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English Language Teaching in its Social Context

English Language Teaching in its Social Context

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336 JOAN SWANNTranscriptNotcs1 [Once upon a time] a I longspread<strong>in</strong>g gesture to start story; downwardI long I long I long I longtimeago there was a I hunter a [verywcll-known and respected hunter]*every day he would go I out <strong>in</strong>to theI bush he would catch whatevermeat he needed for the village, hewould carrv it on his back he wouldbr<strong>in</strong>g it <strong>in</strong>to the villape he wouldthrow it down on the floor the peoplethey would see him *they would startclapp<strong>in</strong>g their hands body orientation.*hands out to A; A also <strong>in</strong>vited hy directgaze, head movcmcnt, generalKeyI[Once upon a time]Ilong*every daycatch whatever meatASquare brackets <strong>in</strong>dicate beg<strong>in</strong>n<strong>in</strong>g and endof large spread<strong>in</strong>g gestureVcrtical slash <strong>in</strong>dicates downward gestureaccompany<strong>in</strong>g a wordAsterisk <strong>in</strong>dicates someth<strong>in</strong>g that iscommented on <strong>in</strong> the ‘Notes’ columnUnderl<strong>in</strong>ed speech <strong>in</strong>dicates that thestoryteller also mimes the actions shedescribesAs <strong>in</strong> transcripts above, <strong>in</strong>dicatessound/action that forms part of theutteranceAudienceFigure 20.6 Representation of nonverbal features <strong>in</strong> an oral narrativesuch as the students’ first or ma<strong>in</strong> language, for certa<strong>in</strong> purposes. In this case, it may be<strong>in</strong>terest<strong>in</strong>g to see when a teacher or student uses each language.There are many diffcrent ways of represent<strong>in</strong>g the alternation between differentlanguage varieties. In Chapter 17 for <strong>in</strong>stance, Angel L<strong>in</strong> <strong>in</strong>dicates ‘codeswitch<strong>in</strong>g’ betweenCantonese and <strong>English</strong>, represent<strong>in</strong>g Cantonese <strong>in</strong> translation and <strong>in</strong> bold type. Figures 20.8and 20.9 show how researchers have represented languages <strong>in</strong> their orig<strong>in</strong>al form whilstalso offer<strong>in</strong>g an <strong>English</strong> translation. Figure 20.8, from research carried out by Anto<strong>in</strong>etteCamillcri <strong>in</strong> bil<strong>in</strong>gual classrooms <strong>in</strong> Malta, shows a teacher alternat<strong>in</strong>g between <strong>English</strong> andMaltese, where Maltese is used to amplify or expla<strong>in</strong> (rather than simply translate) an <strong>English</strong>sentence read from a textbook. In this case, an <strong>English</strong> translation of the Maltese utterancesi.; given <strong>in</strong> a separate column. Figure 20.9, from research carried out by G.D. Jayalakshmi<strong>in</strong> Bihar, <strong>in</strong> northern India, shows how a teacher uses Sanskrit partly to demonstrate hisknowledge and also ‘because he believes that his function is to <strong>in</strong>struct students not only <strong>in</strong>language but also, more generally, <strong>in</strong> life’ (Jayalakshmi, 1996, p. 145). In this case, an <strong>English</strong>translation is given <strong>in</strong> brackets beneath the Sanskrit.In Figure 20.9, Jayalakshmi represents Sanskrit <strong>in</strong> Devanagari script. It would alsohave been possible to represent it <strong>in</strong> transliteration, <strong>in</strong> Roman script. It is, however, moredifficult to decide how to represent language varieties closely related to <strong>English</strong>, or differentvarieties of <strong>English</strong>, that do not have a conventional orthography. Figure 20.5 represented

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