Titel.KINO 1/04.RV - german films

”The project was actually developed through the First Movie
Program [at the Bayerisches Filmzentrum Geiselgasteig on the
Bavaria Film studio lot],“ recalls producer Judy Tossell. ”It
was a very, very long development process, and we were then
brought onboard by Bayerischer Rundfunk (BR) because they
knew we had experience working in Georgia with Nana
Djordjadze’s 27 Missing Kisses. What I think we all find exciting
is that it is a debut film that’s also a genre film. It has real
potential for prime-time television as well as for a theatrical
release.“
”It is a bit like Green Card in a way,“ Tossell explains. ”The bulk
of the shoot was in Munich, but we kicked off with the Georgian
shoot and those all-important scenes at the airport were difficult
to get with the run-up to the elections. Every time we had scheduled
to shoot at the airport, Shevardnadze was in town and the
airport was closed down!“
Valentina is played by Ann Eleonora Jorgensen, the
Danish star from Lone Scherfig’s international hit Italian for
Beginners, while lovesick Georgi is portrayed by Demetre
”Duta“ Skhirtladze who is one of the leading film and TV
actors in Georgia and also the presenter of the Georgian version
of Who Wants to Be a Millionaire?. Caucasian Business
marks Demetre’s first role in an international production.
Meanwhile, Georgian actor Merab Ninidze, one of the stars
from Caroline Link’s OSCAR-winning Nowhere in Africa
(Nirgendwo in Afrika) and another Egoli Tossell Film production
England! by Achim von Borries, plays a cameo role as a
Georgian soap star.
MB
Lauras Stern
Scene from “Laura’s Star“
English Title Laura’s Star Type of Project Feature Film
Cinema Genre Animation, Children’s Film, Family
Entertainment Production Companies Rothkirch/
Cartoon-Film/Berlin, Warner Bros. Entertainment/Hamburg,
Cometfilm/Bottrop-Kirchellen, Mabo Investitions/Munich
With backing from BKM, Filmfoerderungsanstalt (FFA),
Filmboard Berlin-Brandenburg, FilmFoerderung Hamburg,
Filmstiftung NRW, Mitteldeutsche Medienfoerderung
Producers Thilo Graf Rothkirch, Willi Geike Directors
Thilo Graf Rothkirch, Piet De Rycker Animation Kris Van
Alphen, Alberto Campos Screenplay Michael Maedel, Piet
De Rycker Director of Photography Joern Radel
Format 35 mm, color, 1:1.85 Sound Technology Dolby
SR Shooting Language German Shooting from 2002-
2004
World Sales:
Warner Bros. GmbH · Willi Geike
Jarrestrasse 4 · 22303 Hamburg/Germany
phone +49-40-22 65 01 00 · fax +49-40-22 65 01 09
2D or not to 2D? That is the question every producer is asking
in the light of computer animation taking the international box
office by storm. Indeed, following a string of recent 2D flops,
many in Hollywood have written off traditional animation
entirely.
It’s a false conclusion, argues Thilo Graf Rothkirch,
”cinemagoers want solid stories, characters, situations and emotions
with which they can identify. The animation is there to
serve the film, not the other way round.“
Sticking with what he knows and knows to work, Rothkirch’s
latest film, Laura’s Star ”achieves its three-dimensionality,“
he says, ”by using 2D for animation and putting light and shadows
on characters and backgrounds. We film well-known
children’s books and the characters have to retain their positive
recognition factor.“
Taken from the book by Klaus Baumgart, Laura’s Star
tells the story of seven-year-old Laura who moves to a new
town. She finds it hard to make new friends until she finds a,
quite literally, fallen star. It’s the start of a great friendship. At the
end, Laura learns that love means also having to let go so the
star can return to the sky.
”It reaches the heart and soul,“ says Rothkirch. ”People have an
affinity with stars and they are fascinated by Laura who has a
relationship with one.“
Laura’s Star marks another step in Rothkirch’s ongoing relationship
with Warner Bros., which is once again handling
domestic distribution and international sales.
”We’ve had the best of good fortune with Warner Bros. since
we first worked together on Tobias Totz,“ says Rothkirch. ”I can
only describe Willi Geike (Warner Bros. Germany’s managing
director) as an artist. He understands design, color, movement
and composition.“
As with his last feature, The Little Polar Bear, Rothkirch is producing
locally. ”We don’t use large factories in Asia. We’re
making bespoke shoes! Shoes which last forever! We want our
films to last so we are very fussy about the quality. That’s why
we’re building on our production alliances in Germany, with
Animationsfabrik in Hamburg and Motion Works in
Halle.“
There you have it! While others argue the pros and cons of
computers versus pencils, Rothkirch and Cartoon-Film
believe in long-term working relationships and quality. ”The
secret of good production,“ he says, ”is to know one another.
That’s not typical for this industry.“
SK
kino 1 in production
2004 27