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Myth and Carnival in Robert Coover's The Public Burning - aisna

Myth and Carnival in Robert Coover's The Public Burning - aisna

Myth and Carnival in Robert Coover's The Public Burning - aisna

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RSA Journal 317Superhero Uncle Sam is able to control. What is power, then? Perhaps,as the last l<strong>in</strong>e of the quoted passage suggests, power is a mythicalsuperstructure that legitimates <strong>and</strong> condemns, blesses <strong>and</strong> executes, <strong>in</strong>the name of a religion of the State:<strong>The</strong>y [the Rosenbergs] never mention the afterlife, angels, or the HolyTr<strong>in</strong>ity... This ... has stirred the hearts <strong>and</strong> m<strong>in</strong>ds of American Superheroesfrom General George Wash<strong>in</strong>gton right down to the currentIncarnation, who is much given to visions of God work<strong>in</strong>g Hiswondrous will through the <strong>in</strong>vention of America. His Quaker VicePresident, lay evangelist <strong>and</strong> cleanser of the temple, has often echoedhim, <strong>and</strong> more: "Our belief must be comb<strong>in</strong>ed with a crusad<strong>in</strong>g zeal tochange the world!" (PB 105)<strong>Coover's</strong> implicit message is that violence is at the root ofAmerican society, coiled <strong>in</strong> the myth <strong>and</strong> <strong>in</strong>vention of America,transmitted like a disease from one Incarnation to another s<strong>in</strong>ce thetimes of the first Superhero, General George Wash<strong>in</strong>gton. Rather thana book on the fifties, <strong>The</strong> <strong>Public</strong> Burn<strong>in</strong>g is a novel that, through thespectacle of the fifties, reaches to the mythical archetypes at the centerof American power <strong>in</strong> an attempt to underm<strong>in</strong>e their hold.Why were the Rosenbergs burned? To answer this question,Coover leads us back to the orig<strong>in</strong>s of American society <strong>and</strong> to thefound<strong>in</strong>g myth of which present evil is only a belated emanation. Atthat time, "A trial [was] held under a tree, at which lads disguised assoldiers pronounce[d] sentence of death." This is not <strong>The</strong> <strong>Public</strong>Burn<strong>in</strong>g, it is Frazer's <strong>The</strong> Golden Bough. Just as <strong>in</strong> Frazer's ritual, thesentence aga<strong>in</strong>st the Rosenbergs is pronounced by Uncle Sam under"the Burn<strong>in</strong>g Tree," <strong>and</strong> aga<strong>in</strong> as <strong>in</strong> Frazer's regenerative rituals, theexecution of the Rosenbergs forms part of a ritualistic festival. Fromthe very open<strong>in</strong>g of the novel, <strong>Coover's</strong> symbolic sett<strong>in</strong>g organizes theexecution <strong>in</strong> terms of a Dionysian ritual of death <strong>and</strong> rebirth:[the execution] symbolizes fusion <strong>and</strong> organization, justice <strong>and</strong> temperament;the City is this year celebrat<strong>in</strong>g the tercentenary of its ownfound<strong>in</strong>g as New Amsterdam, its axis the Times Tower is <strong>in</strong> its SilverAnniversary year, <strong>and</strong> the Statue of Liberty—our Lady of the Harbor,Refuge of the Destitute, Ark of the Covenant, Reg<strong>in</strong>a Coeli, MotherFull of Goodness, Star of the Sea <strong>and</strong> Gem of the Ocean—is sixty-n<strong>in</strong>e;

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