Customizing the Body (PDF file) - Print My Tattoo
Customizing the Body (PDF file) - Print My Tattoo Customizing the Body (PDF file) - Print My Tattoo
229 References Relationships. New York: Freeman. Jordon, Matt. 2005. Weirdo Deluxe: The Wild World of Pop Surrealism and Lowbrow Art. San Francisco: Chronicle Books. Kander, Joseph, and Harold Kohn. 1943. “A Note on Tattooing Among Selectees.” American Journal of Psychiatry 100: 326–327. Kang, Miliann, and Katherine Jones. 2007. “Why Do People Get Tattoos?” Contexts 6 (1): 42–47. Katz, Fred E., and H. W. Martin. 1962. “Career Choice Processes.” Social Forces 41: 149–154. Kealy, Edward. 1979. “From Craft to Art: The Case of Sound Mixers and Popular Music.” Sociology of Work and Occupations 6: 3–29. Kelly, J., and W. George. 1982. “Strategic Management Issues for the Retailing of Services.” Journal of Retailing 58: 26–43. Klofas, John, and Charles Cutshall. 1985. “Unobtrusive Research Methods in Criminal Justice: Using Graffiti in the Reconstruction of Institutional Cultures.” Journal of Research in Criminology and Delinquency 22: 355–373. Koch, Jerome, Zuojin Zhu, Julie Cannon, Myrna Armstrong, and Donna Owen. 2005. “College Students, Tattooing, and the Health Belief Model: Extending Social Psychological Perspectives on Youth Culture and Deviance.” Sociological Spectrum 25: 79–102. Kriesberg, Louis. 1952. “The Retail Furrier: Concepts of Security and Success.” American Journal of Sociology 52: 478–485. Kunzle, David. 1982. Fashion and Fetishism. Totowa, NJ: Rowman and Littlefield. Kurtzburg, Richard, Michael Lewin, Norman Cavior, and Douglas Lipton. 1967. “Psychologic Screening of Inmates Requesting Cosmetic Operations: A Preliminary Report.” Plastic and Reconstructive Surgery 39: 387–396. Laba, Martin. 1986. “Making Sense: Expressiveness, Stylization and the Popular Culture Process.” Journal of Popular Culture 19 (4): 107–117. Laumann, Anne, and Amy Derick. 2006. “Tattoos and Body Piercings in the United States: A National Data Set.” Journal of the American Academy of Dermatology 55 (3): 413–421. Lavell, Sharie, and Carson Lewis. 1982. “The Patient’s Experience of Aesthetic Regenerative Facial Surgery: A Composite.” Aesthetic Plastic Surgery 6: 247–249. Lee, Adrian. 2004 [2002]. Expert Tailoring: Suits Made to Fit. San Francisco, CA: NS Tattoo Collective/Last Gasp. Lemes, Andrew J. 1978. Tattoo: Trade Secrets. Los Angeles: Mimeographed Document. Levy, Jerome, Margaret Sewell, and Norman Goldstein. 1979. “A Short History of Tattooing.” Journal of Dermatologic Surgery and Oncology 5 (November): 851–864. Lewis, David. 1969. Convention: A Philosophical Study. Cambridge: Harvard
230 References University Press. Lewis, George, ed. 1972. Side-Saddle on the Golden Calf. Pacific Palisades, CA: Goodyear. ———. 1981. “Taste Cultures and Their Composition: Towards a New Theoretical Perspective.” In Mass Media and Social Change, ed. E. Katz and T. Szecsko, 201–218. Beverly Hills: Sage. ———. 1986. “Uncertain Truths: The Promotion of Popular Culture.” Journal of Popular Culture 20 (3): 31–44. Lofland, John. 1969. Deviance and Identity. Englewood Cliffs, NJ: Prentice-Hall. Lofland, Lynn. 1973. A World of Strangers. New York: Basic Books. Lomax, Alan. 1970. “Song Structure and Social Structure.” In The Sociology of Art and Literature, ed. M. Albrecht et al., 55–71. New York: Praeger. London, David, and Albert Della-Bitta. 1984. Consumer Behavior. New York: McGraw Hill. Lorimer, N., and E. Werner. 1992. “Tattoos and High Risk Behavior among Drug Addicts.” Medical Law 11: 167–174. Lovelock, Charles. 1984. Services Marketing. Englewood Cliffs. NJ: Prentice-Hall. Lurie, Alison. 1983. The Language of Clothes. New York: Vintage. Lyon, Eleanor. 1974. “Work and Play: Resource Constraints in a Small Theater.” Urban Life 3: 71–97. Maines, Rachel. 