Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
63 The <strong>Tattoo</strong>ist<br />
individual drifts from job to job before. almost accidentally. encountering<br />
tattooing and coming to define it as a viable occupational<br />
alternative. Entry is relatively spontaneous and impelled by<br />
a variety of situational contingencies.<br />
<strong>Tattoo</strong>ists base <strong>the</strong>ir initial decision to pursue tattooing as an<br />
occupation on <strong>the</strong> perception that <strong>the</strong>y possess some measure of<br />
artistic talent. While grOWing up <strong>the</strong> potential tattooist has commonly<br />
been involved in artistic activities and his or her talent has<br />
been recognized and employed by family members. peers. and. especially.<br />
high-school teachers (cf. Griff. 1970).<br />
I mean. like. I could draw. I never went to art school or<br />
nothing. In high school I never did anything I was told. I just<br />
drew. Some of my teachers loved it 'cause <strong>the</strong>y were. like.<br />
throwbacks from <strong>the</strong> sixties. The ones that weren't used to tell<br />
me what to draw and stuff. They always let kids. like. draw and<br />
paint on <strong>the</strong> walls at school. They never let me do that. They.<br />
like. wanted me to paint football players and stuff like that for<br />
<strong>the</strong> school. I went back to myoid high school <strong>the</strong> o<strong>the</strong>r day and<br />
I told my art teacher that I finally got a job that involves my art<br />
talent and she flipped.<br />
When recounting how <strong>the</strong>y had become involved with tattOOing.<br />
all of <strong>the</strong> interviewees reported experiencing some form of occupational<br />
dissatisfaction at <strong>the</strong> time <strong>the</strong>y began to realize that tattooing<br />
was a viable career alternative. Most of <strong>the</strong> tattooistsespecially<br />
those from working-class backgrounds-were employed<br />
in routine. laboring jobs when <strong>the</strong>y encountered tattooing. 1 The<br />
fine art tattooists. on <strong>the</strong> o<strong>the</strong>r hand. typically were purSUing<br />
commercial art careers or were attempting to "succeed" as serious<br />
artists. They saw <strong>the</strong>mselves as being creatively Stifled or as having<br />
limited chances of success in <strong>the</strong> highly competitive fine art<br />
world.<br />
The more I looked at art in <strong>the</strong> contemporary culture. <strong>the</strong> more<br />
I got involved in <strong>the</strong> business of art in America. <strong>the</strong> more I<br />
realized I was like <strong>the</strong> monkey on <strong>the</strong> end of <strong>the</strong> organ grinder's<br />
string. I really felt desperate about that because art had always