Buiiuel, LUIS [cont'dlsex, 48-9; sports, 534; militaryservice, 54-5, 93; love of jazz andbanjo-playing, 65, 84, 219; practiseshypnotism and magic, 67-9; poetry,75; marriage, 86, 142-3; theatredirecting, 86; early film work, 88-91;and surrealism, 90, 102-9, 118-21,123, 138; dreams and fantasies, 92-5,97-100, 1034, 119; sciatica, 102, 188;surrealist films, 102-5, 114, 115-16; inHollywood, 127-35; leaves surrealistgroup, 139; film1434; onlove and love-making, 146-7; overseasmissions in Civil War, 158-67, 177;Dali portrait of, 169, 186, on chanceand necessity, 1714; on God andscience, 173-4; 1938 return to USA,177-88; post in Museum of ModernArt, 180-2, 194,229; earnings, 191-2;blacklisted in USA, 194; readmg andpersonal tastes, 218-31 ; deafness, 219,253; favourite films, 224-5; disguises,227; return to Spain, 232-3; winsOscar, 248; in The Phantom ofLiberty, 249; on old age and death,253-6; The Book of the Dead, 254; seealso individual film titlesBufiuel, Margarita (LB's sister), 23Buriuel, Maria (LB's sister), 23.95Buriuel, Doha Maria Portolis (LB'smother): lost memory, 3; in LB'schildhood, 17; marriage, 23; and LB'scareer, 33, 36; at Lorca play, 102,financial help for LB, 143, 199Bufiuel, Rafael (LB's son), 188, 195Bufiuel (LB's paternal grandfather), 22Butler, Hugo, 191-3Caballero, Ernest Giminez, 756,144Cahiers d'Art, les (journal), 80, 87Cahiers du Cinema (journal), 222Caillois, Roger: Ponce Pilate, 172Calanda, 8-13, 15-21, 234, 29-30, 34,38,168-9Calder, Alexander, 181,254Camelots du Roi (group), 84,118Yamus, Marcel, 213Cinnes Film Festival, 2014, 215,237Capri, Agnes, 11 1Cargo of Innocence (film), 178IndexCarmen-Espagne oblige (film), 90Carranza, Bartolomi, Archbishop ofToledo, 244Carretero, Jose-Maria ('El CaballeroAudaz'), 59-60Carrikre, Jean-Claude: in Madrid, 42; inMexico, 43; ignorance of Spain, 74;works on Belle de lour, 186; in LosAngeles, 195; works with LB, 223,241, 244, 248; helps write LB's book,254Carrillo, Santiago, 153Carrington, Leonora, 181Casanellas, Ramon, 138Casas Vielas (Andalusia), 145Castanyer (Catalonian artist), 80Casteno, Augusto, 71Castro, Americo, 53, 66Caupenne, Jean, 120-1Cavalcanti, Alberto, 103Cayatte, Andre, 202Cela s'appelle l'aurore (film), 107, 194,213Centeno, Augusto, 52Centeno, Juan, 52-3,55Centmelaalerta (film), 145Centre de Capacitacion Cinematogrifica,Mexico, 222Cernuda, LUIS, 58 .Cervantes Saavedra, Miguel de, 72Chaplin, Charlie, 49, 75, 129, 131, 133-4,178,180Chaplin, Geraldine, 134Char, Reni, 49, 105, 113Charpentier, Gustave: Louise, 113Chiappe, Jean, 118Chien andalou, Un (film): sex and deathin, 15; Duverger works on, 90, 104;Dali and, 92, 103-5, 186; Batcheff in,90, 104-5, 190; and dreams, 92, 103;making of, 103-5, 114; opening andsuccess of, 106, 108; scenariopublished, 108-10; eye scene, 122;Chaplin screens, 134; Lorca offendedby, 157; Wagner music for, 219, Jungon, 229; surrealism in, 248City Lights (film), 134Clair, Reni, 103,112, 178, 180, 189Claudel, Paul, 214Clementi, Pierre, 245Cocteau, Jean, 59,106,118,204-5Colegio del Salvador, 27-30
260 IndexCommunist Party, 138-9, 152, 155-7,166,201Confederacion Nacional de Trabalo, 151Confederation Generate de Travail(France), 160Congress of Intellectuals for theRevolution, 128Coquille et le clergyman, La (film), 106Cordova, Arturo de, 204Cortizar, Julio, 245Cossio, Francisco G., 80, 87Covarrubias, Seiiora, 24Creeft, Jose de, 82-3Crevel, Renk, 71,108,111-12,118,218Criminal Life of Archzbaldo de la Cruz(Ensayo de un crzmen) (film), 209,213Cuba, 22-3Cukor, George, 195Custodio, Ana-Mark, 71,144Dada, 59Dali, Gala, 95-7, 110,115, 182-5Dali, Salvador: friendship with LB inMadrid, 64-5, 71; and Un Chienandalou, 92, 103-5, 115, 183,186;andGala, 95-6, 110, 115, 183-4; andLorca, 101-2, 158, 184; and surrealists,108, 110-11, 114, 118, 121, 123,139; alienates father, 115; and L'Aged'or, 116-17; introduces EdwardJames, 164;portrait of