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English Language Teaching in its Social Context

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CONSTRAINTS AND RESOURCES IN CLASSROOM TALK 95Teacher:Learner:What’s the dgerence between “water is heat<strong>in</strong>g”and “water is heated’?Water is heat<strong>in</strong>g, it - it’s the one who’s heat<strong>in</strong>g.a variety of third turns are possible. In each case, a different type of task is revealed to be<strong>in</strong> progress:Teacher: Good. Say the whole sentence: Water is heat<strong>in</strong>g the radiators.(recitation)Teacher: Good. What do we call that construction?(display)Teacher: And can you th<strong>in</strong>k fsome th<strong>in</strong>gs that it might be heat<strong>in</strong>g?(cognition)Teacher: Aha, can you expla<strong>in</strong> that <strong>in</strong> a little more detail?(precision)Adapted from van Lier (1 996a)This cxample shows that the IRF structure cannot be regarded as a s<strong>in</strong>gle type of pedagogicalactivity. All four IRF types of teacher-learner <strong>in</strong>teraction given above can be used to evaluateor control or to <strong>in</strong>vite participation. Know<strong>in</strong>g the purpose of a particular IRF exercise,though this may not always be easy, is crucial <strong>in</strong> determ<strong>in</strong><strong>in</strong>g <strong>its</strong> pedagogical value. But thereare some th<strong>in</strong>gs that all IRF sequences have <strong>in</strong> common, and these common fcaturcs mustbe exam<strong>in</strong>ed before IRF can be assessed as a pedagogical tool.Learn<strong>in</strong>g as co-construction: the lim<strong>its</strong> of IRFThe central feature of IRF is that the teacher is unequivocally <strong>in</strong> charge.This be<strong>in</strong>g <strong>in</strong> chargemanifests <strong>its</strong>elf <strong>in</strong> a number of ways.Every IRF exchange is a step <strong>in</strong> an overall plan designed by the teacher. The plan maybe to check what the students know (as <strong>in</strong> recitation or display), to construct knowledgeor an argument, perhaps along Socratic l<strong>in</strong>es, or to push the students toward clarityof expression. It is important to note that the plan is not coconstructed. To vary<strong>in</strong>gdegrees, students may be aware of the nature of the plan and aware of the direction <strong>in</strong> whichthe discourse is mov<strong>in</strong>g, but usually these matters are revealed only gradually and<strong>in</strong>cidentally.The teacher does all the <strong>in</strong>itiat<strong>in</strong>g and clos<strong>in</strong>g (<strong>in</strong> other words, takes all the first andthird turns), and the students’ work is done exclusively <strong>in</strong> the response slot.The IRF formattherefore discourages student <strong>in</strong>itiation and student repair work. As Denis Newman, PcgGriff<strong>in</strong>, and Michael Cole (1 989) note, “the three-part unit has a built-<strong>in</strong> repair procedure<strong>in</strong> the teacher’s last turn so that <strong>in</strong>correct <strong>in</strong>formation can be replaced with the rightanswers”. It is extremely hard, if not impossible, <strong>in</strong> thc IRF format, for the student to askquestions, to disagree, to sclf-correct, and so on. Indeed, I found that such student utterancesoverwhelm<strong>in</strong>gly occur as private turns, side sequences, or <strong>in</strong> other ways outside the IRFformat. Oftcn they arc whispered comments to a fellow learner or questions written down<strong>in</strong> a notebook. The IRF format discourages <strong>in</strong>terruption (or disruption) and can therefore

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