Bunuel_Luis_My_Last_Breath

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Seyrig, Delphine, 181,245Shoeshme (film), 199Sica, Vittorio de, 199,225, 238Signoret, Simone, 214-15Silberman, Serge: and bars, 43; and ThatObscure Object of Desire, 47; in LosAngeles, 195; friendship with LB,240-1,247, 252; and The Milky Way,244-5, and LB's Oscar, 248; inPhantom ofLiberty, 249Simeon Stylites, St, 63,240Simon ofthe Desert (film), 192, 197,240Sindicalista, Z^/(journal), 155Siqueiros, David Alfaro, 201,210Siren of the Tropics, The (film), 90-1Sister Vaseline (pornographic film), 49Sobrinos de Capitan Grant, Los (play),25Solalinda, Antonio G ,71Soldevilla y Romero, Juan, Archbishopof Saragossa, 13,55Soler, Fernando, 199Spanish Civil War, 142, 150-70, US filmson, 177-8Spellman, Cardinal Francis, 216Spencer, Herbert, 30Stalin, Josef, 61, 166Steinbeck, John, 222Stendhal. Le Rouge et lc noir, 58Sternberg, Josef \on, 131~2,225Steiens, George, 195-6Stockholm, 163Stravinsky, Igor, 86,115Stroheim, Enchion, 87,189,225Suai, Muno?, 158-9surrealism: LB's involvement with, 90,102-9, 118-21, 136, 138; principles,107-10, 123-4; fight over, 117; failureof, 122-3; on work ethic, 124; andCommunist Party, 138-9; LBabandons, 139; and POUM, 163;values, 217-18Surrealisme an service de la ~ivoluti~n(publication), 119Susana (The Devil and the Flesh) (film),202Swain, Mack, 130Tanguy,Yves, 69, 105-6,121,181Tavera, Cardinal Juan de, 72~esita (whore), 677ieff, Laurent, 244.erg, Irving, 135Index 265That Obscure Object ofDesire (film), 47,65, 175,219,240,250Theriade (art critic), 105Thirion, Andre, 122,127, 139This Strange Passion see ElToledo, 714,151; Order of, 71-2,74Tono (Spanish comedian), 128,133Torre, Claudia de la, 143, 156-7Torres Bodet, 201Trinidad, Dotia, 9Triolet, Elsa, 111-12Tristana(film), 58,73, 123, 195,246-7 -Triumph ofthe Wll, The (film), 179Trotsky, Leon, 56,113Trumbo, Dalton: johnny Got His Gun,1934Tual, Denise, 189-90Tual, Roland, 190,217-18Turpin, Ben, 75, 130Tzara, Tristan, 105,121,127Ugarte, Eduardo, 49, 70-1, 73, 128-9,132-3,145, 157Ultraists (movement), 59-60, 75Unamuno, Miguelde, 58,62,70-1,78-9Uncle, Mr, 135Unik, Pierre: in Order of Toledo, 71;fights with cadets, 73; in surrealistgroup, 105, 108, 11 1, appearance, 108,and Une Girafe, 118; joinsCommunist Party, 138; assists LBwith film, 140; and WutherineuHeights, 205United States of America. Prohibition in,45-6, 133; LB first visits, 128; return(1938), 177; in World War 11,181Urdemalas, Pedro de, 200Urgoiti, Ricardo, 71,143,145Urueta, Chano, 209U~elay, Jose, 71Vaillant-Couturier, Paul, 139Vajda, Ladislao, 225 .Valentin, Albert, 112Valle Inclan, Ramon del, 58, 103, 144Varga, Corpus, 153Varietk (Belgian journal), 108-9Varo, Remedies, 110Vasconcelos, Jose, 209Vayo, Julio Alvarez del, 158,164Vedrines, Jules, 26Vega de Pas (near Santander), 7
266 IndexVenice Film Festival, 240 Waugh, Fvelyn: The Loved One, 193Ventura, Sanchez, 71,139 Weber, Michel, 198Verley, Bernard, 245 Wilder, Billy, 195Vicens, Juan, 71,824,117,220 Wise, Robert, 195Victor Emmanuel 111, King of Italy, 117 Woman Without Love, A (film), 202Vines, Hernando, 64,71,80,85-6,143 Wuthercng Hezgbts (film), 11,205Vines, Loulou, 71, 80-1, 143 Wyler, William, 195Vines, Ricardo, 86Vmdiana (film), 23,38,70,97,234-7Vitrac, Roger, 122Young and the Damned, The seeVoleur, Le (film), 243Olvzdados, LosVoragine, Jacobus de: The Golden191-23 197 -Legend, 63,240Voyage duns la lune, Le (film), 32 Zervos, Christian, 87, 114Zola, Emile, 80-1Wagner, Richard, 219Zorrilla y Moral, Jose: Don JuanWarner Brothers (film corporation), 143, Tenorio, 65,71,87188-9 Zurbarin, Francisco de, 42-3
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Luis&re delightSALMANRUSHDIE
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Originally published in France asMa
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MemoryDURING the last ten years of
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is no life at all, just as an intel
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Remembrances from theMiddle AgesIWA
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Remembrances from the Middle Ages 9
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Remembrances from the Middle AgesI
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Remembrances from the Middle AgesI3
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in San Sebastian, fertile ground fo
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as she emerges, tanned and smiling,
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directly from Calanda. Many of my c
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MY PATERNAL grandfather was known a
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the building. Except for vacations
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the air show given by the French av
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tor, who surveyed the entire room f
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Mass, I stayed on my knees with my
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I've forgotten the name. My cousin
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Conchita's MemoriesABOUT twenty yea
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set up in the attic and invitations
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ders. These hideous and terrifying
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Luis fainted, and to this day I don
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There are certain cafes which have
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hotel in 1980 for a place to work.