1985. “Evolution of the Potholder: From Technology to Popular Art.” Journal of Popular Culture 19 (1): 3–33. Manfredi, John. 1982. The Social Limits of Art. Amherst: University of Massachusetts Press. Manning, Peter. 1982. “Qualitative Methods.” In A Handbook of Social Science Methods, vol. 2, ed. R. Smith and P. Manning, 1–28. Cambridge, MA: Ballinger. Martorella, Rosanne. 1982. The Sociology of Opera. South Hadley, MA: Bergin. Mascia-Lees, Frances E., and Patricia Sharpe, eds. 1992. Tattoo, Torture, Mutilation, and Adornment: The Denaturalization of the Body in Culture and Text. Albany, NY: SUNY Press. Matza, David. 1969. Becoming Deviant. Englewood Cliffs, NJ: Prentice-Hall. McCall, Michal. 1977. “Art Without a Market: Creating Artistic Value in a Provincial Art World.” Symbolic Interaction 1: 32–43. Mcgregor, Francis. 1974. Transformation and Identity. New York: Quadrangle. Mcgregor, Francis, Theodora Abel, Albert Bryt, Edith Lauer, and Serena Weissmann. 1953. Facial Deformities and Plastic Surgery. Springfield, IL: Thomas. McKinstry, W. 1974. “The Pulp Voyeur: A Peek of Pornography in Public Places.” In Deviance: Field Studies and Self-Disclosures, ed. Jerry
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230 References<br />
University Press.<br />
Lewis, George, ed. 1972. Side-Saddle on <strong>the</strong> Golden Calf. Pacific Palisades,<br />
CA: Goodyear.<br />
———. 1981. “Taste Cultures and Their Composition: Towards a New<br />
Theoretical Perspective.” In Mass Media and Social Change, ed. E. Katz<br />
and T. Szecsko, 201–218. Beverly Hills: Sage.<br />
———. 1986. “Uncertain Truths: The Promotion of Popular Culture.”<br />
Journal of Popular Culture 20 (3): 31–44.<br />
Lofland, John. 1969. Deviance and Identity. Englewood Cliffs, NJ:<br />
Prentice-Hall.<br />
Lofland, Lynn. 1973. A World of Strangers. New York: Basic Books.<br />
Lomax, Alan. 1970. “Song Structure and Social Structure.” In The<br />
Sociology of Art and Literature, ed. M. Albrecht et al., 55–71. New York:<br />
Praeger.<br />
London, David, and Albert Della-Bitta. 1984. Consumer Behavior. New<br />
York: McGraw Hill.<br />
Lorimer, N., and E. Werner. 1992. “<strong>Tattoo</strong>s and High Risk Behavior among<br />
Drug Addicts.” Medical Law 11: 167–174.<br />
Lovelock, Charles. 1984. Services Marketing. Englewood Cliffs. NJ:<br />
Prentice-Hall.<br />
Lurie, Alison. 1983. The Language of Clo<strong>the</strong>s. New York: Vintage.<br />
Lyon, Eleanor. 1974. “Work and Play: Resource Constraints in a Small<br />
Theater.” Urban Life 3: 71–97.<br />
Maines, Rachel. 1985. “Evolution of <strong>the</strong> Potholder: From Technology to<br />
Popular Art.” Journal of Popular Culture 19 (1): 3–33.<br />
Manfredi, John. 1982. The Social Limits of Art. Amherst: University of<br />
Massachusetts Press.<br />
Manning, Peter. 1982. “Qualitative Methods.” In A Handbook of Social<br />
Science Methods, vol. 2, ed. R. Smith and P. Manning, 1–28. Cambridge,<br />
MA: Ballinger.<br />
Martorella, Rosanne. 1982. The Sociology of Opera. South Hadley, MA:<br />
Bergin.<br />
Mascia-Lees, Frances E., and Patricia Sharpe, eds. 1992. <strong>Tattoo</strong>, Torture,<br />
Mutilation, and Adornment: The Denaturalization of <strong>the</strong> <strong>Body</strong> in Culture<br />
and Text. Albany, NY: SUNY Press.<br />
Matza, David. 1969. Becoming Deviant. Englewood Cliffs, NJ: Prentice-Hall.<br />
McCall, Michal. 1977. “Art Without a Market: Creating Artistic Value in a<br />
Provincial Art World.” Symbolic Interaction 1: 32–43.<br />
Mcgregor, Francis. 1974. Transformation and Identity. New York:<br />
Quadrangle.<br />
Mcgregor, Francis, Theodora Abel, Albert Bryt, Edith Lauer, and Serena<br />
Weissmann. 1953. Facial Deformities and Plastic Surgery. Springfield,<br />
IL: Thomas.<br />
McKinstry, W. 1974. “The Pulp Voyeur: A Peek of Pornography in Public<br />
Places.” In Deviance: Field Studies and Self-Disclosures, ed. Jerry
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