Customizing the Body (PDF file) - Print My Tattoo

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229 References Relationships. New York: Freeman. Jordon, Matt. 2005. Weirdo Deluxe: The Wild World of Pop Surrealism and Lowbrow Art. San Francisco: Chronicle Books. Kander, Joseph, and Harold Kohn. 1943. “A Note on Tattooing Among Selectees.” American Journal of Psychiatry 100: 326–327. Kang, Miliann, and Katherine Jones. 2007. “Why Do People Get Tattoos?” Contexts 6 (1): 42–47. Katz, Fred E., and H. W. Martin. 1962. “Career Choice Processes.” Social Forces 41: 149–154. Kealy, Edward. 1979. “From Craft to Art: The Case of Sound Mixers and Popular Music.” Sociology of Work and Occupations 6: 3–29. Kelly, J., and W. George. 1982. “Strategic Management Issues for the Retailing of Services.” Journal of Retailing 58: 26–43. Klofas, John, and Charles Cutshall. 1985. “Unobtrusive Research Methods in Criminal Justice: Using Graffiti in the Reconstruction of Institutional Cultures.” Journal of Research in Criminology and Delinquency 22: 355–373. Koch, Jerome, Zuojin Zhu, Julie Cannon, Myrna Armstrong, and Donna Owen. 2005. “College Students, Tattooing, and the Health Belief Model: Extending Social Psychological Perspectives on Youth Culture and Deviance.” Sociological Spectrum 25: 79–102. Kriesberg, Louis. 1952. “The Retail Furrier: Concepts of Security and Success.” American Journal of Sociology 52: 478–485. Kunzle, David. 1982. Fashion and Fetishism. Totowa, NJ: Rowman and Littlefield. Kurtzburg, Richard, Michael Lewin, Norman Cavior, and Douglas Lipton. 1967. “Psychologic Screening of Inmates Requesting Cosmetic Operations: A Preliminary Report.” Plastic and Reconstructive Surgery 39: 387–396. Laba, Martin. 1986. “Making Sense: Expressiveness, Stylization and the Popular Culture Process.” Journal of Popular Culture 19 (4): 107–117. Laumann, Anne, and Amy Derick. 2006. “Tattoos and Body Piercings in the United States: A National Data Set.” Journal of the American Academy of Dermatology 55 (3): 413–421. Lavell, Sharie, and Carson Lewis. 1982. “The Patient’s Experience of Aesthetic Regenerative Facial Surgery: A Composite.” Aesthetic Plastic Surgery 6: 247–249. Lee, Adrian. 2004 [2002]. Expert Tailoring: Suits Made to Fit. San Francisco, CA: NS Tattoo Collective/Last Gasp. Lemes, Andrew J. 1978. Tattoo: Trade Secrets. Los Angeles: Mimeographed Document. Levy, Jerome, Margaret Sewell, and Norman Goldstein. 1979. “A Short History of Tattooing.” Journal of Dermatologic Surgery and Oncology 5 (November): 851–864. Lewis, David. 1969. Convention: A Philosophical Study. Cambridge: Harvard
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CUSTOMIZING THE BODY
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Temple University Press 1601 North
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Preface to the Revised and Expanded
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ix Preface to the Revised and Expan
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xi Preface to the Revised and Expan
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xiii Preface to the Revised and Exp
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xv Preface to the Revised and Expan
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xvii Preface to the Revised and Exp
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xix Preface to the Revised and Expa
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Preface to the First Edition xxiii
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Preface to the First Edition xxv Pr
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3 Introduction duction world that r
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5 Introduction Body painting is anc
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7 Introduction erogenous zones and
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9 Introduction painful, it is commo
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11 Introduction for example, Kayan
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13 Introduction underworld (Richie,
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15 Introduction a heavily tattooed
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17 Introduction pain and necessitat
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19 Introduction were typically seen
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21 Introduction the corporeal chang
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23 Introduction ent within worlds o
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25 Introduction surrounding tattoo
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27 Introduction These dominant pers
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29 Introduction style. the occupati
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31 Introduction communicable diseas
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33 Introduction is presented as res
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35 Introduction artistic endeavor.
