Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo
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60 Becoming and Being a <strong>Tattoo</strong>ed Person<br />
membership in subcultures (for example. outlaw motorcyclists.<br />
youth gangs) centered around socially disvalued or law-violating<br />
interests and activities. 10<br />
The stigmatized social definition of tattooing and <strong>the</strong> negative<br />
response tattooees commonly experience when "normals" are<br />
aware of <strong>the</strong>ir stigma may also precipitate identification with a<br />
subculture In which <strong>the</strong> tattoo Is of primary significance. Within<br />
<strong>the</strong> Informal "tattoo community" consisting of those tattooees<br />
who positively define <strong>the</strong>ir unconventional mark. <strong>the</strong> tattoo acts<br />
as a source of "mutual openness" (Goffman. 1963b: 131-139).<br />
prOViding opportunities for spontaneous appreciative interaction<br />
with o<strong>the</strong>rs who are also tattooed (Pfuhl. 1986: 168-188; Goffman.<br />
1963a: 23-25).11<br />
As is commonly <strong>the</strong> case with subcultural groups bound toge<strong>the</strong>r<br />
by <strong>the</strong> problems associated with possession of a physical<br />
stigma. <strong>the</strong> tattoo world has developed an organized core. Moreor-less<br />
formal groups such as <strong>the</strong> National <strong>Tattoo</strong> Association hold<br />
regular meetings and prOVide practioners with technical Information.<br />
legal assistance. access to <strong>the</strong> latest equipment and supplies.<br />
and o<strong>the</strong>r essential occupational resources. Serious tattoo<br />
"enthusiasts" and collectors are also active in this organized<br />
world. <strong>Tattoo</strong> conventions provide <strong>the</strong>m with an opportunity to<br />
display <strong>the</strong>ir work. enlarge <strong>the</strong>ir collections. and associate with<br />
o<strong>the</strong>r tattooees In situations In which <strong>the</strong>y are normal. Understandably.<br />
a major focus of organizational activity Is <strong>the</strong> public redefinition<br />
of tattooing as a legitimate form of artistic production.<br />
Contemporary commercial culture prOVides a variety of products<br />
(t-shirts. bumper stickers. buttons. and so forth) by which people<br />
may announce <strong>the</strong>ir perspectives. personal Interests. and social<br />
attachments. Clothing. jewelry. hair style. and o<strong>the</strong>r aspects of<br />
personal decoration are used to demonstrate aes<strong>the</strong>tic taste.<br />
These modes of self-symbolization are. however. relatively safe and<br />
transitory expressions. For some. <strong>the</strong>se conventional mechanisms<br />
are inadequate. Typically impelled by personal association with<br />
o<strong>the</strong>rs who have chosen a more drastic and symbolically powerful<br />
approach. tattooees purchase what is. as yet. a "tarnished" cultural<br />
product (Shover. 1975). In so doing. tattooed people voluntarily<br />
shape <strong>the</strong>ir social identities and enhance <strong>the</strong>ir definitions of