Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
231 References Jacobs. 30–40. Palo Alto, CA: National Press. Measly, L. 1972. “The Psychiatric and Social Relevance of Tattoos in Royal Navy Detainees.” British Journal of Criminology 12: 182–186. Mennerick, Lewis. 1974. “Client Typologies: A Method of Coping with Conflict in the Service Worker-Client Relationship.” Sociology of Work and Occupations 1: 396–418. Merton, Robert. 1968. Social Theory and Social Structure. New York: MacMillan. Meyer, Ursula. 1972. Conceptual Art. New York: Dutton. Miles, Matthew, and A. M. Huberman. 1984. Qualitative Data Analysis. Beverly Hills. CA: Sage. Monaco, James. 1978. Media Culture. New York: Delta. Morse, Albert. 1977. The Tattooists. San Francisco: Albert Morse. Mosher, Donald, Wayne Oliver, and Jeffery Dolgan. 1967. “Body Image in Tattooed Prisoners.” Journal of Clinical Psychology 23: 31–32. Mukerji, Chandra. 1978. “Artwork: Collection and Contemporary Culture.” American Journal of Sociology 84: 348–365. Myers, James. 1992. “Nonmainstream Body Modification: Genital Piercing, Branding, Burning and Cutting.” Journal of Contemporary Ethnography 21 (3): 267–306. Napoleon, T., L. Chassin, and R. D. Young. 1980. “A Replication and Extension of Physical Attractiveness and Mental Illness.” Journal of Abnormal Psychology 89: 250–253. Neapolitan, Jerome. 1986. “Art, Craft and Art/Craft Segments Among Craft Media Workers.” Work and Occupations 13 (May): 203–216. Needelman, Burt, and Norman Weiner. 1977. “Appearance and Moral Status in the Arts.” Paper presented at the annual meeting of the Popular Culture Association in Baltimore. Needleman, Carla. 1979. The Work of Craft. New York: Knopf. Negrin, Llewellyn. 2000. “Some Thoughts on ‘Primitive’ Body Decoration.” Postcolonial Studies 3 (3): 331–5. Newman, Gustave. 1982. “The Implications of Tattooing in Prisoners.” Journal of Clinical Psychiatry 43: 231–234. Nicosia, Franco, and Robert Mayer. 1976. “Toward a Sociology of Consumption.” Journal of Consumer Research 3: 65–75. Nye, Russel. 1972. “Notes on Popular Culture.” In Side-Saddle on the Golden Calf, ed. G. Lewis. 13–19. Pacific Palisades, CA: Goodyear. Oettermann, Stephan. 1985. “An Art as Old as Humanity.” Introduction to Tattoo, by S. Richter, 11–17. London: Quartet. Olguin, B. V. 1997. “Tattoos, Abjection, and the Political Unconscious: Toward a Semiotics of the Pinto Visual Vernacular.” Cultural Critique 37: 159–213. Orten, James, and William Bell. 1974. “Personal Graffiti: The Rogue’s Tattoo.” Report of research in Psychology Today (January): 26, 90. Paine, Jocelyn. 1979. “Skin Deep: A Brief History of Tattooing.” Mankind
232 References 6 (May): 18 ff. Parry, Albert. 1971 [1933]. Tattoo: Secrets of a Strange Art Practiced by the Natives of the United States. New York: Collier. Pearlstein, Howard. 1978. “Handwriting on the Wall.” In Aesthetics of Graffiti. San Francisco: Museum of Modern Art, 5–8. Pellegrini, Aldo. 1966. New Tendencies in Art. New York: Crown. Peterson, Richard. 1976. “The Production of Culture: A Prolegomenon.” American Behavioral Scientist 19 (July): 669–684. ———. 1982. “Five Constraints on the Production of Culture: Law, Technology, Market, Organizational Structure and Occupational Careers.” Journal of Popular Culture 16 (2): 143–153. ———. 1983. “Patterns of Cultural Choice: A Prolegomenon.” American Behavioral Scientist 26: 422–438. Peterson, Richard, and David Berger. 1975. “Cycles in Symbolic Production: The Case of Popular Music.” American Sociological Review 40: 158–173. Pfuhl, Edward. 1986. The Deviance Process. 2nd ed. Belmont, CA: Wadsworth. Phillips, Susan A. 2001. “Gallo’s Body: Decoration and Damnation in the Life of a Chicano Gang Member.” Ethnography 2 (3): 357–388. Pitts, Victoria. 2003. In the Flesh: The Cultural Politics of Body Modification. New York: Palgrave/MacMillan. Polhemus, Ted, and Randall Housk. 1996. The Customized Body. London: Serpent’s Tale. Pollack, Otakar, and Elisabeth McKenna. 1945. “Tattooed Psychotic Patients.” American Journal of Psychiatry 101: 673–674. Popplestone, John. 1963. “A Syllabus of Exoskeletal Defenses.” Psychological Record 13: 15–25. Post, Richard. 1968. “The Relationship of Tattoos to Personality Disorder.” Journal of Criminal Law, Criminology and Police Science 59: 516–524. Pritchard, Stephen. 1999. “Traces of Authority: Anthropology and the Maori Tattoo’s ‘Proper’ Time.” Communal/Plural 7 (2): 177–194. ———. 2000. “Essence, Identity, Signature: Tattoos and Cultural Property.” Social Semiotics 10 (3): 331–346. ———. 2001. “An Essential Marking: Maori Tattooing and the Properties of Identity.” Theory, Culture, and Society 18 (4): 27–45. Prueitt, Melvin. 1984. Art and the Computer. New York: McGraw-Hill. Read, Madlen. 2006. “Workers’ Body Art Piercing Dress Codes.” The Hartford Courant, October 25, p. E2. Reuel, Peter. 2006. “Ink Goes Mainstream: One-in-Four Chance Adult Has Tattoo.” The Boston Herald, Sunday, June 18: 6. Richie, Donald. 1973. “The Japanese Art of Tattooing.” Natural History 82 (December): 50–59. Richie, Donald, and Ian Buruma. 1980. The Japanese Tattoo. New York: Weatherhill. Richter, Hans. 1965. Dada: Art and Anti-Art. New York: Oxford University Press.
