Customizing the Body (PDF file) - Print My Tattoo

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55 Becoming and Being a Tattooed Person actually tell how I'm going to get along with people, and vice-versa, by the way they react to my tattoo. It's more or less expressive of the unconventional side of my character right up front. Most of the people who seem to like me really dig the tattoo too (quoted in Hill, 1972: 249). While it is fairly easy to selectively reveal the tattoo in public settings when interacting with strangers or casual associates, hiding the fact that one is tattooed, thereby avoiding negative social response, is difficult when the "other" is a person with whom the tattooee is intimately associated. The majority of those interviewed recounted incidents in which parents, friends, and, espe Cially for the women, lovers and spouses reacted badly when they initially became aware of the tattoo. (What did your husband say when he saw your tattoo?) He said he almost threw up. It grossed him out. I had asked him years ago, "What would you think if... :' and he didn't like the idea. So, I decided not to tell him. It seemed a smart thing to do. He just looked rather grossed out by the whole thing; didn't like it. Now it is accepted, but I don't think he would go for another one. Another woman interviewee recounted a similar post-tattoo experience with her parents and boyfriend. My family was devastated. I didn't tell them for a long time. My mother and I were on a train to New York City and I said to her, "Mom, I want to tell you something but I don't want you to get upset." She said, "You're pregnant!" I said, "No:' She says, "You're getting married!" I said, "God, no!" It was downhill from there. When I said, "I got a tattoo:' it was like, "Thank God! That's all it is:' It wasn't that horrible. My father's reaction was just one of disgust because women who get tattoos to him are ... I don't know ... they just aren't nice girls. They aren't the type of girl he wants his daughter to be. He let me know that. He let me have it right between the eyes. He said, "00 you know what kind of girls get tattoos?" and just walked out of the room. That was enough. He thought tramps get tattoos or girls that ride on the back seats of motorcycles,
56 Becoming and Being a Tattooed Person Figure 2: Extent and Source of Thttooee Regret (N=163) no regret (65.64%) regret-design (8.58%) regret-location (0.61 %) _..----regret-quall
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CUSTOMIZING THE BODY
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Temple University Press 1601 North
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Preface to the Revised and Expanded
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ix Preface to the Revised and Expan
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xi Preface to the Revised and Expan
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xiii Preface to the Revised and Exp
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xv Preface to the Revised and Expan
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xvii Preface to the Revised and Exp
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xix Preface to the Revised and Expa
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Preface to the First Edition xxiii
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Preface to the First Edition xxv Pr
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3 Introduction duction world that r
Page 32 and 33: 5 Introduction Body painting is anc
Page 34 and 35: 7 Introduction erogenous zones and
Page 36 and 37: 9 Introduction painful, it is commo
Page 38 and 39: 11 Introduction for example, Kayan
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Page 42 and 43: 15 Introduction a heavily tattooed
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Page 48 and 49: 21 Introduction the corporeal chang
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Page 54 and 55: 27 Introduction These dominant pers
Page 56 and 57: 29 Introduction style. the occupati
Page 58 and 59: 31 Introduction communicable diseas
Page 60 and 61: 33 Introduction is presented as res
Page 62: 35 Introduction artistic endeavor.
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Page 91 and 92: 64 The Tattooist been my safe place
Page 93 and 94: 66 The Tattooist and psychologicall
Page 95 and 96: 68 The Tattooist Few tattooists mak
Page 97 and 98: 70 The Tattooist people in the busi
Page 100 and 101: 73 The Tattooist (The tattoo artist
Page 102 and 103: 75 The Tattooist complete tattoo. I
Page 104 and 105: 77 The Tattooist in her kitchen. Ev
Page 106 and 107: 79 The Tattooist reer which strongl
Page 108 and 109: 81 The Tattooist does it hurtT "Com
Page 110 and 111: 83 The Tattooist THE TATTOOIST'S CA
Page 112: 85 The Tattooist me to tattoo the b
Page 115 and 116: 88 The Tattooist like Burger King .
Page 117 and 118: 90 The Tattooist the individual to
Page 119 and 120: 92 The Tattooist Tattooists also ha
Page 121 and 122: 94 The Tattooist tomorrow and let y
Page 123 and 124: 96 The Tattooist that there is a ch
Page 125 and 126: 98 The Tattooist above, tattooists,
Page 127 and 128: 100 The Tattooist and fifty. Those
Page 129 and 130: 102 The Tattooist "totemic" desires
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106 The Tattooist I refused a guy l
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108 The Tattooist This change in th
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f styles. (Photo by D. Angus Vail)
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above: Tattoo by Filip Leu, The Le
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imi Hendrix and John Coltrane by Fi
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118 The Tattoo Relationship As is t
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120 The Tattoo Relationship he coul
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122 The Tattoo Relationship blouse
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124 The Tattoo Relationship name "R
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127 The Tattoo Relationship Positiv
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129 The Tattoo Relationship experie
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131 The Tattoo Relationship The reg
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133 The Tattoo Relationship Other p
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135 The Tattoo Relationship inexper
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137 The Tattoo Relationship the nee
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140 The Tattoo Relationship Followi
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142 The Tattoo Relationship expecte
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144 The Tattoo Relationship In rece
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146 The Tattoo Relationship tattooi
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148 The Tattoo Relationship the tat
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151 Conclusion tutional theory of a
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153 Conclusion arisen and learn fro
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155 Conclusion and give money to it
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157 Conclusion what are the chances
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159 Conclusion Works of Idea Art fr
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161 Conclusion the artistic redefin
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163 Conclusion symbolic demonstrati
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165 Epilogue 2008 ters, all would l
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167 Epilogue 2008 and the emphasis
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169 Epilogue 2008 The term “colle
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171 Epilogue 2008 design and execut
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173 Epilogue 2008 for three or four
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175 Epilogue 2008 1990s, become an
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177 Epilogue 2008 eyebrows and “l
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179 Epilogue 2008 The most recent m
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181 Epilogue 2008 distinguish among
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183 Epilogue 2008 supposedly made i
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185 Epilogue 2008 and perceptions o
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187 Epilogue 2008 become more commi
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190 Methodological Appendix Fairly
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192 Methodological Appendix laborer
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194 Methodological Appendix Figure
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196 Methodological Appendix guys wh
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198 Methodological Appendix increas
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200 Methodological Appendix because
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202 Methodological Appendix nomenon
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204 Selected Tattoo Artist Websites
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206 Notes to Preface to the Revised
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208 Notes to Chapter 2 example, “
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210 Notes to Chapter 2 of negative
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212 Notes to Chapter 4 of female cl
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214 Notes to Chapter 4 your mother
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216 Notes to Chapter 5 Chapter 5 1.
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218 Notes to Chapter 5 and resulted
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220 Notes to Epilogue 2008 only foo
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222 References ———. 1967. “
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224 References Cummings, William, a
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226 References Gittleson, N., G. Wa
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228 References Research. Hirschman,
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230 References University Press. Le
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232 References 6 (May): 18 ff. Parr
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234 References Carl (Shotsie) Gorma
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236 References Investigation of Con
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Index Adler, Patricia and Peter, 11
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241 Index Fellman, Sandi, 13, 160,
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243 Index O’Reilly, Samuel F., 16
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245 Index 214; process described, 4
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