Bunuel_Luis_My_Last_Breath

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Back to America 187I can't forgive him for his egomania, his obsessive exhibitionism, hiscynical support of the Falange, and his frank disrespect for friendship.I remember saying a few years ago, during an interview, that I'dnonetheless like to drink a glass of champagne with him before Idied, and when he read the article, he responded, "Me too. But Idon't drink anymore."
Hollywood SequelNINETEEN FORTY-FOUR found me in New York, joblessand tormented by sciatica. (The president of theChiropractors Association used such brutal methods that he cameclose to making a permanent invalid out of me.) One day, 1hobbled into Warner Brothers on crutches and was miraculouslyoffered the chance to go back to Los Angeles and work on dubbing.This time I agreed, but as I traveled across the countrywith my wife and two sons (the second, Rafael, was born in NewYork in 1940), my sciatica was so painful that I lay on my backon a board for most of the way. Luckily, once in Los Angeles, Ifound another chiropractor, a woman, and after a couple of monthsof gentler treatment, my pain disappeared completely.This time, I stayed in California for two years. During the first,we lived normally on my salary, but the second year, my work cameto an end and we had only our savings. The era of "different versions"was over; with the end of the war, it was clear that every countrywanted American films and American actors. In Spain, for example,the public preferred Humphrey Bogart speaking Spanish,. even ifpoorly dubbed, to a Spanish actor playing the same part. As a dub-
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Luis&re delightSALMANRUSHDIE
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Originally published in France asMa
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MemoryDURING the last ten years of
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is no life at all, just as an intel
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Remembrances from theMiddle AgesIWA
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Remembrances from the Middle Ages 9
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Remembrances from the Middle AgesI
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Remembrances from the Middle AgesI3
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in San Sebastian, fertile ground fo
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as she emerges, tanned and smiling,
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directly from Calanda. Many of my c
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MY PATERNAL grandfather was known a
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the building. Except for vacations
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the air show given by the French av
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tor, who surveyed the entire room f
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Mass, I stayed on my knees with my
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I've forgotten the name. My cousin
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Conchita's MemoriesABOUT twenty yea
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set up in the attic and invitations
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ders. These hideous and terrifying
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Luis fainted, and to this day I don
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There are certain cafes which have
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hotel in 1980 for a place to work.
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good speakeasy in New York where yo
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What lovelier sight is there than t
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(his name escapes me now) who final
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The Residencia looked like the camp
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ing, in shorts and bare feet, I ran
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to Lenin and Trotsky. The only poli
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gafe under the pretext that certain
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eview of his latest book. Araquisth
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passioned student of literature. It
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Monte awlCampo anzuril/oPor la hnur
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Having had a good bit to drink, I g
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Fornos. The medical students knew R
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plagiarism." Something about this p
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without reservation, drink for at l
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ages until my return to Spain in 19
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I owe Gimenez Caballero a great dea
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Paris (1925 -1929)IN 1925, I learne
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er reading somewhere that it could
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offer; Picasso's mother accepted, a
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policemen coming toward us. I began
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Games. I was seized with an embarra
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would stop. For many years I argued
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With my usual abruptness, I replied
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Dreams and ReveriesF SOMEONE were t
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his face, eating very slowly and ve
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It all began with a mistake."A fant
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Waking dreams are as important, as