LB, 169,186; inNew York, 181-3, 185; marriage toGala, 182; character, 183-7; The SecretLife of Salvador Dali, 182Damita, Lily, 135Dancigers, Oscar, 190-1, 197-200, 202,204-5Darwin, Charles ,30Dato, Eduardo, 55, 138Daudet, Alphonse, 80-1Daughter of Deceit see Htja del engario,LaDavis, Frank, 134-5, 178Death and the River see Rio y la muerte,ElDebucourt, Jean, 89Del Rio, Dolores, 131Deneuve, Catherine, 73,243,246Denise (photographer), 111Derain, Andre, 122Deray, Jacques, 213Desormiere, Colette, 71Desormiere, Roger, 71, 119Destiny (film), 88, 196Deviland the Flesh, The, seeSusanaDiaryofa Chambermaid (film), 241-3Diaz, Rosita, 47Dietrich, Marlene, 132Dilian, Irasema, 205Discreet Charm of the Bourgeoisie, The(film), 934,195,240,247-9Dishonored (film), 132Dominguez, Martin, 62Dominguin, <strong>Luis</strong>-Miguel, 213,237Doriot, Jacques, 141Dorronsoro (student friend), 48DOS Passes, John, 161,222Drums of Good Friday (ritual), 19-21,29Duchamp, Marcel, 69,181Dulac, Germane, 106Durremberger, Suzanne, 241Durruti, Buenaventura, 55, 126, 141,156Duverger, Albert, 89-90, 104,116Echeverria, <strong>Luis</strong>, 212Eisenstein, Serge, 116, 131El (This Strange Passion) (film), 16, 203-4,242El Paular, 2234Eluard, Cecile, 96Eluard, Paul: and surrealists, 95-6, 105,108-9, 11 1, 113, 122-3; appearance,108; voice-over for L%e d'or, 117;and Ernst, 121; and L'lmmaculeeconception, 139; and Sade, 218Ensayo de un crimen see Criminal Life ofArchibaldo de la CruzEntr'acte (film), 103Epstein Jean, 88-90,102Epstein, Mane, 103Ernst, MareBerthe (nee Aurenche),121Ernst, Max: in New York, 69, 181;friendship with LB, 105, 111;appearance, 108, 121; Biennale prize,114; plays in L'Age d'or, 116; ar.dsurrealism, 121, 123; and LeororaCarrington, 181; death, 254Esparia Ltbre (journal), 194Esparia Nueva (journal), 56Esteban, Don Bartolomt!, 51Etiivant, Henri, 90
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Luis&re delightSALMANRUSHDIE
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Originally published in France asMa
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MemoryDURING the last ten years of
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is no life at all, just as an intel
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Remembrances from theMiddle AgesIWA
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Remembrances from the Middle Ages 9
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Remembrances from the Middle AgesI
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Remembrances from the Middle AgesI3
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in San Sebastian, fertile ground fo
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as she emerges, tanned and smiling,
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directly from Calanda. Many of my c
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MY PATERNAL grandfather was known a
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the building. Except for vacations
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the air show given by the French av
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tor, who surveyed the entire room f
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Mass, I stayed on my knees with my
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I've forgotten the name. My cousin
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Conchita's MemoriesABOUT twenty yea
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set up in the attic and invitations
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ders. These hideous and terrifying
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Luis fainted, and to this day I don
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There are certain cafes which have
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hotel in 1980 for a place to work.
