Sprayed - Alex Broun
Sprayed - Alex Broun Sprayed - Alex Broun
4CLIVE:GREG:CLIVE:GREG:CLIVE:GREG:CLIVE:GREG:Private use.Because of course if you were going to use themcommercially – publish them in a magazine say or awebsite – we would need to clear that with the artists.Even though that’s what they want ? For their work tobe seen.If you were planning to use the work commercially.By publishing it in a magazine.Or on a website.But I’m not.Well, if you were …BEAT.CLIVE: What if it was on the wall outside ?GREG: Outside ?CLIVE: If this tag – that’s its proper name isn’t it ? A tag ? -was on the wall outside the gallery.GREG: The gallery’s wall ?CLIVE:GREG:CLIVE:GREG:CLIVE:Any wall. My wall. Your wall. It would be in the publicdomain then – wouldn’t it ? I could do what I wantedwith it.Possibly. I’m not sure of the legal implications.It wouldn’t be in your gallery then. You wouldn’t haveany claim on the work.Of course. But it would still be great to let the artistknow what you wanted to do. Just as a courtesy.Of course. That is if I knew where to find them.CLIVE MOVES ON TO THE NEXT TAG.GREG:Look, I’m not the owner of the gallery. And I’m not sure
5GREG:CLIVE:GREG:CLIVE:GREG:(CONT) he would feel completely comfortable with whatyou’re doing.I’m taking photos.Yes, but you won’t tell me what they’re for.Private use.Yes, but I don’t know what that is.CLIVE CONTINUES TO TAKE PHOTOS. SUDDENLY GREGMOVES IN FRONT OF HIM.GREG:I’m going to ask you to stop – until I can discuss thiswith the owner of the gallery.CLIVE CONTINUES TO SNAP AWAY.GREG:I’m sorry sir. I must insist.CLIVE CONTINUES TO SNAP AWAY. GREG LUNGES AT THECAMERA.GREG:CLIVE:Stop taking photos!Lighten up Greg.BEAT.GREG:CLIVE:GREG:CLIVE:GREG:CLIVE:GREG:You know my name?It’s on your website. Gallery Owner, Stephen Allington,and Gallery Manager, Gregory Madigan. You’re not theGallery Owner so you must be the Gallery Manager.What is this about?You don’t remember me? I’m hurt.We’ve met?I run a gallery. I’m a Gallery Manager too. And GalleryOwner. Across town.Rich … Richard …
- Page 1 and 2: 1SprayedThis play is free to downlo
- Page 3: 3SprayedGallery. Morning.Around the
- Page 7 and 8: 7GREG:CLIVE:There’s been a policy
- Page 9 and 10: 9GREG:CLIVE:GREG:CLIVE:GREG:CLIVE:G
- Page 11: 11GREG:We know who they are.BEAT.GR
4CLIVE:GREG:CLIVE:GREG:CLIVE:GREG:CLIVE:GREG:Private use.Because of course if you were going to use themcommercially – publish them in a magazine say or awebsite – we would need to clear that with the artists.Even though that’s what they want ? For their work tobe seen.If you were planning to use the work commercially.By publishing it in a magazine.Or on a website.But I’m not.Well, if you were …BEAT.CLIVE: What if it was on the wall outside ?GREG: Outside ?CLIVE: If this tag – that’s its proper name isn’t it ? A tag ? -was on the wall outside the gallery.GREG: The gallery’s wall ?CLIVE:GREG:CLIVE:GREG:CLIVE:Any wall. My wall. Your wall. It would be in the publicdomain then – wouldn’t it ? I could do what I wantedwith it.Possibly. I’m not sure of the legal implications.It wouldn’t be in your gallery then. You wouldn’t haveany claim on the work.Of course. But it would still be great to let the artistknow what you wanted to do. Just as a courtesy.Of course. That is if I knew where to find them.CLIVE MOVES ON TO THE NEXT TAG.GREG:Look, I’m not the owner of the gallery. And I’m not sure
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