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Customizing the Body (PDF file) - Print My Tattoo

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63 The <strong>Tattoo</strong>ist<br />

individual drifts from job to job before. almost accidentally. encountering<br />

tattooing and coming to define it as a viable occupational<br />

alternative. Entry is relatively spontaneous and impelled by<br />

a variety of situational contingencies.<br />

<strong>Tattoo</strong>ists base <strong>the</strong>ir initial decision to pursue tattooing as an<br />

occupation on <strong>the</strong> perception that <strong>the</strong>y possess some measure of<br />

artistic talent. While grOWing up <strong>the</strong> potential tattooist has commonly<br />

been involved in artistic activities and his or her talent has<br />

been recognized and employed by family members. peers. and. especially.<br />

high-school teachers (cf. Griff. 1970).<br />

I mean. like. I could draw. I never went to art school or<br />

nothing. In high school I never did anything I was told. I just<br />

drew. Some of my teachers loved it 'cause <strong>the</strong>y were. like.<br />

throwbacks from <strong>the</strong> sixties. The ones that weren't used to tell<br />

me what to draw and stuff. They always let kids. like. draw and<br />

paint on <strong>the</strong> walls at school. They never let me do that. They.<br />

like. wanted me to paint football players and stuff like that for<br />

<strong>the</strong> school. I went back to myoid high school <strong>the</strong> o<strong>the</strong>r day and<br />

I told my art teacher that I finally got a job that involves my art<br />

talent and she flipped.<br />

When recounting how <strong>the</strong>y had become involved with tattOOing.<br />

all of <strong>the</strong> interviewees reported experiencing some form of occupational<br />

dissatisfaction at <strong>the</strong> time <strong>the</strong>y began to realize that tattooing<br />

was a viable career alternative. Most of <strong>the</strong> tattooistsespecially<br />

those from working-class backgrounds-were employed<br />

in routine. laboring jobs when <strong>the</strong>y encountered tattooing. 1 The<br />

fine art tattooists. on <strong>the</strong> o<strong>the</strong>r hand. typically were purSUing<br />

commercial art careers or were attempting to "succeed" as serious<br />

artists. They saw <strong>the</strong>mselves as being creatively Stifled or as having<br />

limited chances of success in <strong>the</strong> highly competitive fine art<br />

world.<br />

The more I looked at art in <strong>the</strong> contemporary culture. <strong>the</strong> more<br />

I got involved in <strong>the</strong> business of art in America. <strong>the</strong> more I<br />

realized I was like <strong>the</strong> monkey on <strong>the</strong> end of <strong>the</strong> organ grinder's<br />

string. I really felt desperate about that because art had always

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