pittsburgh ballet theatre, inc. - American Guild of Musical Artists

ehearsal in the event of two (2) Demonstrations per day and no rehearsal on days when threeDemonstrations are scheduled.(8) No stage makeup will be required for Lecture Demonstrations, exceptingspecial ethnic or character stage makeup which is integral to the Ballet. Street makeup isrequired for female dancers.(9) The Artist shall have access to warm-up space prior to a LectureDemonstration, and shall also have access to the performing space at least fifteen (15) minutesprior to commencement of said Lecture Demonstration. The Employer agrees to provide aprofessional floor surface, which the Stage Manager shall examine and prepare for the safety ofthe Artists. Artists shall not be required to lay the floor for a Lecture Demonstration, nor shallany Artist be required to dance on any nonprofessional floor which is recognized as dangerous tothe Artist. Artists shall not be required to carry any costume other than their own. Artists mayask for assistance in carrying their costume when needed. Responsibility for the costume shallremain with the Employer, even when the Artist is carrying his/her own costume.(10) Whenever possible, the Employer shall arrange for separate bathroomfacilities for its male and female Artists, as well as adequate seating in the dressing room. TheEmployer shall also arrange for separate dressing rooms for its male and female Dancers.(11) No Artist shall be required to perform in more than two (2) fullperformances per day.($50.00).(d)(12) Any Artist who teaches a Master Class shall be compensated Fifty DollarsPro Rata Performances(1) If the Artist shall be guaranteed not less than one (1) full performanceweek, then the Employer shall have the right, on two (2) weeks’ prior notice to engage the Artistfor not more than four (4) consecutive performance days in the week immediately preceding orsucceeding any such guaranteed full performance week at a pro rata amount of the Artist’sagreed-upon weekly compensation for performance weeks calculated on the basis of one-seventh( 1 / 7 th ) thereof for each performance in such week. The Employer, in lieu of the two (2) weeks’prior notice above referred to, may specify the number of such consecutive performance days(not exceeding four (4)). If, however, the Artist shall perform on any day in such week otherthan the four (4) consecutive performance days, the Artist shall be paid for such week, hisagreed-upon weekly compensation for performance weeks.(2) Employer shall have the right of engagement referred to above, providingthe Artist is engaged for rehearsals for the balance of the week, of which the said four (4)consecutive performance days are a part, at a pro rata amount of the Artist’s agreed-upon weeklycompensation for rehearsal weeks calculated on the basis of one-sixth ( 1 / 6 th ) thereof for each dayof rehearsal, and further provided, that the Employer shall have engaged the Artist for not lessthan one (1) full week of rehearsals for the week immediately succeeding.(3) Each Artist shall receive in each performance week one (1) Free Day asdefined herein.14