Contract 2010-2013 - American Guild of Musical Artists

More documents

Recommendations

Info

ARTICLE XIV - WORKER’S COMPENSATIONMANAGEMENT will carry, at its expense, Worker’s Compensation Insurance, orits equivalent, covering all ARTISTS wherever they may work for MANAGEMENT, withoutregard to fault, in compliance with the laws of the State of its principal place of business.ARTICLE XV - SECURITY DEPOSITA. Upon the request of AGMA, MANAGEMENT agrees to post a TwentyThousand Dollar ($20,000.00) security deposit in escrow with a United States commercial bankto be mutually agreed upon (the “Escrow Agent”) at least two (2) weeks prior to thecommencement of any rehearsal or performance to insure the fulfillment of allMANAGEMENT’s obligations under the terms of this Agreement and/or Standard ARTIST’sContract.B. AGMA shall have the right to draw on the security deposit only uponpresentation to the Escrow Agent of satisfactory evidence that (i) AGMA has filed a grievancepursuant to and in accordance with the terms of Article XXXVIII hereof and (ii)MANAGEMENT has failed to comply with the Arbitration procedures set forth in such ArticleXXXVIII or an award has been made by the Arbitrator in favor of AGMA. MANAGEMENTshall be entitled to all interest accrued on the security deposit during the time such deposit is soheld in escrow.C. Upon notice by MANAGEMENT to AGMA that any engagement, series ofengagements or tour has been terminated and every ARTIST returned to his place of origination,AGMA shall return such security deposit not later than four (4) weeks after MANAGEMENT’sfinal performance, provided, however, that two (2) weeks have elapsed after the conclusion ofMANAGEMENT’s contractual obligations, less any claims made by AGMA for any violationsof the terms of this Agreement and/or less any claims made by an ARTIST againstMANAGEMENT for violations of his/her individual contract.ARTICLE XVI - HEALTH COVERAGETo provide health care for Artists Covered, MANAGEMENT agrees to pay (i)during the 2010-2011 season eighty-two dollars ($82.00) per performance, (ii) during the 2011-2012 eighty-two dollars ($82.00) per performance, and (iii) during the 2012-2013 season eightyfivedollars ($85.00) per performance. This payment shall be made to AGMA Health Fund PlanB, Account #2 no later than the fifteenth (15 th ) day of the month following the month containingthe final performance of the production. Quarterly reports of contributions paid in, benefits paidout, and amount and disposition of forfeitures shall be made to MANAGEMENT. For thepurpose of this Article, “Artists Covered” shall not include any ARTISTS already covered by aMANAGEMENT health plan. PRODUCTION STAFF coverage addressed in Article XXIX andCHORISTERS and CORPS DANCERS coverage addressed in Article XXX.8COLLECTIVE BARGAINING AGREEMENTJuly 1, 2010 through June 30, 2013
ARTICLE XVII - PAYMENT TO ARTISTSA. Performing PRINCIPAL ARTISTS engaged on a weekly basis shall be paid nolater than Friday of each week of engagement.B. Performing PRINCIPAL ARTISTS engaged on a per performance basis shall bepaid no later than the beginning of each performance, unless otherwise agreed upon inARTIST’S Standard ARTIST’S Contract.C. CHORISTERS and CORPS DANCERS engaged on either a weekly or perperformance shall be paid no later than the Friday immediately following the end of the previousnormal work week and shall be entitled to instruct MANAGEMENT to electronically deposittheir salaries (direct deposit).D. PRODUCTION STAFF shall be paid no later than the Friday immediatelyfollowing the end of the previous normal work week and shall be entitled to instructMANAGEMENT to electronically deposit their salaries (direct deposit).E. STAGE DIRECTORS, and their assistants, CHOREOGRAPHERS, and theirassistants, and COVERS will be paid pursuant to the provisions of their Standard Artist Contract.F. Except as otherwise provided herein payments shall be made in cash, electronictransfer or by company check in United States dollars, regardless of where performances takeplace.G. For purposes hereof, “normal work week” for all ARTISTS shall be Mondaythrough Sunday.H. ARTISTS shall be paid no less than the first seven (7) days of ARTISTS’contracted Per Diem upon arrival in MANAGEMENT’s city of origination and shall receive eachsubsequent week’s Per Diem no later than the first day of the normal work week for which thePer Diem is being paid, unless otherwise requested by ARTIST. In addition, all non-residentARTISTS contracted at the minimum rate shall receive the equivalent of bus or airport shuttletransportation expenses to and from the airports, bus terminal and railway stations uponsubmission of receipts.I. When MANAGEMENT provides (or is prepared to provide) suitable lodging,MANAGEMENT may satisfy the Per Diem requirement herein by the payment of an amountequal to the daily meal allowance provided for in Article XIX.A. hereof.J. No later than the last performance, MANAGEMENT will provide ARTIST witha written breakdown of fees and Per Diem, or meal allowance as appropriate.9COLLECTIVE BARGAINING AGREEMENTJuly 1, 2010 through June 30, 2013
Page 1 and 2: COLLECTIVE BARGAININGAGREEMENTbetwe
Page 3 and 4: ARTICLE XXII - ASSIGNMENT OF ARTIST
Page 5 and 6: M. LATENESS……………………
Page 7 and 8: This COLLECTIVE BARGAINING AGREEMEN
Page 9 and 10: T. MUTE BIT - (Not listed in Schedu
Page 11 and 12: B. All ARTISTS covered by this Agre
Page 13: such meetings so as not to interfer
Page 17 and 18: 6:00 P.M. 26.70 27.25 27.80Daily Me
Page 19 and 20: G. STANDARD ARTIST’S CONTRACT - T
Page 21 and 22: estrict the ARTIST’s ability to p
Page 23 and 24: d. The minimum compensation of perf
Page 25 and 26: Performing PRINCIPAL ARTISTS engage
Page 27 and 28: H. DOMINGO-CAFRITZ YOUNG ARTIST COM
Page 29 and 30: . The weekly compensation for ASSIS
Page 31 and 32: 6. PREPARATION TIMEPRODUCTION STAFF
Page 33 and 34: will be compensated per performance
Page 35 and 36: CHOREOGRAPHERS with regard to other
Page 37 and 38: 2. A CHORISTER is required to perfo
Page 39 and 40: H. REHEARSAL WEEK/FREE DAYA rehears
Page 41 and 42: (b) Lateness to performances and Fi
Page 43 and 44: 4. Beginning with the 2008-2009 sea
Page 45 and 46: W. INDIVIDUAL MAKE-UP1. Individual
Page 47 and 48: EE.CORPS DANCER COVERSAll CORPS DAN
Page 49 and 50: B. All rehearsal rooms shall be mai
Page 51 and 52: XXXIII - MILITARY SERVICE OF ARTIST
Page 53 and 54: production, and up to three (3) min
Page 55 and 56: 2. “In the event there is a contr
Page 57 and 58: ARTICLE XLIII - SEPARABILITYIf any

Contract 2010-2013 - American Guild of Musical Artists

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?