long<br />

poem<br />

• Fiction: a manuscript of 70 to 100 pages of short<br />

stories, a novella, or a novel-<strong>in</strong>-progress<br />

• Nonfiction: a manuscript of 70 to 100 pages of<br />

reflective essays, reportage, memoir, biography,<br />

or a book-<strong>in</strong>-progress<br />

• Writ<strong>in</strong>g for Children: a manuscript of 50 to 70<br />

pages of stories or other fiction or nonfiction, or<br />

a completed children’s book <strong>in</strong> a state<br />

appropriate for publication<br />

Each thesis graded by the student’s advisor and then<br />

submitted to the director of the Writ<strong>in</strong>g Program for f<strong>in</strong>al<br />

approval.<br />

13

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