- Page 1 and 2: Luis&re delightSALMANRUSHDIE
- Page 3: Originally published in France asMa
- Page 6 and 7: MemoryDURING the last ten years of
- Page 8 and 9: is no life at all, just as an intel
- Page 10 and 11: Remembrances from theMiddle AgesIWA
- Page 12 and 13: Remembrances from the Middle Ages 9
- Page 14 and 15: Remembrances from the Middle AgesI
- Page 16 and 17: Remembrances from the Middle AgesI3
- Page 20 and 21: Remembrances from the Middle Ages 1
- Page 22 and 23: The Drums ofCalandaTHEREis a custom
- Page 24 and 25: The Drums ofCalandaDuring the proce
- Page 26 and 27: Saragassa 23When all was said and d
- Page 28 and 29: Saragossa 25lion pesetas. (To put t
- Page 30 and 31: Saragossa 2 7portrait of my mother.
- Page 32 and 33: Saragassa 29I was about fourteen wh
- Page 34 and 35: Saragossa 31wing, composed of all t
- Page 36 and 37: first zoom. There on the screen was
- Page 38 and 39: Concbita's Memories 3 5fact, he use
- Page 40 and 41: studied at the university and lived
- Page 42 and 43: Conchita's Memories 39cousins our a
- Page 44 and 45: Earthly DelightsICAN'T count the nu
- Page 46 and 47: Earthly Delights 43and developed.)
- Page 48 and 49: Earthly Delightsthe fruit of long e
- Page 50 and 51: Earthly Delights 47tuous argument w
- Page 52 and 53: Earthly Delights 49and women I saw
- Page 54 and 55: Madrid-The Redencia(191 7-1925)BEFO
- Page 56 and 57: a couple of weeks I began to hate h
- Page 58 and 59: Madrid-The Resideneia (I 9 I 7- I 9
- Page 60 and 61: Madrid-The Reszdmcia (I 9 I 7-1 9.2
- Page 62 and 63: Madrid-The Raidencia ( I 9 I 7- I 9
- Page 64 and 65: Madrid-The Residenela (I 9 I 7-1 92
- Page 66 and 67: Madrid-The Restdeneta (19 I 7-1925)
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Madrid-The Resideneia (I 91 7-192')
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Madrid-The Resideneb (I 9 I 7-1 925
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meaning for them, some kind of affi
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Madrid-The Resihza (I 9 I 7-1 925)
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Madrid-The Residencia (I 917-1 925
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Madrid-The Reszdencia (I 9 I 7- I 9
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Madrid-The Raidencia ( I 9 PI 92j )
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cafes. I went to La Rotonde almost
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Paris (ly2j-1929)8 Iup the spirit o
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Paris (1925-1929;) 83I'd never seen
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Paris (1923-1929) 85from their truc
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Paris (1923-1929) 87to play the sil
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Paris (1925-1929) 89Epstein agreed,
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It was during the filming of The Si
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Dreams and Reveries 93during one ni
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Dreams and Revertes 95since then it
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Dream and Reveries 97ground, it's o
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Dreum and Rewiu 99Sometimes I also
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RETURNED to Spain several times bet
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I went to Madrid to talk on avant-g
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Surrealism (1929-1933) 105days befo
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where; it seemed so silly to me tha
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Such excessive accusations may seem
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Surrealism ( I 929-1 933 ,) 111ence
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to bring Jeanne to dinner at his ho
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In the end, I agreed to have dinner
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Surrealism (1929-1933) "7this chara
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y hand. Inside each spot I wrote a
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this wasn't enough. Saint-Cyr deman
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a tough question, but sometimes I s
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say about the consumer society and
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AmericaT WAS 1930, and L'Age d'm st
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America 129"You're going to have di
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e Order of Toledo. 1924: (from left
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alvador and Gala DaliPau, France, 1
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During the filming of The Y oq One,
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Directing Catherine Deneuve in Bell
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ilming That Obscure Object of Desir
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Rafael, Jeanne, me, and Juan-Luis,
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document+ synoptic table of the Ame
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"On the contrary," I replied. "It w
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play "The Star-Spangled Banner." Ev
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Congo. There were supposed to be a
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(When the Civil War began, an extre
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men from Las Hurdas often went away
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evenge. In the end, as we were shoo
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Love and Love AffairsIN THE 19205,
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you don't like. It's happened to me
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The Civil War(1936-1939)IN JULY 193
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place. People arrested at night wer
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who believed in God and who later p
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Acin, who financed Las Hurdes, told
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things are happening. You can't go
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the rue de la Pepiniere and was off
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next best thing. He put a small sui
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On Breton's request, I asked some q
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mocracies, who still treated the So
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Fascists were also desperate to cat
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enemies. As they burned churches an
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through history41 the way back, in
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mistakes. After all, if I ever acce
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though little by little I've retire
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When I got to Hollywood, I found th
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shown, particularly to senators and
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ways, but I remember going to see h
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Madrid when Lorca asked Dali to go
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ailway compartment filled with work
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Hollywood SequelNINETEEN FORTY-FOUR
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Batcheff, the actor who played the
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accept or refuse, but I never argue
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years later that Trumbo made the fi
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get him in the middle of lunch, whe
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were made in Spanish with Mexican a
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images which would flash onto the s
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the Mexican poet Octavio Paz appear
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it wasn't very well received; even
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And our name in time shall be forgo
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door, people hug each other, idrink
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instead of the cinematography award
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"Mexico's fascistic," a Chilean ref
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was one in particular about a "magn
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Catholique as well. Three members o
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to Marcel Proust. Despite its rarit
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wreathed in fog. When I was a child
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question than a statement, and one
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to Sunday tourists. The father supe
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down into the void, and hidden safe
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look at the same views, eat the sam
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After I'd returned to New York, a l
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From Shin to MexicoIN 1960, after I
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on the boat from Madrid to Mexico,
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promising that on the last day of t
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the film for the first time and had
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That kind of dilemma, the impossibi
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I remembered talking to Gerard Phil
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directed many films of his own. The
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and everyone piled out and bought t
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The shoot itself, which took place
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old project, the adaptation-of Pier
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and the free press. The last, which
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It's been four years now since I've
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ack. When people ask me why I don't
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258 IndexArniches, Carlos, 70,143,2
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260 IndexCommunist Party, 138-9, 15
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Ibanez, Juan, 185,254Ilegible hzjo
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264 IndexPeret, Benjamin, 105, 110,
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266 IndexVenice Film Festival, 240