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More oxford books @ www.OxfordeBook.comFore more urdu books visit www.4Urdu.comTHE REAL ROOT OF EVIL 123to you here? It’s the theme of my next novel. This is only a brief, partialstatement—the subject is extremely complex. If I haven’t stated it clearlyenough—you’ll see me do better when I present it completely in thenovel.” 60As Rand’s letter indicated, she had decided to forgo “The Moral Basisof Individualism” and turned instead to the book that would becomeAtlas Shrugged. The transition point came in the spring of 1946, whenRand clashed with Wallis over his decision to sell her atom bomb projectto another studio. Frustrated that all her work had gone for naught,Rand convinced Wallis to give her an entire year off to get started on hernovel. In long walks around the ranch property she began plotting thebook’s structure and imagining the major characters. By August she hada complete outline. In September she began writing.Rand’s creation of an imaginary world was interrupted by unhappynews from the country she had left behind. For eight years, since theRosenbaums’ American visa was denied, Rand had not communicatedwith her family. With the end of the war she hoped to reestablish contact,and asked a friend in New York to help her send two packages of foodand supplies to her sisters in Leningrad. No sooner had Rand mailed offher request than she received a letter from Marie Strachnov, a close familyfriend and Rand’s first English teacher. Trapped in a displaced personscamp in Austria, Strachnov had no news of Natasha or Nora, butreported that Rand’s parents had died years before, of natural causes.Sorrowfully Rand told her, “you are now my only link to the past.” Shewas adamant that Strachnov come to America, assuring her she wouldpay all costs and support her upon arrival. When Strachnov did finallymake it to California, in large part due to Rand’s indefatigable efforts onher behalf, she lodged with the O’Connors for nearly a year. 61The news from Russia fortified Rand’s anti-Communism. She continuedher work for the Motion Picture Alliance for the Preservation ofAmerican Ideals, authoring another article for The Vigil. This time sheavoided political theory and instead concentrated on practical measuresHollywood studios could take to root out Communist influence. Her“Screen Guide for Americans,” which would later be reprinted in theconservative magazine Plain Talk, nonetheless encapsulated much of herpolitical thinking. In the guide Rand portrayed Hollywood Communistsas veritable Ellsworth Tooheys, carefully smuggling “small casual bits of