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Customizing the Body (PDF file) - Print My Tattoo

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Index<br />

Adler, Patricia and Peter, 117, 189,<br />

190<br />

Aes<strong>the</strong>tics of Graffiti, 218<br />

Agris, Joseph, 40, 207<br />

Aitchison, Guy, 167<br />

Alberts, Lewis (“Lew-<strong>the</strong>-Jew”), 1,<br />

17<br />

Amaya, Mario, 33<br />

American Sociological Association<br />

(ASA), 191<br />

Anscombe, Isabelle, 4<br />

Appearance. See Attractiveness<br />

Arc Gallery (St. Louis), 217<br />

Art: academic attention and,<br />

152–153, 156; aes<strong>the</strong>tic worth<br />

of, 152, 156; factors affecting<br />

product’s definition as, 150–156;<br />

historical roots and, 151, 156;<br />

institutional <strong>the</strong>ory of, 23–24,<br />

149–157; investment value of,<br />

153–154, 156; materials used to<br />

create, 152, 156; originality and,<br />

151–152, 156; physical settings<br />

in which consumed, 153, 156,<br />

216–218; popular culture and,<br />

ix–xi, 151–152, 191; promotion<br />

of, 155,156; status of consumers<br />

and, 154–155, 156, 216–217<br />

status of producers and, 154,<br />

156, 216–217; technical skill<br />

and, 152, 156<br />

Art Deco, 199<br />

“Art of <strong>the</strong> <strong>Body</strong>” symposium<br />

(UCLA), 159–160<br />

Art world, 21, 150–152<br />

Assael, Henry, 124, 131<br />

Atkinson, Luke, 168<br />

Atkinson, Michael, xvi, 184–185<br />

Attractiveness, 1–2<br />

Banks, T. J., 216<br />

Barnam, P. T., 18<br />

Basirico, Laurence, 3<br />

Battcock, Gregory, 159<br />

Bear, 75<br />

Becker, Howard S., xvi, 22, 23, 23,<br />

29, 69, 83, 86, 97, 101, 102,<br />

144, 150, 152, 153, 154, 155,<br />

202, 211, 216<br />

Becker, Nickie, 43, 45, 209, 211<br />

Bell, Gerald, 43, 127<br />

Bell, Quentin, 4, 20, 28<br />

Bell, William, 39<br />

Ben-Sira, Zeev, 82, 127, 128<br />

Berger, David, 25<br />

Berscheid, Ellen, 2<br />

Bertoia, Carl, 6<br />

Best, Joel, 32, 216<br />

Bjorn, Lars, 160<br />

Blumer, Herbert, 4<br />

<strong>Body</strong> alteration: non-permanent,<br />

4–6; permanent, 6–20. See also<br />

<strong>Body</strong> painting; <strong>Body</strong> Sculpting;<br />

Branding; Flesh peeling;<br />

Foot binding; Piercing;<br />

Scarification; <strong>Tattoo</strong>ing;<br />

Tight-lacing<br />

<strong>Body</strong> painting, 4–5<br />

“<strong>Body</strong> play,” 177<br />

<strong>Body</strong> sculpting 6–7

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