Contract 2010-2013 - American Guild of Musical Artists

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ack to ARTIST’s domicile in the event the company is out of town at the time. The term “war”shall not include a war in which the USA is not a party, unless such a war between foreigngovernments affects the USA in such a way as to make the execution of this contract impossibleor unfeasible. Should MANAGEMENT invoke the provisions of this Article because of the war,MANAGEMENT agrees to give ARTIST and AGMA at least two (2) weeks prior written noticethereof, and in such case, the Article shall apply only upon the expiration of such notice period.ARTICLE XL - TERM OF THIS AGREEMENTA. The term of this Agreement shall commence on July 1, 2010 through June 30,2013, provided that all contracts with ARTISTS which expire after that date shall be deemedsubject to the minimums and terms and conditions contained in such new Agreement as may beentered into between AGMA and the MANAGEMENT for the next succeeding seasons.B. All ARTISTS’ Per Diems, meal allowances, health coverage\contributions, andwages based on the previous Agreement for services rendered between July 1, 2010 and the dateof the execution of this Agreement, which are less than those negotiated herein for said period,shall be increased retroactively from July 1, 2010.ARTICLE XLI - OBLIGATIONS OF SIGNATORIESIt is understood and agreed that Michael Mael who is signing this Agreement on behalfof MANAGEMENT as agent and representative of MANAGEMENT hereby warrants andrepresents that he has the requisite authority as an agent and representative of MANAGEMENTto sign this Agreement on behalf of, and to bind MANAGEMENT.ARTICLE XLII - AGREEMENT BINDING ON OTHER PARTIESThis Agreement shall be known as the COLLECTIVE BARGAINING AGREEMENTbetween AGMA and WASHINGTON NATIONAL OPERA and shall be binding upon and shallinure to the benefit of the signatories hereto and all parties who by reason of merger,consolidation, reorganization, sales, assignments, transfer, or the like, shall succeed to, or beentitled to, a substantial part of the business of any signatory; and MANAGEMENT agrees thatits signature to this Agreement shall likewise bind any and all subsidiary companies engaged inthe production or management of Opera, Concerts, Concert Revues, Dance, Recitals, Oratorios,or any other performances within AGMA’s jurisdiction.50COLLECTIVE BARGAINING AGREEMENTJuly 1, 2010 through June 30, 2013
ARTICLE XLIII – SEPARABILITYIf any provision of this Agreement shall be held invalid, it shall be deemed separablefrom the remainder of this Agreement, and it shall not affect the validity of any other provisionshereof.ARTICLE XLIV - FAILURE TO INSIST UPON PERFORMANCEThe failure of AGMA, ARTIST or MANAGEMENT to insist upon the strict performanceof any of the provisions of this Agreement shall not be deemed a waiver of any rights orremedies they may have and shall not be deemed a waiver of any subsequent breach or default onthe part of any party hereto.ARTICLE XLV - AVAILABILITY OF AGREEMENTMANAGEMENT shall facilitate the posting and distribution by AGMA of notices toARTISTS. Such notices may include the availability of this Agreement and all other Agreementspursuant hereto, the names and phone numbers of AGMA delegates and representatives, andother relevant information.ARTICLE XLVI – AGMA LOGO AND CREDITThe AGMA logo and credit as provided by the American Guild of Musical Artists(AGMA) will be published in all program credits:The American Guild of Musical Artists (AGMA), the union ofprofessional singers, dancers and production personnel inopera, ballet and concert, affiliated with the AFL-CIO,represents the Artists and Staging Staff for the purposes ofcollective bargaining51COLLECTIVE BARGAINING AGREEMENTJuly 1, 2010 through June 30, 2013
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COLLECTIVE BARGAININGAGREEMENTbetwe
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ARTICLE XXII - ASSIGNMENT OF ARTIST
Page 5 and 6: M. LATENESS……………………
Page 7 and 8: This COLLECTIVE BARGAINING AGREEMEN
Page 9 and 10: T. MUTE BIT - (Not listed in Schedu
Page 11 and 12: B. All ARTISTS covered by this Agre
Page 13 and 14: such meetings so as not to interfer
Page 15 and 16: ARTICLE XVII - PAYMENT TO ARTISTSA.
Page 17 and 18: 6:00 P.M. 26.70 27.25 27.80Daily Me
Page 19 and 20: G. STANDARD ARTIST’S CONTRACT - T
Page 21 and 22: estrict the ARTIST’s ability to p
Page 23 and 24: d. The minimum compensation of perf
Page 25 and 26: Performing PRINCIPAL ARTISTS engage
Page 27 and 28: H. DOMINGO-CAFRITZ YOUNG ARTIST COM
Page 29 and 30: . The weekly compensation for ASSIS
Page 31 and 32: 6. PREPARATION TIMEPRODUCTION STAFF
Page 33 and 34: will be compensated per performance
Page 35 and 36: CHOREOGRAPHERS with regard to other
Page 37 and 38: 2. A CHORISTER is required to perfo
Page 39 and 40: H. REHEARSAL WEEK/FREE DAYA rehears
Page 41 and 42: (b) Lateness to performances and Fi
Page 43 and 44: 4. Beginning with the 2008-2009 sea
Page 45 and 46: W. INDIVIDUAL MAKE-UP1. Individual
Page 47 and 48: EE.CORPS DANCER COVERSAll CORPS DAN
Page 49 and 50: B. All rehearsal rooms shall be mai
Page 51 and 52: XXXIII - MILITARY SERVICE OF ARTIST
Page 53 and 54: production, and up to three (3) min
Page 55: 2. “In the event there is a contr
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Contract 2010-2013 - American Guild of Musical Artists

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