Contract 2010-2013 - American Guild of Musical Artists

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JJ.WASHINGTON NATIONAL OPERA TAX SHELTEREDRETIREMENT PLAN ………………………………………………..42ARTICLE XXXI -ARTICLE XXXII -CLEANLINESS AND FURNISHING OF COSTUMES AND WIGS - ALLARTISTS……………………………………………………………………… 42REHEARSAL, DRESSING ROOM AND PERFORMANCE FACILITIESAND CONDITIONS; HEALTH AND SAFETY………………………………42ARTICLE XXXIII - MILITARY SERVICE OF ARTIST…………………………………………. 45ARTICLE XXXIV - PROMOTIONAL RECORDING……………………………………………... 45ARTICLE XXXV - ENGAGEMENT OF ALIEN ARTISTS………………………………………. 47ARTICLE XXXVI - HOTEL RESERVATIONS……………………………………………………. 47ARTICLE XXXVII - SICK LEAVE………………………………………………………………….. 48ARTICLE XXXVIII - ARBITRATION………………………………………………………………. 48ARTICLE XXXIX - FORCE MAJEURE…………………………………………………………… 49ARTICLE XL -TERM OF THIS AGREEMENT……………………………………………….50ARTICLE XLI - OBLIGATIONS OF SIGNATORIES…………………………………………. 50ARTICLE XLII -AGREEMENT BINDING ON OTHER PARTIES…………………………….50ARTICLE XLIII - SEPARABILITY……………………………………………………………… 51ARTICLE XLIV -ARTICLE XLV -ARTICLE XLVI -FAILURE TO INSIST UPON PERFORMANCE..……………………………51AVAILABILITY OF AGREEMENT.…………………………………………51AGMA LOGO AND CREDIT…………………………………………………51Standard Artist’s Contract ........................................................................................ Exhibit AClassification of Roles ............................................................................................. Exhibit CIndexCOLLECTIVE BARGAINING AGREEMENTJuly 1, 2010 through June 30, 2013v
This COLLECTIVE BARGAINING AGREEMENT made and agreed between theAMERICAN GUILD OF MUSICAL ARTISTS, INC., (hereinafter called “AGMA”) andWASHINGTON NATIONAL OPERA, (hereinafter called “MANAGEMENT”), shall constitutean agreement between the parties hereto for the work territory, conditions, and wages providedfor herein.W I T N E S S E T HIn consideration of the mutual agreements herein contained, the parties agree as follows:ARTICLE I - ARTISTS COVEREDMANAGEMENT hereby recognizes AGMA as the exclusive collective bargaining agentfor all SOLO SINGERS, SPEAKING PERFORMERS/NARRATORS, MUTE PERFORMERS,STAGE DIRECTORS and their assistants, STAGE MANAGERS and their assistants,CHOREOGRAPHERS and their assistants, SOLO DANCERS, BALLETMASTERS/MISTRESSES, and DANCE CAPTAINS (hereinafter called “PRINCIPALS”),CORPS DANCERS, and CHORISTERS, all hereinafter referred to collectively as “ARTISTS,”whose services are used by MANAGEMENT. MANAGEMENT and AGMA agree that AGMArepresents, for collective bargaining purposes, a majority of the ARTISTS.ARTICLE II - DEFINITIONS OF ARTISTS COVEREDA. SOLO SINGER - A singing artist engaged to perform leading, featured,supporting and/or solo bit roles.B. SOLO DANCER - A dancer engaged to perform solo roles or who is significantlyfeatured in the choreography.C. STAGE DIRECTOR - An individual engaged to create and direct the staging forproductions according to the design concept as agreed by MANAGEMENT.D. ASSISTANT STAGE DIRECTOR - An individual engaged to assist the STAGEDIRECTOR in staging the production.E. STAGE MANAGER - An individual engaged to stage manage and “call” theproduction.F. ASSISTANT STAGE MANAGER - An individual engaged to assist the STAGEMANAGER in stage managing the production.G. CHOREOGRAPHER - A director of dance engaged to create and direct dancesequences as designated by MANAGEMENT.H. SPEAKING PERFORMER/NARRATOR - An artist engaged to perform leading,featured, supporting and/or solo bit speaking roles.1COLLECTIVE BARGAINING AGREEMENTJuly 1, 2010 through June 30, 2013
Page 1 and 2: COLLECTIVE BARGAININGAGREEMENTbetwe
Page 3 and 4: ARTICLE XXII - ASSIGNMENT OF ARTIST
Page 5: M. LATENESS……………………
Page 9 and 10: T. MUTE BIT - (Not listed in Schedu
Page 11 and 12: B. All ARTISTS covered by this Agre
Page 13 and 14: such meetings so as not to interfer
Page 15 and 16: ARTICLE XVII - PAYMENT TO ARTISTSA.
Page 17 and 18: 6:00 P.M. 26.70 27.25 27.80Daily Me
Page 19 and 20: G. STANDARD ARTIST’S CONTRACT - T
Page 21 and 22: estrict the ARTIST’s ability to p
Page 23 and 24: d. The minimum compensation of perf
Page 25 and 26: Performing PRINCIPAL ARTISTS engage
Page 27 and 28: H. DOMINGO-CAFRITZ YOUNG ARTIST COM
Page 29 and 30: . The weekly compensation for ASSIS
Page 31 and 32: 6. PREPARATION TIMEPRODUCTION STAFF
Page 33 and 34: will be compensated per performance
Page 35 and 36: CHOREOGRAPHERS with regard to other
Page 37 and 38: 2. A CHORISTER is required to perfo
Page 39 and 40: H. REHEARSAL WEEK/FREE DAYA rehears
Page 41 and 42: (b) Lateness to performances and Fi
Page 43 and 44: 4. Beginning with the 2008-2009 sea
Page 45 and 46: W. INDIVIDUAL MAKE-UP1. Individual
Page 47 and 48: EE.CORPS DANCER COVERSAll CORPS DAN
Page 49 and 50: B. All rehearsal rooms shall be mai
Page 51 and 52: XXXIII - MILITARY SERVICE OF ARTIST
Page 53 and 54: production, and up to three (3) min
Page 55 and 56: 2. “In the event there is a contr
Page 57 and 58:
ARTICLE XLIII - SEPARABILITYIf any
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Contract 2010-2013 - American Guild of Musical Artists

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