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good speakeasy in New York where yo
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What lovelier sight is there than t
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(his name escapes me now) who final
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The Residencia looked like the camp
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ing, in shorts and bare feet, I ran
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to Lenin and Trotsky. The only poli
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gafe under the pretext that certain
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eview of his latest book. Araquisth
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passioned student of literature. It
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Monte awlCampo anzuril/oPor la hnur
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Having had a good bit to drink, I g
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Fornos. The medical students knew R
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plagiarism." Something about this p
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without reservation, drink for at l
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ages until my return to Spain in 19
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I owe Gimenez Caballero a great dea
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Paris (1925 -1929)IN 1925, I learne
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er reading somewhere that it could
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offer; Picasso's mother accepted, a
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policemen coming toward us. I began
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Games. I was seized with an embarra
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would stop. For many years I argued
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With my usual abruptness, I replied
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Dreams and ReveriesF SOMEONE were t
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his face, eating very slowly and ve
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It all began with a mistake."A fant
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Waking dreams are as important, as
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Then, later, just before dessert, h
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ca blanched, closed the manuscript,
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seen a hand crawling with ants in a
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miss the premiere of the film that
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(Interestingly enough, all the surr
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Parisian newspapers "protesting ind
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published a pamphlet slandering him
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in Paris. I remember running into h
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the day, and in the evening I read
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told me that Marie-Laure and Charle
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home early, leaving me alone with m
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nothing about any of it and replied
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does us no honor; all it does is fi
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(The symbolic significance of terro
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about it, if you really want to kno
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studio except to collect my Saturda
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ing the filming ofL'Aged'or, photog
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Mexico, 1959, during the filming of
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Diary ofa Chambema
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s Angeles, 1972 (from left to right
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Taking a break during the filming o
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America 131COOPERATION. Then he sat
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AmericaI33He was getting very excit
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AmericaI35"Thalberg wants you to go
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Spain and France(1931-1936)THE bloo
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Spain and France (193 1-1 936) 139s
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Spain and France (I 93 1-1 936,; 14
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Spain and France (193 1-1 93 6) 143
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Spain and France (I 93 1-1936) 1451
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Love and Love AffairsI47loved as a
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Love and Love Affairs 149"Listen, P
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The Civil War (1936-1939)lution we'
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The Civil War (1936-1939,) 153but t
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The Civil War (1936-1939)I55The Rep
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The Civil War (19364939)I57masons a
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The Civil War (1936-1939)I59going t
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The Civil War (1936-1939)The Intern
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The Civil War (1936-1939)applying f
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The Civil War ( I 936-193 9) 165and
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The Civil War (193 6-1 939) 167plan
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The Civil War (1936-1939) 169in Cal
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Stillan A theist . . .Thank God!HAN
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Still an Atheist . . . Thank God!I7
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Still an Atheist . . . Thank God!I7
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Back to AmericaTHE year 1938 found
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Back to America 179do anything, and
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Back to America 181onstrations in t
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Back to America 183peared, Prenderg
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Back to America 185During the I~~OS
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Back to America 187I can't forgive
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Hollywood Sequel 189bing capital, H
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Hollywood Sequel 191"But you don't
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Hollywood Sequel 193The film opened
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Hollywd Sequel 195I didn't return t
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Mexico (1946-1961)IHAD so little in
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Mexico (1946-1961) 199age to reconc
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Mexico (1946-1961,) 201the painter
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Mexico (1946-1961) 20 3On the other
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Mexico (I 946-1 96 I ) 205Cocteau l
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Mexico (1946-1961) 207a man who's w
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Mexico (1946-1961) 209occurred whil
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Mexico (1946-1961) 211closed. In th
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Mexico (1946-1961) 213million peopl
Page 234 and 235: Mexico (1946-1064 215with Yves Mont
Page 236 and 237: Pro and ConHEN the surrealist movem
Page 238 and 239: Pro and Con 219his recipe for cultu
Page 240 and 241: Pro and Con 221side by side, one ma
Page 242 and 243: Pro and Con 22 3where your fantasie
Page 244 and 245: Pro and Con 22 5doice vita. To my r
Page 246 and 247: Pro and Con 227twic~Rigoletto in Lo
Page 248 and 249: Pro and Con 229other hand, my disco
Page 250 and 251: Pro and Con 231trator in Saragossa
Page 252 and 253: From Spain to Mexico to France (196
Page 254 and 255: From Spain to Mexico to France (' I
Page 256 and 257: From Spain to Mexico to France (I 9
Page 258 and 259: From Spain to Mexico to France (1 9
Page 260 and 261: From Spain to Mexico to France (196
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Page 264 and 265: From Spain to Mexico to France (' I
Page 266 and 267: From Spain to Mexico to France ( I
Page 268 and 269: Frm Spain to Mexico to France (1960
Page 270 and 271: swdn songCCORDING to the latest rep
Page 272 and 273: Swan Song 253changed. Until I turne
Page 274 and 275: Swan Song 255The thought of death h
Page 276 and 277: IndexCompiled by Douglas MatthewsA
Page 278 and 279: Buiiuel, LUIS [cont'dlsex, 48-9; sp
Page 280 and 281: Exterminating Angel, The (film), 53
Page 282 and 283: Markevitch, Igor, 118Marval (produc
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