one night in Meadowlands, another inPimville, another in Kliptown, anotherin — goddamn! I am becoming a regularhobo, he thought.H le hummed inaudibly asthe bus passed the Johannesburgzoo. He gazed wistfully at thehuge mansions.He swung onto the For Natives Onlytrolley bus at the corner of Fraser andDiagonal streets just as the bus wasleaving, paid his five cents and headedfor Parktown North. He hummedinaudibly as the bus passed theJohannesburg zoo. He gazed wistfullyat the huge mansions, with oversizedyards and carefully manicured lawns. Itwas like being transported from aderelict, barren Masakeng into a gardenof Eden. The contrast between Shantytownand Parktown turned his stomach.Approaching Tsidi's working place,he nimbly swung off the bus with anagility he was accustomed to, taking themomentum of the bus on his dirtytennis shoes. Soundlessly walking in theshadows, he crept towards Tsidi's 'dog'smeat'home, so-called because whenthe maddie went shopping, part of themeat she bought was allotted theservant. 'These fucking dogs live and eatbetter than we do, 'Vuyo thought.Stealthily he went to the backyardwhere the servants' quarters was located,hoping that the bloody dog would notbark. The massive mansion in front wasbuilt rococo-style, of rough-hewn granitebricks with creepers climbing up to thecupola-like roof. Vuyo thought this wasa lot of money spent in bad taste.Facing the street was a white-railedveranda with deck chairs where themasters had their sundowners.Surrounding the house was a hedge ofwell-trimmed rhododendrons.The servants' quarters comprised ablock of three brick rooms — one forthe maid, one for the cook, the thirdfor the gardener. Adjoining the maid'sroom was a lavatory next to a coalshed.Vuyo thought the set-up lookedsumptuous compared to Tandie's hoveland its raggedy companions.He tapped lightly on Tsidi's door.No answer. He tapped again, a littlelouder.'Who is it? Tsidi asked.'Vuyo,' he answered, thinking thatliving in Johannesburg was a pain inthe ass because one was alwayssuspicious of knocks at night: if theywere loud and peremptory, it was thepolice or the boss; if they were soft andtimid, it was a hustler or a poor relative.After what appeared to be a longpause, Vuyo was about to knock againwhen a baritone voice growledaway, we're asleep.'le tiptoed into the lavatory.It was too small, and spendingthe night on the commode wasvery uncomfortable.Vuyo sucked in his breath sharplyand cursed softly. He was thinking fast:The shit's up the creek for me. There'snowhere nearby where I can spend thenight. I'm bound to be picked up by theprowling 'flying sqaud' if I leave here.My pass-book isn't in order and I'llbe arrrested for not having worked forthe past year or so. The last bus into thecity has already left ... I don't havebus fare anyway. It's past 9 p.m. andthe curfew for blacks in the city ison . . . goddamn!He tiptoed into the lavatory. It wastoo small, and spending the night on thecommode was very uncomfortable, ashe discovered after he had tried it for awhile. He then explored the coal-shed.It was as black as some of the pondokkieshe had been in in Masakeng.Lying next to some bags of anthracitewere some empty sacks. He spread twoon the floor as if he was making up asick-bed in a hospital. He sat on them,knees hunched, arms folded, chin onchest, craving a cigarette, staring at theblackened wall, thinking about Tandie'swarm tender body, calling Tsidi aregular rubber-neck — bitch. It was hardfor him to believe that he was inParktown spending the night on sacksas if he was in Shantytown. 'Hit thesack, Jack,' he said to himself, resignedly,and tried to sleep.IllustrationsbyPercy SedumediAfter about an hour he heard a keyturn, a door open, the toilet door close.He quickly slipped out of the coalshed,stepped lightly into Tsidi's darkroom, and locked the door behindhim. Taking out his gonie he relaxed;he even grinned wryly when hediscovered in the dimness of the roomthat it was Tsidi who lay in bed. Hecould just discern a man's pair of pants,jacket and shirt on a chair; the man'sshoes were under it. He climbed fullyclothed, with his sneakers on, into thebed without disturbing her.,'That was quick,' mumbled Tsidi.She sounded very sleepy and poopedfrom screwing, Vuyo thought.'Mm,' Vuyo responded indistinctly,anonymously. A few minutes later thedoorknob turned. Then:'What the hell! Tsidi, open thefucken door!'Vuyo had the blade of his gonie onTsidi's neck as he hissed:'One squeak out of you and you area dead duck!' Loudly, he said in abaritone voice:'Go away, we're asleep.'36 STAFFRIDER, VOL. 6 NO. 2, <strong>1985</strong>
Norman Ramuswogwana Tshikovha^#bu were a stranger and they took you i inTo my friend and patron Rashaka Frank Ratshitangayou were a strangerand they took you inand when i heard the newsi scarce could believe my earsi hope they welcomed youeven when i was not therei believe they to youa hand of friendship extendedand even patted your backfor ever you were workaholici learned to know youworking the Univen gardenthe deathly '83 droughtnever dampening thefuelled flame of your spiritsand the beginning of '84i saw your strugglesplanting the green turfin the varsity soccer fieldi learned to know your figureyour form and your shapeyour shabby clothesthe bushy black beardyour registered trade-markyour unrefined appearanceand your spectaclesnow i will miss youinside your closed cellwhere you are trappeda hare in a snareyou are cagedyour mouth is shuttightyou are silencedwhy is the questionbecause is the answerreason it yourselfyou may get an answermine is a ?i hope you are wellwherever you areand were you ever sorethe day they took you into be their visitor?i hope even nowyou are not bittermy childish innocencelabels you 'not criminal'this innocent songi sing to you:you were a stangerand they took you inand when i heard the newsi scarce could believe my earsNorman Ramuswogwana Tshikov!la^he black spotsthere are too many of themblackspots quite too manysquatters' campsmass removalsresistance movementsblackspot in Sophiatownblackspot Langa Capeblackspotted Mogopathe blackspots that stainthe pure whitenessof the white angrygluttonous leopardessthe pure white S.A.a leopard without spots?Norman Ramuswogwana Tshikovham•hey have themselvesto blameBranches in the height of spirngbending and tossingas the wind calls the tunereeds in flooded riversas if bowing in prayerhearken to the call of waves.All life's pitiable creaturesalways on their kneesin humble submissionnever daring to complainhave themselves to blame.Norman Ramuswogwana Tshikovh*1 sing this song toall who trust othersdis song i sing to dem everybodydem dat faith on oders havedem dat even one in darkest moments trustwhen all life's hopes are very bleakdis song i sing to dem dat trust odersto dem dat are by gossips not betrayedto dem dat are by defamation not misledto dem dat condemns after dey have trieddis song i sing to dem everybodydem dat oders wid responsibilities trustdem dat widout doubt faith in oders havewhen all oders have oders libelleddis song i sing to dem dat never brushesoders aside as if dey from leprosy sufferseven widout deir diagnosis of de carriersdem dat not oders let in isolation livedis song i sing to dem everybodyto dem dat never feeble tings despisesto dem dat from fickle tings never retreatto dem dat closest to oders livedis song i sing for de fewde chosen few of all life's multitudesfor individuals dat for oders ever caresdis song i sing derefore to demNorman Ramuswogwana TshikovhaSTAFFRIDER, VOL. 6 NO. 2, 19S5 37