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good speakeasy in New York where yo
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What lovelier sight is there than t
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(his name escapes me now) who final
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The Residencia looked like the camp
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ing, in shorts and bare feet, I ran
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to Lenin and Trotsky. The only poli
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gafe under the pretext that certain
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eview of his latest book. Araquisth
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passioned student of literature. It
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Monte awlCampo anzuril/oPor la hnur
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Having had a good bit to drink, I g
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Fornos. The medical students knew R
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plagiarism." Something about this p
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without reservation, drink for at l
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ages until my return to Spain in 19
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I owe Gimenez Caballero a great dea
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Paris (1925 -1929)IN 1925, I learne
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er reading somewhere that it could
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offer; Picasso's mother accepted, a
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policemen coming toward us. I began
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Games. I was seized with an embarra
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would stop. For many years I argued
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With my usual abruptness, I replied
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Dreams and ReveriesF SOMEONE were t
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his face, eating very slowly and ve
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It all began with a mistake."A fant
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Waking dreams are as important, as
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Then, later, just before dessert, h
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ca blanched, closed the manuscript,
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seen a hand crawling with ants in a
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miss the premiere of the film that
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(Interestingly enough, all the surr
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Parisian newspapers "protesting ind
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published a pamphlet slandering him
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in Paris. I remember running into h
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the day, and in the evening I read
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told me that Marie-Laure and Charle
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home early, leaving me alone with m
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nothing about any of it and replied
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does us no honor; all it does is fi
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(The symbolic significance of terro
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about it, if you really want to kno
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studio except to collect my Saturda
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ing the filming ofL'Aged'or, photog
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Mexico, 1959, during the filming of
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Diary ofa Chambema
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s Angeles, 1972 (from left to right
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Taking a break during the filming o
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America 131COOPERATION. Then he sat
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AmericaI33He was getting very excit
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AmericaI35"Thalberg wants you to go
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Spain and France(1931-1936)THE bloo
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Spain and France (193 1-1 936) 139s
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Spain and France (I 93 1-1 936,; 14
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Spain and France (193 1-1 93 6) 143
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Spain and France (I 93 1-1936) 1451
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Love and Love AffairsI47loved as a
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Love and Love Affairs 149"Listen, P
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The Civil War (1936-1939)lution we'
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The Civil War (1936-1939,) 153but t
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The Civil War (1936-1939)I55The Rep
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The Civil War (19364939)I57masons a
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The Civil War (1936-1939)I59going t
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The Civil War (1936-1939)The Intern
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The Civil War (1936-1939)applying f
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The Civil War ( I 936-193 9) 165and
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The Civil War (193 6-1 939) 167plan
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The Civil War (1936-1939) 169in Cal
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Stillan A theist . . .Thank God!HAN
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Still an Atheist . . . Thank God!I7
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Still an Atheist . . . Thank God!I7
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Back to AmericaTHE year 1938 found
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Back to America 179do anything, and
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Back to America 181onstrations in t
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Back to America 183peared, Prenderg
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Back to America 185During the I~~OS
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Back to America 187I can't forgive
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Hollywood Sequel 189bing capital, H
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Hollywood Sequel 191"But you don't
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Hollywood Sequel 193The film opened
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Hollywd Sequel 195I didn't return t
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Mexico (1946-1961)IHAD so little in
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Mexico (1946-1961) 199age to reconc
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Mexico (1946-1961,) 201the painter
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Mexico (1946-1961) 20 3On the other
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Mexico (I 946-1 96 I ) 205Cocteau l
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Mexico (1946-1961) 207a man who's w
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- Page 270 and 271: swdn songCCORDING to the latest rep
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