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Then, later, just before dessert, h
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ca blanched, closed the manuscript,
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seen a hand crawling with ants in a
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miss the premiere of the film that
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(Interestingly enough, all the surr
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Parisian newspapers "protesting ind
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published a pamphlet slandering him
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in Paris. I remember running into h
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the day, and in the evening I read
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told me that Marie-Laure and Charle
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home early, leaving me alone with m
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nothing about any of it and replied
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does us no honor; all it does is fi
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(The symbolic significance of terro
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about it, if you really want to kno
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studio except to collect my Saturda
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ing the filming ofL'Aged'or, photog
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Mexico, 1959, during the filming of
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Diary ofa Chambema
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s Angeles, 1972 (from left to right
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Taking a break during the filming o
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America 131COOPERATION. Then he sat
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AmericaI33He was getting very excit
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AmericaI35"Thalberg wants you to go
Page 156 and 157: Spain and France(1931-1936)THE bloo
Page 158 and 159: Spain and France (193 1-1 936) 139s
Page 160 and 161: Spain and France (I 93 1-1 936,; 14
Page 162 and 163: Spain and France (193 1-1 93 6) 143
Page 164 and 165: Spain and France (I 93 1-1936) 1451
Page 166 and 167: Love and Love AffairsI47loved as a
Page 168 and 169: Love and Love Affairs 149"Listen, P
Page 170 and 171: The Civil War (1936-1939)lution we'
Page 172 and 173: The Civil War (1936-1939,) 153but t
Page 174 and 175: The Civil War (1936-1939)I55The Rep
Page 176 and 177: The Civil War (19364939)I57masons a
Page 178 and 179: The Civil War (1936-1939)I59going t
Page 180 and 181: The Civil War (1936-1939)The Intern
Page 182 and 183: The Civil War (1936-1939)applying f
Page 184 and 185: The Civil War ( I 936-193 9) 165and
Page 186 and 187: The Civil War (193 6-1 939) 167plan
Page 188 and 189: The Civil War (1936-1939) 169in Cal
Page 190 and 191: Stillan A theist . . .Thank God!HAN
Page 192 and 193: Still an Atheist . . . Thank God!I7
Page 194 and 195: Still an Atheist . . . Thank God!I7
Page 196 and 197: Back to AmericaTHE year 1938 found
Page 198 and 199: Back to America 179do anything, and
Page 200 and 201: Back to America 181onstrations in t
Page 202 and 203: Back to America 183peared, Prenderg
Page 204 and 205: Back to America 185During the I~~OS
Page 208 and 209: Hollywood Sequel 189bing capital, H
Page 210 and 211: Hollywood Sequel 191"But you don't
Page 212 and 213: Hollywood Sequel 193The film opened
Page 214 and 215: Hollywd Sequel 195I didn't return t
Page 216 and 217: Mexico (1946-1961)IHAD so little in
Page 218 and 219: Mexico (1946-1961) 199age to reconc
Page 220 and 221: Mexico (1946-1961,) 201the painter
Page 222 and 223: Mexico (1946-1961) 20 3On the other
Page 224 and 225: Mexico (I 946-1 96 I ) 205Cocteau l
Page 226 and 227: Mexico (1946-1961) 207a man who's w
Page 228 and 229: Mexico (1946-1961) 209occurred whil
Page 230 and 231: Mexico (1946-1961) 211closed. In th
Page 232 and 233: Mexico (1946-1961) 213million peopl
Page 234 and 235: Mexico (1946-1064 215with Yves Mont
Page 236 and 237: Pro and ConHEN the surrealist movem
Page 238 and 239: Pro and Con 219his recipe for cultu
Page 240 and 241: Pro and Con 221side by side, one ma
Page 242 and 243: Pro and Con 22 3where your fantasie
Page 244 and 245: Pro and Con 22 5doice vita. To my r
Page 246 and 247: Pro and Con 227twic~Rigoletto in Lo
Page 248 and 249: Pro and Con 229other hand, my disco
Page 250 and 251: Pro and Con 231trator in Saragossa
Page 252 and 253: From Spain to Mexico to France (196
Page 254 and 255: From Spain to Mexico to France (' I
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From Spain to Mexico to France (I 9
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From Spain to Mexico to France (1 9
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From Spain to Mexico to France (196
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From Spain to Mexico to France (I 9
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From Spain to Mexico to France (' I
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From Spain to Mexico to France ( I
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Frm Spain to Mexico to France (1960
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swdn songCCORDING to the latest rep
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Swan Song 253changed. Until I turne
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Swan Song 255The thought of death h
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IndexCompiled by Douglas MatthewsA
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Buiiuel, LUIS [cont'dlsex, 48-9; sp
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Exterminating Angel, The (film), 53
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Markevitch, Igor, 118Marval (produc
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Seyrig, Delphine, 181,245Shoeshme (
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