pittsburgh ballet theatre, inc. - American Guild of Musical Artists

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SIDE LETTERMarch 30, 2010RE: ShoesPittsburgh Ballet Theatre agrees to the following: The shoe closet will be available from10:00 a.m. to 12 p.m. (noon) Monday through Friday for dancers to come in, see, and try onshoes. For dancers unable to check their shoe inventory during that time, the costume staff willbe available at a mutually agreed upon time.At the beginning of each month the costume department will post the number of shoeseach female dancer has remaining in her inventory. The number posted will report only thenumber of shoes in stock.If a dancer has had an injury or is concerned that her pointe shoe order needs to beaugmented, it is the responsibility of the dancer to make an appointment with the wardrobe staff.Once the proper shoe has been determined, wardrobe staff will place the order by close ofbusiness day.45
TABLE OF CONTENTS1. EMPLOYEES COVERED................................................................................. 12. APPLICATION OF BENEFITS......................................................................... 13. MEMBERSHIP IN AGMA................................................................................. 14. INITIATION FEES AND DUES........................................................................ 25.ADMITTANCE OF AGMA REPRESENTATIVE ON EMPLOYER’SPREMISES AND UNION ACTIVITY.............................................................. 26. INDIVIDUAL EMPLOYMENT CONTRACT.................................................. 37. ASSIGNMENT OF ARTIST’S CONTRACT.................................................... 48. LOWERING OF MINIMUMS AND WAIVERS PROHIBITED..................... 49. CHOREOGRAPHER’S CONTRACT................................................................ 410. CONTRIBUTIONS TO EMPLOYER PROHIBITED....................................... 511. PAYMENT OF SALARIES............................................................................... 612. NONPAYMENT OR PARTIAL PAYMENT OF SALARIES.......................... 613. SECURITY DEPOSIT........................................................................................ 614. DEFINITIONS.................................................................................................... 7(a) Rehearsal Week.......................................................................................... 7(b) Performance Week..................................................................................... 7(c) The City of Origination.............................................................................. 7(d) Free Day..................................................................................................... 7(e) Emergency Rehearsal................................................................................. 8(f) Extraordinary Risk..................................................................................... 8(g) Spill-Over Rehearsals................................................................................. 8(h) Spill-Over Travel....................................................................................... 9(i) Overtime..................................................................................................... 9(j) Penalty........................................................................................................ 9(k) A Solo Dancer............................................................................................ 9(l) A Principal Dancer..................................................................................... 9(m) A New Dancer............................................................................................ 9(n) Apprentice.................................................................................................. 9(o) Replacement/Augmentation....................................................................... 10PAGE(p) ................................................................................................................... 10i
Page 1 and 2: BASIC AGREEMENTBETWEENPITTSBURGH BA
Page 3 and 4: 4. INITIATION FEES AND DUES(a) Empl
Page 5: (f) Artists shall receive an evalua
Page 9 and 10: Days shall commence at midnight and
Page 11 and 12: (4) All tour conditions, including
Page 13 and 14: Artist’s uncompensated rehearsal
Page 15 and 16: ehearsal in the event of two (2) De
Page 17 and 18: e continuous, and each Artist shall
Page 19 and 20: (d) Rehearsal will be permitted on
Page 21 and 22: 23. REHEARSALS DURING REHEARSAL WEE
Page 23 and 24: (d) The Artist shall be given a fiv
Page 25 and 26: date, and both parties shall be rel
Page 27 and 28: (f) Personal Baggage - The Employer
Page 29 and 30: 34. BUS TRAVEL, CONDITIONS OF(a)Any
Page 31 and 32: (1) A stage which is not slippery p
Page 33 and 34: (g) The Employer agrees that Artist
Page 35 and 36: Section 302-C of the Labor-Manageme
Page 37 and 38: (i) Any Artist who has exhausted hi
Page 39 and 40: 45. FILMING, BROADCASTING, TELEVISI
Page 41 and 42: 49. NOTICESOutside the City of Orig
Page 43 and 44: a representative of the Artist(s) a
Page 45: ITEMS TO BE INCLUDED IN “SCHEDULE
Page 49: 43. FUNERAL LEAVE..................

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