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English Language Teaching in its Social Context

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334 JOAN SWANNIn a column transcript, it’s important to bcar <strong>in</strong> m<strong>in</strong>d which column you allocate toeach speaker. Because of factors such as the left-right orientation <strong>in</strong> European scripts,and associated conventions of page layout, we may give priority to <strong>in</strong>formation locatedon the left hand side. Ochs (1 979) po<strong>in</strong>ts out that, <strong>in</strong> column transcripts of adult-childtalk, the adult is nearly always allocated thc left-hand column, suggest<strong>in</strong>g they are the<strong>in</strong>itiator of thc conversation. In Figure 20.4 1 began with Girl 1, probably because shespoke first, but I also groupcd thc girls and thcn the boys togethcr.This may be usefulif your <strong>in</strong>terest is, say, <strong>in</strong> gender issucs, but it’s important to considcr why you arcadopt<strong>in</strong>g a particular order and not to regard this as, somehow, ‘natural’.Accounts of convcrsational turn-tak<strong>in</strong>g havc oftcn assumcd that onc person talks at a timc(e.g. Sacks, Schegloff and Jefferson, 1974). As I suggested above, however, this is not alwaysthe case, particularly <strong>in</strong> young children’s talk, or <strong>in</strong> more <strong>in</strong>formal discussion where thereis lots of ovcrlapp<strong>in</strong>g talk and whcrc spcakcrs frcqucntly complctc one another’s turns. Inher analysis of <strong>in</strong>formal talk amongst women fricnds, Jcnnifcr Coatcs dcvcloped a methodof transcription <strong>in</strong> which she used a ‘stave’ layout (by analogy with musical staves) torepresent the jo<strong>in</strong>t construction of speak<strong>in</strong>g turns (see, for <strong>in</strong>stance, Coates, 1996). Stavctranscription has not been used frequently <strong>in</strong> educational contexts but may be adopted toillustrate highly collaborative talk <strong>in</strong> small groups. Figure 20.5 comes from a study madeby Julia Davies (2000) of <strong>English</strong> lcssons <strong>in</strong> thrcc sccondary schools <strong>in</strong> Sheffield, <strong>in</strong> the northof England. Davics was particularly <strong>in</strong>terested <strong>in</strong> gender issues ~ <strong>in</strong> how girls and boysworked together <strong>in</strong> s<strong>in</strong>gle-sex and mixed-sex groups. Figurc 20.5 shows a group of fourteenage girls reflect<strong>in</strong>g on their earlier cxpcricnccs of school. Davies found (like Coates)that the girls’ talk was particularly collaborative (e.g. it conta<strong>in</strong>ed overlapp<strong>in</strong>g specch, jo<strong>in</strong>tconstruction of turns and several <strong>in</strong>dicators of conversational support).Thc layout you choose for a transcript will depend on what you arc transcrib<strong>in</strong>g andwhy. Here I have tried to show how different layouts highlight certa<strong>in</strong> aspects of talk andplay down others.You will need to try out, and probably adapt, layouts till you f<strong>in</strong>d one thatsu<strong>its</strong> your purposes ~ bear<strong>in</strong>g <strong>in</strong> m<strong>in</strong>d, as ever, that such dccisions are already lead<strong>in</strong>g youtowards a particular <strong>in</strong>terpretation of your data.Includ<strong>in</strong>g nonverbal and contextual <strong>in</strong>formationTranscriptions tend to highlight verbal <strong>in</strong>formation, though I have <strong>in</strong>dicated above hownonverbal <strong>in</strong>formation can be shown <strong>in</strong> a ‘notes’ column, or by typographical conventionssuch as capital letters for emphasis or loudncss. In some chapters of this book authors usediffcrcnt conventions. Paul<strong>in</strong>e Gibbons and Angel L<strong>in</strong>, for <strong>in</strong>stance (Chapters 16 and 17respectively) <strong>in</strong>clude some nonverbal <strong>in</strong>formation with<strong>in</strong> brackets <strong>in</strong> the dialogue. If youare particularly <strong>in</strong>terested <strong>in</strong> nonverbal <strong>in</strong>formation you may wish to adopt transcriptionconventions that highlight this <strong>in</strong> somc way. As examples, Figure 20.6 shows how a storytelleruses a number of nonverbal features <strong>in</strong> her performance of a Nigerian story (‘A manamongst men’); and Figure 20.7 shows how a teacher uses gaze to nom<strong>in</strong>ate female or malestudents to respond to her questions.Represent<strong>in</strong>g d<strong>in</strong>eren t language varietiesThe transcripts of classroom talk I have illustrated so far come from contexts <strong>in</strong> which<strong>English</strong> is be<strong>in</strong>g used as a medium of <strong>in</strong>struction. In many contexts, however, even whcrc<strong>English</strong> is used as a classroom language, teachers and students may also usc another language,

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