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English Language Teaching in its Social Context

English Language Teaching in its Social Context

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culturalto282 ANGEL M. Y. LIN(1) Story-Focus-IRF:Teacher-Initiation [ L1 ]Student-Response [ L1 ]Teacher-Feedback [ L1 ](2) <strong>Language</strong>-Focus-IRF:Teacher-Initiation [ L1 /L2 ] (L1/L2L1 or L2)Student-Response [ L1 /L2 ]Teacher-Feedback [ L2 1, or use (2) aga<strong>in</strong> until Student-Response is <strong>in</strong> L2(3) Start (2) aga<strong>in</strong> to focus on another l<strong>in</strong>guistic aspect of the L2 response elicited<strong>in</strong> (2); or return to ( 1) to focus on the story aga<strong>in</strong>.This k<strong>in</strong>d of discourse practice allows the tcachcr to <strong>in</strong>terlock a story focus with a languagefocus <strong>in</strong> the read<strong>in</strong>g lesson. There can be enjoyment of the story, via the use of the storyfocusIRF, <strong>in</strong>tertw<strong>in</strong>ed with a language-learn<strong>in</strong>g focus, via the use of the language-focus IRF.We have noted above that the teacher never starts an <strong>in</strong>itiation <strong>in</strong> L2. She always starts <strong>in</strong>L1 .This stands <strong>in</strong> sharp contrast with the discourse practices ofTcacher C who always startswith L2 texts or questions <strong>in</strong> her <strong>in</strong>itiations. It appears to me that by always start<strong>in</strong>g <strong>in</strong> L1,Teacher D always starts from where the student is ~ from what the student can fullyunderstand and is familiar with. On the other hand, by us<strong>in</strong>g the language-focus IRF formatimmediately after the story-focu.; IRF format, she can also push the students to move fromwhat they are familiar with (e.g., L1 expressions) to what they need to become more familiarwith (e.g., L2 counterparts of the L1 cxpressions).5 Do<strong>in</strong>g-<strong>English</strong>-lessons <strong>in</strong> the reproduction or transformationof habitus?You want to know why I don’t pay attention <strong>in</strong> <strong>English</strong> Icssons?You rcally want toknow? Okay, here’s the reason: NO INTEREST!! It’s so bor<strong>in</strong>g and difficult and I canncvcr master it. But the society wants you to learn <strong>English</strong>! If you’re no good <strong>in</strong><strong>English</strong>, you’re no good <strong>in</strong> f<strong>in</strong>d<strong>in</strong>g a job!The above was said by a 14-year-old boy from Classroom B to the author <strong>in</strong> an <strong>in</strong>formal<strong>in</strong>terview after class (orig<strong>in</strong>al <strong>in</strong> Cantonese). In section 2 above we mentioned Rourdieu’snotion of habitus referr<strong>in</strong>g to language use, skills, and orientations/attitudes/dispositions/schemes of perception that a child is endowed with by virtue of socialization <strong>in</strong> her/hisfamily and community. The four classroom scenarios outl<strong>in</strong>ed <strong>in</strong> section 4 above canrepresent situations where there are vary<strong>in</strong>g degrees of compatibility hctwccn the habitusof the students and what is required of thcm <strong>in</strong> the school <strong>English</strong> lesson. In Classroom A,thc middle class students br<strong>in</strong>g with thcm the right k<strong>in</strong>d of habitus ~ capital ~the school lesson: they have both thc right k<strong>in</strong>d of attitudcs/<strong>in</strong>tcrest and l<strong>in</strong>guisticskills/confidence to participate <strong>in</strong> high-lcvcl discussions on the themes of the story <strong>in</strong> <strong>English</strong>with onc another and the teacher. Do<strong>in</strong>g-<strong>English</strong>-lrssons <strong>in</strong> Classroom A reproduces, andre<strong>in</strong>forces, the students’ cultural capital and both their subjective expectations and objectiveprobabilities of succeed<strong>in</strong>g <strong>in</strong> school and the society. Both tcachcr and students are not <strong>in</strong>any dilemmas caused by <strong>in</strong>compatibility of habitus, and thus the atmosphere of relaxedharmony <strong>in</strong> her classroom.

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