Customizing the Body (PDF file) - Print My Tattoo

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237 References Young, T. R. 1981. “Sociology and Human Knowledge: Scientific vs. Folk Methods.” American Sociologist 16: 119–124. Zarum, Harvey. 1983. “Surgical Body Contouring: Motivations, Expectations, and Operative Techniques in Plastic Surgery.” Paper presented at the Art of the Body Symposium, January, at University of California, Los Angeles. Zeis, Milton. 1984 [1952]. Secrets of the Art of Tattooing. Berkeley: Tattoo Archive. Zeithaml, Valerie. 1984. “How Consumer Evaluation Processes Differ Between Goods and Services.” In Services Marketing, ed. C. Lovelock, 191–199. Englewood Cliffs, NJ: Prentice-Hall. Zimmerman, Murray. 1979. “Suits for Malpractice Based on Alleged Unsightly Scars Resulting from Removal of Tattoos.” Journal of Dermatologic Surgery and Oncology 5: 911–912. Zolberg, Vera. 1990. Constructing a Sociology of the Arts. Cambridge: Cambridge University Press. Zurcher, Louis A. 1977. The Mutable Self. Beverly Hills, CA: Sage.
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CUSTOMIZING THE BODY
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Temple University Press 1601 North
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Preface to the Revised and Expanded
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ix Preface to the Revised and Expan
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xi Preface to the Revised and Expan
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xiii Preface to the Revised and Exp
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xv Preface to the Revised and Expan
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xvii Preface to the Revised and Exp
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xix Preface to the Revised and Expa
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Preface to the First Edition xxiii
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Preface to the First Edition xxv Pr
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3 Introduction duction world that r
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5 Introduction Body painting is anc
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7 Introduction erogenous zones and
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9 Introduction painful, it is commo
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11 Introduction for example, Kayan
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13 Introduction underworld (Richie,
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15 Introduction a heavily tattooed
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17 Introduction pain and necessitat
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19 Introduction were typically seen
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21 Introduction the corporeal chang
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23 Introduction ent within worlds o
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25 Introduction surrounding tattoo
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27 Introduction These dominant pers
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29 Introduction style. the occupati
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31 Introduction communicable diseas
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33 Introduction is presented as res
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35 Introduction artistic endeavor.
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38 Becoming and Being a Tattooed Pe
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Figure 3. The Tattoo as Social Symb
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64 The Tattooist been my safe place
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66 The Tattooist and psychologicall
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68 The Tattooist Few tattooists mak
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70 The Tattooist people in the busi
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73 The Tattooist (The tattoo artist
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75 The Tattooist complete tattoo. I
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77 The Tattooist in her kitchen. Ev
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79 The Tattooist reer which strongl
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81 The Tattooist does it hurtT "Com
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83 The Tattooist THE TATTOOIST'S CA
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85 The Tattooist me to tattoo the b
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88 The Tattooist like Burger King .
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90 The Tattooist the individual to
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92 The Tattooist Tattooists also ha
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94 The Tattooist tomorrow and let y
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96 The Tattooist that there is a ch
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98 The Tattooist above, tattooists,
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100 The Tattooist and fifty. Those
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102 The Tattooist "totemic" desires
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104 The Tattooist available to them
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106 The Tattooist I refused a guy l
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108 The Tattooist This change in th
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f styles. (Photo by D. Angus Vail)
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above: Tattoo by Filip Leu, The Le
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imi Hendrix and John Coltrane by Fi
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118 The Tattoo Relationship As is t
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120 The Tattoo Relationship he coul
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122 The Tattoo Relationship blouse
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124 The Tattoo Relationship name "R
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127 The Tattoo Relationship Positiv
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129 The Tattoo Relationship experie
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131 The Tattoo Relationship The reg
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133 The Tattoo Relationship Other p
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135 The Tattoo Relationship inexper
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137 The Tattoo Relationship the nee
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140 The Tattoo Relationship Followi
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142 The Tattoo Relationship expecte
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144 The Tattoo Relationship In rece
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146 The Tattoo Relationship tattooi
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148 The Tattoo Relationship the tat
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151 Conclusion tutional theory of a
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153 Conclusion arisen and learn fro
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155 Conclusion and give money to it
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157 Conclusion what are the chances
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159 Conclusion Works of Idea Art fr
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161 Conclusion the artistic redefin
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163 Conclusion symbolic demonstrati
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165 Epilogue 2008 ters, all would l
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167 Epilogue 2008 and the emphasis
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169 Epilogue 2008 The term “colle
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171 Epilogue 2008 design and execut
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173 Epilogue 2008 for three or four
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175 Epilogue 2008 1990s, become an
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177 Epilogue 2008 eyebrows and “l
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179 Epilogue 2008 The most recent m
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181 Epilogue 2008 distinguish among
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183 Epilogue 2008 supposedly made i
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185 Epilogue 2008 and perceptions o
Page 214 and 215: 187 Epilogue 2008 become more commi
Page 217 and 218: 190 Methodological Appendix Fairly
Page 219 and 220: 192 Methodological Appendix laborer
Page 221 and 222: 194 Methodological Appendix Figure
Page 223 and 224: 196 Methodological Appendix guys wh
Page 225 and 226: 198 Methodological Appendix increas
Page 227 and 228: 200 Methodological Appendix because
Page 229 and 230: 202 Methodological Appendix nomenon
Page 231 and 232: 204 Selected Tattoo Artist Websites
Page 233 and 234: 206 Notes to Preface to the Revised
Page 235 and 236: 208 Notes to Chapter 2 example, “
Page 237 and 238: 210 Notes to Chapter 2 of negative
Page 239 and 240: 212 Notes to Chapter 4 of female cl
Page 241 and 242: 214 Notes to Chapter 4 your mother
Page 243 and 244: 216 Notes to Chapter 5 Chapter 5 1.
Page 245 and 246: 218 Notes to Chapter 5 and resulted
Page 247 and 248: 220 Notes to Epilogue 2008 only foo
Page 249 and 250: 222 References ———. 1967. “
Page 251 and 252: 224 References Cummings, William, a
Page 253 and 254: 226 References Gittleson, N., G. Wa
Page 255 and 256: 228 References Research. Hirschman,
Page 257 and 258: 230 References University Press. Le
Page 259 and 260: 232 References 6 (May): 18 ff. Parr
Page 261 and 262: 234 References Carl (Shotsie) Gorma
Page 263: 236 References Investigation of Con
Page 267 and 268: 240 Index Body suit: construction o
Page 269 and 270: 242 Index Jackobson, Yehuda, 181 Ja
Page 271 and 272: 244 Index Spector, Malcolm, 35 Spig
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