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231 References<br />
Jacobs. 30–40. Palo Alto, CA: National Press.<br />
Measly, L. 1972. “The Psychiatric and Social Relevance of <strong>Tattoo</strong>s in Royal<br />
Navy Detainees.” British Journal of Criminology 12: 182–186.<br />
Mennerick, Lewis. 1974. “Client Typologies: A Method of Coping with<br />
Conflict in <strong>the</strong> Service Worker-Client Relationship.” Sociology of Work<br />
and Occupations 1: 396–418.<br />
Merton, Robert. 1968. Social Theory and Social Structure. New York:<br />
MacMillan.<br />
Meyer, Ursula. 1972. Conceptual Art. New York: Dutton.<br />
Miles, Mat<strong>the</strong>w, and A. M. Huberman. 1984. Qualitative Data Analysis.<br />
Beverly Hills. CA: Sage.<br />
Monaco, James. 1978. Media Culture. New York: Delta.<br />
Morse, Albert. 1977. The <strong>Tattoo</strong>ists. San Francisco: Albert Morse.<br />
Mosher, Donald, Wayne Oliver, and Jeffery Dolgan. 1967. “<strong>Body</strong> Image in<br />
<strong>Tattoo</strong>ed Prisoners.” Journal of Clinical Psychology 23: 31–32.<br />
Mukerji, Chandra. 1978. “Artwork: Collection and Contemporary<br />
Culture.” American Journal of Sociology 84: 348–365.<br />
<strong>My</strong>ers, James. 1992. “Nonmainstream <strong>Body</strong> Modification: Genital<br />
Piercing, Branding, Burning and Cutting.” Journal of Contemporary<br />
Ethnography 21 (3): 267–306.<br />
Napoleon, T., L. Chassin, and R. D. Young. 1980. “A Replication and<br />
Extension of Physical Attractiveness and Mental Illness.” Journal of<br />
Abnormal Psychology 89: 250–253.<br />
Neapolitan, Jerome. 1986. “Art, Craft and Art/Craft Segments Among Craft<br />
Media Workers.” Work and Occupations 13 (May): 203–216.<br />
Needelman, Burt, and Norman Weiner. 1977. “Appearance and Moral<br />
Status in <strong>the</strong> Arts.” Paper presented at <strong>the</strong> annual meeting of <strong>the</strong><br />
Popular Culture Association in Baltimore.<br />
Needleman, Carla. 1979. The Work of Craft. New York: Knopf.<br />
Negrin, Llewellyn. 2000. “Some Thoughts on ‘Primitive’ <strong>Body</strong> Decoration.”<br />
Postcolonial Studies 3 (3): 331–5.<br />
Newman, Gustave. 1982. “The Implications of <strong>Tattoo</strong>ing in Prisoners.”<br />
Journal of Clinical Psychiatry 43: 231–234.<br />
Nicosia, Franco, and Robert Mayer. 1976. “Toward a Sociology of Consumption.”<br />
Journal of Consumer Research 3: 65–75.<br />
Nye, Russel. 1972. “Notes on Popular Culture.” In Side-Saddle on <strong>the</strong><br />
Golden Calf, ed. G. Lewis. 13–19. Pacific Palisades, CA: Goodyear.<br />
Oettermann, Stephan. 1985. “An Art as Old as Humanity.” Introduction<br />
to <strong>Tattoo</strong>, by S. Richter, 11–17. London: Quartet.<br />
Olguin, B. V. 1997. “<strong>Tattoo</strong>s, Abjection, and <strong>the</strong> Political Unconscious:<br />
Toward a Semiotics of <strong>the</strong> Pinto Visual Vernacular.” Cultural Critique 37:<br />
159–213.<br />
Orten, James, and William Bell. 1974. “Personal Graffiti: The Rogue’s<br />
<strong>Tattoo</strong>.” Report of research in Psychology Today (January): 26, 90.<br />
Paine, Jocelyn. 1979. “Skin Deep: A Brief History of <strong>Tattoo</strong>ing.” Mankind
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