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38 Becoming and Being a Tattooed Pe
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Figure 3. The Tattoo as Social Symb
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64 The Tattooist been my safe place
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66 The Tattooist and psychologicall
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68 The Tattooist Few tattooists mak
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70 The Tattooist people in the busi
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73 The Tattooist (The tattoo artist
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75 The Tattooist complete tattoo. I
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77 The Tattooist in her kitchen. Ev
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79 The Tattooist reer which strongl
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81 The Tattooist does it hurtT "Com
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83 The Tattooist THE TATTOOIST'S CA
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85 The Tattooist me to tattoo the b
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88 The Tattooist like Burger King .
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90 The Tattooist the individual to
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92 The Tattooist Tattooists also ha
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94 The Tattooist tomorrow and let y
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96 The Tattooist that there is a ch
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98 The Tattooist above, tattooists,
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100 The Tattooist and fifty. Those
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102 The Tattooist "totemic" desires
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104 The Tattooist available to them
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106 The Tattooist I refused a guy l
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108 The Tattooist This change in th
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f styles. (Photo by D. Angus Vail)
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above: Tattoo by Filip Leu, The Le
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imi Hendrix and John Coltrane by Fi
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118 The Tattoo Relationship As is t
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120 The Tattoo Relationship he coul
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122 The Tattoo Relationship blouse
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124 The Tattoo Relationship name "R
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127 The Tattoo Relationship Positiv
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129 The Tattoo Relationship experie
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131 The Tattoo Relationship The reg
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133 The Tattoo Relationship Other p
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135 The Tattoo Relationship inexper
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137 The Tattoo Relationship the nee
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140 The Tattoo Relationship Followi
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142 The Tattoo Relationship expecte
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144 The Tattoo Relationship In rece
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146 The Tattoo Relationship tattooi
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148 The Tattoo Relationship the tat
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151 Conclusion tutional theory of a
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153 Conclusion arisen and learn fro
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155 Conclusion and give money to it
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157 Conclusion what are the chances
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159 Conclusion Works of Idea Art fr
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161 Conclusion the artistic redefin
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163 Conclusion symbolic demonstrati
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165 Epilogue 2008 ters, all would l
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167 Epilogue 2008 and the emphasis
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169 Epilogue 2008 The term “colle
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171 Epilogue 2008 design and execut
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173 Epilogue 2008 for three or four
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175 Epilogue 2008 1990s, become an
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177 Epilogue 2008 eyebrows and “l
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Page 217 and 218: 190 Methodological Appendix Fairly
Page 219 and 220: 192 Methodological Appendix laborer
Page 221 and 222: 194 Methodological Appendix Figure
Page 223 and 224: 196 Methodological Appendix guys wh
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Page 229 and 230: 202 Methodological Appendix nomenon
Page 231 and 232: 204 Selected Tattoo Artist Websites
Page 233 and 234: 206 Notes to Preface to the Revised
Page 235 and 236: 208 Notes to Chapter 2 example, “
Page 237 and 238: 210 Notes to Chapter 2 of negative
Page 239 and 240: 212 Notes to Chapter 4 of female cl
Page 241 and 242: 214 Notes to Chapter 4 your mother
Page 243 and 244: 216 Notes to Chapter 5 Chapter 5 1.
Page 245 and 246: 218 Notes to Chapter 5 and resulted
Page 247 and 248: 220 Notes to Epilogue 2008 only foo
Page 249 and 250: 222 References ———. 1967. “
Page 251 and 252: 224 References Cummings, William, a
Page 253 and 254: 226 References Gittleson, N., G. Wa
Page 255: 228 References Research. Hirschman,
Page 259 and 260: 232 References 6 (May): 18 ff. Parr
Page 261 and 262: 234 References Carl (Shotsie) Gorma
Page 263 and 264: 236 References Investigation of Con
Page 266 and 267: Index Adler, Patricia and Peter, 11
Page 268 and 269: 241 Index Fellman, Sandi, 13, 160,
Page 270 and 271: 243 Index O’Reilly, Samuel F., 16
Page 272: 245 Index 214; process described, 4
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